Details
This article focuses on resilience and chronic pain in the context of choreography and performance. Through critically-creatively reflecting on my practice-as-research project, Ecologies of Pain, I explore practices of resilience that emerge from turning towards and working creatively with chronic pain. I draw from two strands of the performance research – collaborating with disabled artist Raquel Meseguer and devising a new autobiographical solo performance, Pain and I. Taking disability studies as my critical framework, I think through a cripped politics of resilience, where chronic pain bodies are understood as valid, valuable and skilled.
| Original language | English |
|---|---|
| Pages (from-to) | 121-136 |
| Number of pages | 15 |
| Journal | Research in Drama Education: The Journal of Applied Theatre and Performance |
| Volume | 26 |
| Issue number | 1 |
| Publication status | Published or Performed - 18 Jan 2021 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being -
SDG 10 Reduced Inequalities
Keywords
- chronic pain
- crip
- disability
- choreography
- resilience
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Pain and I: audio piece
Hopfinger, S. (Performer), May 2021Research output: Performances, compositions and other non-textual forms › Performance
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Pain and I
Hopfinger, S. (Performer), 2020Research output: Performances, compositions and other non-textual forms › Performance
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Practice-led Research Methods: Ecologies of Pain
Hopfinger, S., 6 Mar 2020.Research output: Contributions to conferences › Paper
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