Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

Original language	English
Article number	3
Pages (from-to)	303–37
Number of pages	35
Journal	Journal of the Royal Musical Association
Volume	139
Issue number	2
Publication status	Published or Performed - 2014

Keywords

• Fauré
• songs
• La Bonne Chanson
• original key
• transposition

Research output

• 3 Scholarly edition
• 1 Chapter
• 1 CD/DVD/other digital output

• Fauré’s Individual Songs and Collections

  Howat, R., 2026, The Cambridge Companion to French Art Song. Rumph, S. (ed.). Cambridge: Cambridge University Press, p. 91-110 20 p. (Cambridge Companion).

  Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

• Gabriel Fauré Centenary Songbook: 15 songs for voice and piano; edition for medium voice

  Howat, R. (Editor) & Kilpatrick, E. (Editor), May 2024, Leipzig, London, New York: Faber Music (for Peters Edition). 87 p. (Gabriel Fauré Complete Songs)

  Research output: Books, editions or reports › Scholarly edition › peer-review

• Gabriel Fauré Centenary Songbook: 15 songs for voice and piano; edition for high voice

  Howat, R. & Kilpatrick, E., May 2024, Leipzig, London, New York: Faber Music (for Peters Edition). 87 p. (Gabriel Fauré Complete Songs)

  Research output: Books, editions or reports › Scholarly edition › peer-review

View all 5 research outputs

Activities

• 1 Participation in a professional or community conference, workshop or symposium

• Fauré Tag

  Howat, R. (Invited speaker)

  24 Dec 2018

  Activity: Participating in or organising an event › Participation in a professional or community conference, workshop or symposium

Cite this

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• Vancouver

Howat, R., & Kilpatrick, E. (2014). Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”. Journal of the Royal Musical Association, 139(2), 303–37. Article 3.

Howat, Roy ; Kilpatrick, Emily. / Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”. In: Journal of the Royal Musical Association. 2014 ; Vol. 139, No. 2. pp. 303–37.

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author = "Roy Howat and Emily Kilpatrick",

year = "2014",

language = "English",

volume = "139",

pages = "303–37",

journal = "Journal of the Royal Musical Association",

publisher = "Routledge",

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Howat, R & Kilpatrick, E 2014, 'Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”', Journal of the Royal Musical Association, vol. 139, no. 2, 3, pp. 303–37.

Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”. / Howat, Roy; Kilpatrick, Emily.
In: Journal of the Royal Musical Association, Vol. 139, No. 2, 3, 2014, p. 303–37.

Research output: Contributions to journals › Article › peer-review

TY - JOUR

T1 - Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

AU - Howat, Roy

AU - Kilpatrick, Emily

PY - 2014

Y1 - 2014

KW - Fauré

KW - songs

KW - La Bonne Chanson

KW - original key

KW - transposition

M3 - Article

VL - 139

SP - 303

EP - 337

JO - Journal of the Royal Musical Association

JF - Journal of the Royal Musical Association

IS - 2

M1 - 3

ER -

Howat R, Kilpatrick E. Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”. Journal of the Royal Musical Association. 2014;139(2):303–37. 3.