Richard Ewan McGregor
Work
- Book › Research › Not peer-reviewed
- Published or Performed
The Music of Peter Maxwell Davies
McGregor, R. & Jones, N., 20 Feb 2020, Woodbridge: The Boydell Press. 384 p.Research output: Books, editions or reports › Book
- Chapter › Research › Peer-reviewed
- Published or Performed
An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’
McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Because the drummed rhythm was seven …
McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
MacMillan’s ‘Mission’ and the Passion settings
McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Music Transcendent and Mundane
McGregor, R., 2014, Spirituality in the 21st Century: Engagements with Meaning. Hochheimer, J. L., Weiss, M. & Çelik, D. A. (eds.). Oxford: Inter-Disciplinary Press, p. 163-74Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Spiritus(,) carminis
McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Chapter › Research › Not peer-reviewed
- Published or Performed
Compositional Processes in some works of the 1980s
McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
Hunting and Forms: An Interview with Wolfgang Rihm
McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
Max the Symphonist
McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
Maxwell Davies’s sources: reflections on origins, meanings and significance
McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
Muzyka Petera Maxwella Daviesa
McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
The Persistence of Parody in the Music of Peter Maxwell Davies
McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Published or Performed
Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'
McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42Research output: Contributions to books, editions, reports or conference proceedings › Chapter
- Book/Film/Article review › Research › Not peer-reviewed
- Published or Performed
Maxwell Davies: Mr Emmet Takes a Walk
McGregor, R. E., 2007, In: Tempo. 241, p. 83-4Research output: Contributions to journals › Book/Film/Article review
- Article › Research › Peer-reviewed
- Published or Performed
"A Metaphor for the Deeper Wintriness”: Exploring James MacMillan’s Musical Identity
McGregor, R. E., 2011, In: Tempo. 65, 257, p. 22-39Research output: Contributions to journals › Article › peer-review
- Published or Performed
"The Blast has arrived at the Body" - Rihm's creative explosion in 1981
McGregor, R., 2017, In: Contemporary Music Review. 36, 4, p. 237-78Research output: Contributions to journals › Article › peer-review
- Published or Performed
• Wolfgang Rihm: Aspects of Unity and Diversity in His Compositional Processes
McGregor, R., 2017, In: Contemporary Music Review. 36, 4, p. 203-6Research output: Contributions to journals › Article › peer-review
- Published or Performed
In Plain Sight: Aspects of Developmental Process in Sally Beamish’s 'Seafarer' Trilogy
McGregor, R., 2017, In: Scottish Music Review. 5, p. 88-114Research output: Contributions to journals › Article › peer-review
- Published or Performed
James MacMillan’s 'O Bone Jesu’
McGregor, R. E., 2011, In: Scottish Music Review. 2, 1, p. 1-14Research output: Contributions to journals › Article › peer-review
- Published or Performed
'Laus Deo’ – composers’ views of their spirituality
McGregor, R. E., 2006, In: Spirituality and Health International . 6, 4, p. 238-45Research output: Contributions to journals › Article › peer-review