Roy Howat

Senior Research Fellow

Work

  1. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reportsBook

  2. Published or Performed

    An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.

    Howat, R. & Kilpatrick, E., 2013, C. F. Peters. 57 p.

    Research output: Books, editions or reportsScholarly edition

  3. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  4. Published or Performed

    The Art of French Piano Music: Debussy, Ravel, Faure, Chabrier

    Howat, R., 2009, Yale University Press.

    Research output: Books, editions or reportsBook

  5. Published or Performed

    Roy Howat and Chabrier

    Howat, R., 2 Mar 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  6. Published or Performed

    GABRIEL FAURÉ: Complete Songs Volume 1: 1861 - 1882

    Howat, R. & Underwood, C., 11 Mar 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  7. Published or Performed

    Rite of Spring @ 100

    Howat, R., Shorr, A. J., Plowright, J., Choi, H., Arder, L. & McNaught, G., 10 Mar 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  8. Published or Performed

    En Blanc et Noir

    Howat, R. & Shorr, A. J., 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  9. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    The Œuvres complètes de Claude Debussy thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  14. Published or Performed

    Two Editions of Ravel's Piano Trio

    Howat, R., Dec 2013, In : Notes. 70, 2, p. 325-332 8 p.

    Research output: Contributions to journalsBook/Film/Article review

  15. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  16. Published or Performed

    Making sense of Chopin’s Etude in E, op. 10 no. 3

    Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  17. Published or Performed

    Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)

    Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)

    Research output: Books, editions or reportsScholarly edition

  18. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  19. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  20. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBook

  22. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  23. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  24. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  26. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  27. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

  28. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

  29. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  30. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  31. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  32. Published or Performed

    Gabriel Fauré: Complete Shorter Works for Cello

    Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.

    Research output: Books, editions or reportsScholarly edition

  33. Published or Performed

    Symmetries overt and hidden in musical form

    Howat, R., 2018, In : Symmetry: Art and Science. 79, 2, p. 265-277 13 p.

    Research output: Contributions to journalsArticle

  34. Published or Performed

    The voice of the Translator: An interview with Roy Howat

    Howat, R. & Schulte, R., 2015, In : Translation Review. 91, p. 1-15 15 p., 1.

    Research output: Contributions to journalsArticle

  35. Published or Performed

    Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales

    Howat, R., 2015, In : Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.

    Research output: Contributions to journalsArticle

  36. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In : Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticle

  37. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In : Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticle

  38. Published or Performed

    Gabriel Fauré, The Complete Verlaine Settings

    Howat, R., Boutté, T. & Kilpatrick, E., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  39. Published or Performed

    Gabriel Fauré, Songs for Bass Voice and Piano

    Howat, R. & Schwartz, J., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  40. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  41. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In : Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticle

  42. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In : Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticle

  43. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  44. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  45. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  46. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  47. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  48. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  49. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  50. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

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