Browse Work

  1. Published or Performed

    The 'Œuvres complètes de Claude Debussy' thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  2. Published or Performed

    Beethoven Explored, Vol. 6: The Chamber Eroica

    Shorr, A. J., Skærved, P. S., Heyde, N. & Scheindlin, D., Feb 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  3. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  4. Published or Performed

    Free Radicals

    Shorr, A. J., MacDonald, A., Pett, A., Poll, A-L. & Kanno, M., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  5. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)

    Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)

    Research output: Books, editions or reportsScholarly editionpeer-review

  7. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  8. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  9. Published or Performed

    Lunch hour concert

    Howat, R., Skærved, P. S. & Heyde, N., 21 Mar 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  10. Published or Performed

    Claude Debussy, Intermezzo pour violoncelle et piano

    Howat, R., 12 Mar 2018, Paris: Durand. 15 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  11. Published or Performed

    Claude Debussy, Pièce pour violoncelle et piano, dite Nocturne et Scherzo

    Howat, R., 12 Mar 2018, Paris: Durand. 17 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  12. Published or Performed

    Lunch hour concert

    Howat, R., 12 Sep 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  13. Published or Performed

    Concert IV: The Piano Music of Claude Debussy

    Howat, R., 13 Oct 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  14. Published or Performed

    Guest Recital: piano music of Debussy

    Howat, R., Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  15. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In: Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticlepeer-review

  16. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  22. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  23. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  25. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  26. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  27. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In: Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticlepeer-review

  28. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  29. Published or Performed

    Gabriel Fauré, Songs for Bass Voice and Piano

    Howat, R. & Schwartz, J., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  30. Published or Performed

    Gabriel Fauré, The Complete Verlaine Settings

    Howat, R., Boutté, T. & Kilpatrick, E., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  31. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticlepeer-review

  32. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticlepeer-review

  33. Published or Performed

    Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales

    Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.

    Research output: Contributions to journalsArticlepeer-review

  34. Published or Performed

    The voice of the Translator: An interview with Roy Howat

    Howat, R. & Schulte, R., 2015, In: Translation Review. 91, p. 1-15 15 p., 1.

    Research output: Contributions to journalsArticlepeer-review

  35. Published or Performed

    Symmetries overt and hidden in musical form

    Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.

    Research output: Contributions to journalsArticlepeer-review

  36. Published or Performed

    Gabriel Fauré: Complete Shorter Works for Cello

    Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  37. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  38. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  39. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  40. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  43. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  44. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reportsBookpeer-review

  45. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBookpeer-review

  46. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  47. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  48. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly editionpeer-review

  49. Published or Performed

    Making sense of Chopin’s Etude in E, op. 10 no. 3

    Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  50. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publicationsArticle

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