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Accepting PhD Students

PhD projects

Traditional or folk music, bagpipe studies, Gaelic language and song studies and historical musicology.

20072025

Research activity per year

Personal profile

Biography

Born and raised in Alaska, Josh arrived in Scotland in 1992 to study Scottish Gaelic at the University of Aberdeen (MA, 1996). He then undertook doctoral research in the history of the piping tradition of the southern Outer Hebrides at the School of Scottish Studies, University of Edinburgh (PhD, 2001).

Professional highlights

Josh has performed publicly in the contemporary Gaelic music scene with Na Trì Seudan and Allan MacDonald’s award-winning 2004 Edinburgh Festival recital series, From Battlelines to Barlines.

Recent work has focused on curriculum enhancement research and implementation through the design of the ground-breaking BMus (Hons) Traditional Music programme at the Royal Conservatoire, establishment of innovative performance assessment practices, an honorary lectureship at the University of St Andrews, research publications such as West and McKerrell's Understanding Scotland Musically (2018) and through the founding of the international conference series 'Pedagogies, Practices and the Future of Folk Music in Higher Education', which has taken place in Glasgow (in partnership with the world-renowned Celtic Connections festival) and Helsinki. The next in the series is planned for Stockholm in 2021. 

Research interests

Josh's PhD thesis was published under the title When Piping Was Strong: Tradition, Change and the Bagpipe in South Uist (John Donald, 2006). His anthology of piping studies, The Highland Bagpipe: Music, History, Tradition, is published by Ashgate under its Popular & Folk Music series (2009).

His work has brought to light the role of women in the inheritance and transmission of traditional Gaelic canntaireachd in Hebridean life via the journals Scottish Studies and Review of Scottish Culture (2013). 

He is currently concerned with leading curricular reform which has helped position Scotland's national conservatoire as distinctive in the UK and wider Europe in the field of tertiary-level traditional/folk music education.

He has been a postdoctoral fellow of Celtic & Scottish Studies, University of Edinburgh, and acted as an assistant editor of peer-reviewed journal Scottish Studies.

Teaching commitments

Josh contributes broadly to the teaching of history and research skills across academic levels, to Gaelic language and song studies and to the pibroch syllabus within the Highland bagpipe curriculum. 

Education / Academic qualifications

PhD, University of Edinburgh

19972001

Award Date: 5 Dec 2001

MA, University of Aberdeen

19921996

Award Date: 2 Jul 1996

External positions

Member, Quality Review Group for the Irish World Academy of Music and Dance, University of Limerick, Irish World Academy of Music and Dance, University of Limerick

2019 → …

Team Member, Working Group for Diversity, Identity and Inclusiveness, Association Européenne des Conservatoires, Association of European Conservatoires

20182021

External Examiner, Scottish Ethnology (UG, MSc), Dept of Celtic and Scottish Studies, University of Edinburgh, School of Scottish Studies, University of Edinburgh

20182021

External Examiner, BA (Folk Music), Leeds College of Music / University of Hull

20172022

External Academic Advisor on undergraduate folk music studies, Leeds College of Music / University of Hull

20162017

External Examiner, MA Traditional Music, Dundalk Institute of Technology

20152017

External Examiner, FdA Music Production and Popular Music, Newcastle College Group and University of Newcastle

20152016

Honorary Lectureship, School of Philosophical, Social Anthropological and Film Studies, University of St Andrews

20142019

External Examiner, Irish World Academy of Music and Dance, University of Limerick

20132016

External Examiner, Centre for Int'l Music Studies, University of Newcastle

20122015

Collaborations and top research areas from the last five years

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