Details
Analysis of hypermeter and precise formal proportions hidden in the formal outlines and rhythms Schubert's last piano sonatas; they would appear to have been deliberately designed.
| Original language | English |
|---|---|
| Title of host publication | Schubert Studies |
| Editors | Brian Newbould |
| Place of Publication | Aldershot |
| Publisher | Ashgate |
| Chapter | 7 |
| Pages | 168–92 |
| Number of pages | 25 |
| ISBN (Print) | 1-85928-253-9 |
| Publication status | Published or Performed - 1998 |
Keywords
- piano sonata
- proportions
- hypermeter
- golden section
- symmetry
Research output
- 1 Chapter
-
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
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