Karen McAulay
Performing Arts Librarian
Work
- Published or Performed
Strathspeys, Reels, and Instrumental Airs: A National Product
McAulay, K., 3 Jan 2022, Music by subscription: composers and their networks in the British music-publishing trade, 1676-1820,. Fleming, S. & Perkins, M. (eds.). New York: Routledge, p. 177-197 21 p. (Routledge Research in Music).Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Brio Vol.56 no.2 Special Issue: 'Claimed from Stationers' Hall' : papers from an AHRC-funded network project
McAulay, K. (Guest ed.), Robertson-Kirkland, B. E., Holmes, M. (ed.), Bohme, A., Maclean, R., Harding, B., Henderson, E., McAulay, K., Pirie, J., Stanley, R., O'Shea, S., Jones, M., Chesser, R., Ridgewell, R., Jones, M., Bridge, D. & Lawrence, E. Q., 4 Jan 2020, In: Brio. 56, 2, 113 p.Research output: Contributions to journals › Special issue › peer-review
- Published or Performed
Review of:- James Porter, Beyond Fingal’s Cave: Ossian in the Musical Imagination (University of Rochester Press, 2019)
McAulay, K., 31 Dec 2020, In: Brio. 57, 2, p. 74-76 3 p.Research output: Contributions to journals › Book/Film/Article review › peer-review
- Published or Performed
The Cinderella of Stationers’ Hall: music (and metadata) in Georgian legal deposit libraries
McAulay, K., 20 Dec 2020, Catalogue and Index. Chartered Institute of Library and Information Professionals (CILIP) Metadata and Discovery Group, Vol. 201. p. Online 5 p. (Catalogue and Index; vol. 201).Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
- Published or Performed
A Music Library for St Andrews: use of the University’s Copyright Music Collections, 1801-1849
McAulay, K., 18 Dec 2020, In: Journal of the Edinburgh Bibliographical Society. 15, p. 13-33 21 p., 1.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Discovering copyright music in the University of St Andrews Library
McAulay, K., Harding, B. & Henderson, E., Dec 2019, In: Brio. 56, 2, p. 38-49 12 p.Research output: Contributions to journals › Special issue › peer-review
- Published or Performed
Lee Marshall, Bootlegging: Romanticism and Copyright in the Music Industry: (Sage, 2005) Book Review
McAulay, K., Dec 2019, In: Brio. 56, 2, p. 106-109 3 p.Research output: Contributions to journals › Book/Film/Article review › peer-review
- Published or Performed
Book parts, ed. Dennis Duncan and Adam Smyth: (Oxford University Press, 2919) Book Review
McAulay, K., Dec 2019, In: Brio. 56, 2, p. 101-103 3 p.Research output: Contributions to journals › Book/Film/Article review › peer-review
- Published or Performed
Derek Miller, Copyright and the value of performance, 1770-1911: (Cambridge Univerity Press, 2018) Book Review
McAulay, K., Dec 2019, In: Brio. 56, 2, p. 99-101 3 p.Research output: Contributions to journals › Book/Film/Article review › peer-review
- Published or Performed
The sound of forgotten music: Karen McAulay uncovers some of the great female composers who have been lost from history
McAulay, K., 11 Sept 2020, 2 p. Dundee : D C Thomson.Research output: Other contributions › Other contribution