Roy Howat

Senior Research Fellow

Work

  1. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In : Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticle

  2. Published or Performed

    En Blanc et Noir

    Howat, R. & Shorr, A. J., 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  3. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In : Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticle

  4. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In : Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticle

  5. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  6. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  7. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  8. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBook

  10. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Concert IV: The Piano Music of Claude Debussy

    Howat, R., 13 Oct 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  13. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  14. Published or Performed

    Claude Debussy, Pièce pour violoncelle et piano, dite Nocturne et Scherzo

    Howat, R., 12 Mar 2018, Paris: Durand. 17 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  15. Published or Performed

    Claude Debussy, Intermezzo pour violoncelle et piano

    Howat, R., 12 Mar 2018, Paris: Durand. 15 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  16. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  18. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reportsBook

  19. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.

    Howat, R. & Kilpatrick, E., 2013, C. F. Peters. 57 p.

    Research output: Books, editions or reportsScholarly edition

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