Browse Work

  1. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  2. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBookpeer-review

  3. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  8. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  9. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  10. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  11. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  12. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  13. Published or Performed

    Gabriel Fauré: Complete Shorter Works for Cello

    Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  14. Published or Performed

    Symmetries overt and hidden in musical form

    Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.

    Research output: Contributions to journalsArticlepeer-review

  15. Published or Performed

    The voice of the Translator: An interview with Roy Howat

    Howat, R. & Schulte, R., 2015, In: Translation Review. 91, p. 1-15 15 p., 1.

    Research output: Contributions to journalsArticlepeer-review

  16. Published or Performed

    Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales

    Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.

    Research output: Contributions to journalsArticlepeer-review

  17. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticlepeer-review

  18. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticlepeer-review

  19. Published or Performed

    Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  20. Published or Performed

    Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.

    Research output: Books, editions or reportsScholarly editionpeer-review