Roy Howat
Senior Research Fellow
Work
- Published or Performed
Hidden Treasure: Rediscovering La Chanson d’Ève
Howat, R. & Kilpatrick, E., Nov 2022, In: Journal of singing. 79, 2, p. 145-61 17 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Inside rather than under the composer's skin: Another tilt at being Authentic
Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Jean-Jacques Eigeldinger
Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
- Published or Performed
- Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales
Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Le wagnérisme de Fauré: Pénélope (1913) et les mélodies
Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation
Howat, R., 2013, Regards sur Debussy. FayardResearch output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Lunch hour concert
Howat, R., 12 Sept 2019Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Lunch hour concert
Howat, R., Skærved, P. S. & Heyde, N., 21 Mar 2018Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Making sense of Chopin’s Etude in E, op. 10 no. 3
Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.Research output: Contributions to specialist professional publications › Article
- Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)
Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Ravel and the piano
Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Rite of Spring @ 100
Howat, R., Shorr, A. J., Plowright, J., Choi, H., Arder, L. & McNaught, G., 10 Mar 2013Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Roy Howat and Chabrier
Howat, R., 2 Mar 2015Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Russian imprints in Debussy’s piano music
Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Sonata for Two Pianos and Percussion
Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review