Details
With the growth of free improvisation as a field of study within academic institutions there is a need to investigate the fundamental musical and psychological processes that lie behind this creative form of social activity. This chapter presents interviews with eight expert free-improvising musicians. The interviews focused on how the participants developed their creative skills, and offer insights into their learning processes. Thematic analysis of the transcribed interviews highlights three main learning modes: autodidactism, mentoring and learning in a social context. These areas of learning influenced conceptual and practical approaches to performance, and participants emphasised the importance of mentoring and group learning as critical elements in their becoming improvising musicians. The experiences of the interviewees reveal the socially constructed nature of musical development and creativity, and the nature of the social environments in which learning can take place.
| Original language | English |
|---|---|
| Title of host publication | Distributed creativity : collaboration and improvisation in contemporary music |
| Editors | Eric Clarke, Mark Doffman |
| Place of Publication | New York |
| Publisher | Oxford University Press |
| Pages | 278-296 |
| Number of pages | 18 |
| ISBN (Electronic) | 9780199355945 |
| ISBN (Print) | 9780199355914 |
| DOIs | |
| Publication status | Published or Performed - 14 Dec 2017 |
Keywords
- expert improvisers
- autodidacts
- social engagement
- music scenes
Related Objectives in the Royal Conservatoire's Strategic Plan to 2030
- People: Talented and motivated Staff who use artistic, research, professional and industry developments to enhance the conservatoire’s international leadership in multi-arts education from pre-HE to all ages
- Place: Playing a prominent role in national cultural leadership as well as enhancing our global artistic & educational impact. Being active citizens of Glasgow as well as having a positive creative impact wherever we are.