Browse Work

  1. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  2. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  3. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Two Editions of Ravel's Piano Trio

    Howat, R., Dec 2013, In: Notes. 70, 2, p. 325-332 8 p.

    Research output: Contributions to journalsBook/Film/Article reviewpeer-review

  5. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  6. Published or Performed

    Making sense of Chopin’s Etude in E, op. 10 no. 3

    Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  7. Published or Performed

    Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)

    Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)

    Research output: Books, editions or reportsScholarly editionpeer-review

  8. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly editionpeer-review

  9. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  10. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBookpeer-review

  12. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  17. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  18. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  19. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  20. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly editionpeer-review