Browse Work

  1. 1983
  2. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBook

  3. 1986
  4. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reportsBook

  5. 1988
  6. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  7. 1992
  8. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. 1993
  10. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. 1994
  12. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. 1995
  14. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. 1996
  16. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. 1998
  18. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. 1999
  20. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. 2000
  23. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  24. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. 2002
  26. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  27. 2003
  28. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  29. 2004
  30. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  31. 2006
  32. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  33. 2007
  34. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  35. 2008
  36. Published or Performed

    Beethoven Explored (volumes 3, 4 & 5)

    Shorr, A. J., 2008

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  37. 2009
  38. Published or Performed

    The Art of French Piano Music: Debussy, Ravel, Faure, Chabrier

    Howat, R., 2009, Yale University Press.

    Research output: Books, editions or reportsBook

  39. 2010
  40. Published or Performed

    Hommage a Chopin

    Plowright, J., 2010

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  41. 2011
  42. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In : Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticle

  43. Published or Performed

    George Rochberg: Caprice Variations & Violin Sonata

    Shorr, A. J., 2011

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  44. Published or Performed

    Homage to Paderewski

    Plowright, J., 2011

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  45. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  46. 2012
  47. Published or Performed

    Fauvel's Rondeaux: Chamber Music by John McCabe

    Shorr, A. J., 2012

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  48. Published or Performed

    A celebration of John McCabe

    Shorr, A. J., Merrick, L., Skærved, P. S., Trandafilovski, M., Goff, M. & Heyde, N., 5 Oct 2012

    Research output: Performances, compositions and other non-textual formsPerformance

  49. 2013
  50. Published or Performed

    An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.

    Howat, R. & Kilpatrick, E., 2013, C. F. Peters. 57 p.

    Research output: Books, editions or reportsScholarly edition

  51. Published or Performed

    En Blanc et Noir

    Howat, R. & Shorr, A. J., 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  52. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In : Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticle

  53. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  54. Published or Performed

    French Fancy: Fauré Chamber Music I

    Shave, J., Irvine, R., Shorr, A. J. & Tees, S., 25 Jan 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  55. Published or Performed

    Red Note Associate Contemporary Ensemble Side-by-side with MusicLab

    McPherson, G., Shave, J., Irvine, R., Stephen, K., Naumov, N., Shorr, A. J. & Atkins, J., 13 Feb 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  56. Published or Performed

    Multiple Piano Extravaganza

    Poll, A-L., MacDonald, A., Shorr, A. J., Plowright, J., Lee, S., Pavri, F., Geniušas, P., Pett, A. & McNaught, G., 8 Mar 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  57. Published or Performed

    Rite of Spring @ 100

    Howat, R., Shorr, A. J., Plowright, J., Choi, H., Arder, L. & McNaught, G., 10 Mar 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  58. Published or Performed

    Songs from the Baltic

    Dean, T. & Arder, L., 13 May 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  59. Published or Performed

    French Fancy: Fauré Chamber Music II

    Shave, J., Dickinson, S., Irvine, R. & Shorr, A. J., 17 May 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  60. Published or Performed

    Strings Showcase

    Arder, L. & Lee, S., 21 Oct 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  61. Published or Performed

    Aaron Shorr: Professorial Address

    Shorr, A. J., 8 Nov 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  62. Published or Performed

    String Department: Showcase

    Arder, L. & Choi, H., 25 Nov 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  63. Published or Performed

    Two Editions of Ravel's Piano Trio

    Howat, R., Dec 2013, In : Notes. 70, 2, p. 325-332 8 p.

    Research output: Contributions to journalsBook/Film/Article review

  64. 2014
  65. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In : Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticle

  66. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In : Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticle

  67. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  68. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  69. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  70. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  71. Published or Performed

    Jonathan Plowright Piano

    Plowright, J., 17 Jan 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  72. Published or Performed

    French Fancy: Fauré Chamber Music

    Iwabuchi, M., Van Vliet, X., Dickinson, S., Storey, M., Shorr, A. J., Pavri, F. & McNaught, G., 31 Jan 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  73. Published or Performed

    Antoine Tamestit Masterclass

    Tamestit, A. & Arder, L., 12 Feb 2014

    Research output: Other contributionsOther contribution

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