Personal profile
Biography
Professor Steve Halfyard (formerly publishing as Janet K. Halfyard) is Head of BMus programmes at RCS. Their research is mainly focused on music in horror/ supernatural and superhero film and TV, and publications include Danny Elfman’s Batman: a film score guide (Scarecrow Press, 2004), Sounds of Fear and Wonder: Music in Cult TV (IB Tauris, 2016) and the edited collections Music, Sound and Silence in Buffy the Vampire Slayer (Ashgate, 2010) and Music in Fantasy Cinema (Equinox, 2012). Music, Sound and Silence in Buffy the Vampire Slayer was awarded the Whedon Studies Association’s ‘Long Mr Pointy’ for the best book in Whedon Studies in 2010, and the chapter on music in Buffy in Sounds of Fear and Wonder won the ‘Short Mr Pointy’ for 2016. They co-edited the Palgrave Handbook of Music and Sound in Peak TV (2025) with Prof. Nicholas Reyland (RNCM), and is a series editor, along with Prof. Reyland and Prof. James Deaville (Carleton University), of the Palgrave Television Music and Sound series.
Steve has also published on extended vocal technique (which they also performed for many years) and edited a collection of essays on Berio’s Sequenzas (Ashgate, 2007). They have collaborated with a number of composers on new works, including Joseph Hyde, Ed Bennett and Simon Hall. Steve was a founding member of Ed Bennett’s contemporary music ensemble, Decibel, singing with the ensemble until 2007.
Steve was Assistant Course Director on the BMus at Royal Birmingham Conservatoire from 2001-2008, and Director of Undergraduate Studies (Music) there from 2008 onwards, before joining RCS in 2019.
Education / Academic qualifications
PhD, Only Connect: European music theatre in the context of Wagner's Gesamtkunstwerk and the early 20th century avant-garde, University of Birmingham
Sept 1991 → Jun 1995
Award Date: 26 Jun 1997
MA, Music Theatre, University of Birmingham
Sept 1990 → Sept 1991
Award Date: 12 Dec 1991
BSc, Music, The City University, London
Oct 1986 → Jun 1989
Award Date: 8 Dec 1989
External positions
Series Editor, Palgrave Studies in Television Music and Sound
9 Oct 2024 → …
Collaborations and top research areas from the last five years
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Music, Mystery and Monstrous Agency: The musical construction of the White Walkers in HBO’s Game of Thrones
Halfyard, S., 2026, (In preparation).Research output: Contributions to conferences › Paper › peer-review
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REHEARING THE SUPERHERO IN THE 21ST CENTURY: Superman, Wonder Woman, and Music
Halfyard, S., 29 Oct 2025, The Routledge Companion to Superhero Studies. Piatti-Farnell, L. & Wilson, C. (eds.). Abingdon (UK) and New York: Routledge, p. 182-192 11 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
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The HBO Musical Effect: Musical Innovation and Transformation in the Era of Peak TV
Halfyard, S., Dec 2024, The Palgrave Handbook of Music and Sound in Peak TV. Halfyard, J. & Reyland, N. (eds.). Cham, Switzerland: Palgrave Macmillan, p. 157-179 23 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
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The Palgrave Handbook of Music and Sound in Peak TV
Halfyard, S. (Editor) & Reyland, N. (Editor), Dec 2024, Cham, Switzerland: Palgrave Macmillan. 545 p.Research output: Books, editions or reports › Anthology › peer-review
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“Music and the Sympathetic Vampire”
Halfyard, S., 2023, The Palgrave Handbook of the Vampire. Bacon, S. (ed.). Cham, Switxzerland: Palgrave Macmillan, https://doi.org/10.1007/978-3-030-82301-6_64-1Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Engagement Activities
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Monster Media Conference
Halfyard, S. (Organiser)
2026Activity: Participating in or organising an event › Participation in an academic conference, workshop or symposium
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Severance through Convergence: The In(nie)s and Out(ie)s of Music, Sound, and a Fantastic Diegesis
Halfyard, S. (Speaker)
26 Jun 2025Activity: External performance, talk or presentation › Talk for a mainly academic audience (e.g. at an academic conference)
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“Just a Girl: Buffy, Captain Marvel, and The Challenges of Writing Music for A (Female) Superhero”
Halfyard, S. (Keynote speaker)
Jul 2024Activity: External performance, talk or presentation › Talk for a mainly academic audience (e.g. at an academic conference)
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BAFTSS Horror Studies SIG
Halfyard, S. (Invited speaker)
15 May 2024 → …Activity: Participating in or organising an event › Participation in an academic conference, workshop or symposium
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Palgrave Macmillan (Publisher)
Halfyard, S. (Editor)
2024 → …Activity: Publication peer-review and editorial work › Editorial activity for an academic publication