Details
‘Livecoding’ is a practice where creative artists who work with computer code perform live, often producing music and/or visuals, with the audience typically able to watch the evolution of the code on a projected screen.
In this lecture recital, I take a reflective approach to my improvising practice using the music programming language SuperCollider. The presentation is in three parts:
• an outline of some current practices in livecoded music, with particular reference to the algorave scene
• an improvised livecode performance using non-commercial samples: for instance, extended techniques for flute, prepared piano
• a reflection on my current practice as a livecoder, noting intersections with work as a composer and teacher
In this lecture recital, I take a reflective approach to my improvising practice using the music programming language SuperCollider. The presentation is in three parts:
• an outline of some current practices in livecoded music, with particular reference to the algorave scene
• an improvised livecode performance using non-commercial samples: for instance, extended techniques for flute, prepared piano
• a reflection on my current practice as a livecoder, noting intersections with work as a composer and teacher
Original language | English |
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Publication status | Published or Performed - 28 Jun 2018 |
Event | Hub for Artistic Research in Performance - Royal Northern College of Music, Manchester, United Kingdom Duration: 28 Jun 2018 → 29 Jun 2018 Conference number: 1 https://www.rncm.ac.uk/research/research-centres-rncm/harp/ |
Conference
Conference | Hub for Artistic Research in Performance |
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Abbreviated title | HARP |
Country/Territory | United Kingdom |
City | Manchester |
Period | 28/06/18 → 29/06/18 |
Internet address |