Roy Howat
Senior Research Fellow
Work
- Published or Performed
Symmetries overt and hidden in musical form
Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Gabriel Fauré: Complete Shorter Works for Cello
Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Debussy, Claude: 10: Musical language
Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition editionResearch output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
- Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
The origins of the Œuvres complètes de Claude Debussy
Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Chopin. pianist and teacher: As seen by his pupils
Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.Research output: Books, editions or reports › Book › peer-review
- Published or Performed
Debussy in proportion: A musical analysis
Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.Research output: Books, editions or reports › Book › peer-review
- Published or Performed
Russian imprints in Debussy’s piano music
Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Claude Debussy, Trio pour piano, violon & violoncelle
Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Making sense of Chopin’s Etude in E, op. 10 no. 3
Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.Research output: Contributions to specialist professional publications › Article
- Published or Performed
Chopin’s Etudes and the new Peters Complete Chopin
Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.Research output: Contributions to specialist professional publications › Article
- Published or Performed
Two Editions of Ravel's Piano Trio
Howat, R., Dec 2013, In: Notes. 70, 2, p. 325-332 8 p.Research output: Contributions to journals › Book/Film/Article review › peer-review
- Published or Performed
Jean-Jacques Eigeldinger
Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
- Published or Performed
Le wagnérisme de Fauré: Pénélope (1913) et les mélodies
Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy’s En blanc et noir and « le souci des proportions »
Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review