Roy Howat
Senior Research Fellow
Work
- Published or Performed
Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
GABRIEL FAURÉ: Complete Songs Volume 1: 1861 - 1882
Howat, R. & Underwood, C., 11 Mar 2015Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Fryderyk Chopin: Trois Nouvelles Études: 3 Études pour la Méthode des Méthodes
Howat, R. (ed.), 2021, Leipzig, London, New York: Peters Edition. 19 p. (The Complete Chopin: A new critical edition)Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Fryderyk Chopin, Etudes Op. 10: 12 Etudes for piano, Op. 10
Howat, R. (ed.), 2023, Leipzig, London, New York: Peters Edition. 78 p. (The Complete Chopin: A new critical edition)Research output: Books, editions or reports › Scholarly edition › peer-review
- Published or Performed
Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”
Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Fauré the practical interpreter
Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
En Blanc et Noir
Howat, R. & Shorr, A. J., 2013Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Editorial Challenges in the Early Songs of Gabriel Fauré
Howat, R. & Kilpatrick, E., 2011, In: Notes. 68, 2, p. 239–283 45 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Editing Fauré: A fresh look at La Bonne Chanson
Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.Research output: Contributions to journals › Article › peer-review
- Published or Performed
Debussy’s Welte roll of La plus que lente
Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 356-372 17 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy’s piano music: sources and performance
Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy’s En blanc et noir and « le souci des proportions »
Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy, Claude: 10: Musical language
Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition editionResearch output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
- Published or Performed
Debussy, Bartók és a természeti formák
Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy in proportion: A musical analysis
Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.Research output: Books, editions or reports › Book › peer-review
- Published or Performed
Debussy et le piano
Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Debussy and the Orient
Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Concert IV: The Piano Music of Claude Debussy
Howat, R., 13 Oct 2018Research output: Performances, compositions and other non-textual forms › Performance
- Published or Performed
Claude Debussy, Trio pour piano, violon & violoncelle
Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)Research output: Books, editions or reports › Scholarly edition › peer-review