Roy Howat
Senior Research Fellow
Work
- Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy, Claude: 10: Musical language
Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition editionResearch output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Gabriel Fauré: Complete Shorter Works for Cello
Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Symmetries overt and hidden in musical form
Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
The voice of the Translator: An interview with Roy Howat
Howat, R. & Schulte, R., 2015, In: Translation Review. 91, p. 1-15 15 p., 1.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales
Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Editing Fauré: A fresh look at La Bonne Chanson
Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”
Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Gabriel Fauré, Songs for Bass Voice and Piano
Howat, R. & Schwartz, J., 2015Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
- Published or Performed
Gabriel Fauré, Lydia’s Vocalises
Howat, R. & Freeman-Attwood, J., 2014Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
- Published or Performed
Gabriel Fauré, the Paris Conservatoire and his collected Vocalises
Howat, R. & Kilpatrick, E., 2013, In: Singing (Journal of the AOTOS). 64, p. 9-13 5 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Debussy and the Orient
Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Sonata for Two Pianos and Percussion
Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
- Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review