Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

Roy Howat, Emily Kilpatrick

Research output: Contributions to journalsArticlepeer-review

Original languageEnglish
Article number3
Pages (from-to)303–37
Number of pages35
JournalJournal of the Royal Musical Association
Volume139
Issue number2
Publication statusPublished or Performed - 2014

Keywords

  • Fauré
  • songs
  • La Bonne Chanson
  • original key
  • transposition
  • Fauré Tag

    Howat, R. (Invited speaker)

    24 Dec 2018

    Activity: Participating in or organising an eventParticipation in a professional or community conference, workshop or symposium

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