Roy Howat
Senior Research Fellow
Work
- Chapter › Research › Peer-reviewed
- Published or Performed
Fauré the practical interpreter
Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Inside rather than under the composer's skin: Another tilt at being Authentic
Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
- Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Le wagnérisme de Fauré: Pénélope (1913) et les mélodies
Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation
Howat, R., 2013, Regards sur Debussy. FayardResearch output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Ravel and the piano
Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
- Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review