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  1. Published or Performed

    Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing

    Silberschatz, M., 2014.

    Research output: Contributions to conferences › Paper › peer-review

  2. Published or Performed

    What The Living Do: for piano solo

    Hollingworth, L., 6 May 2015

    Research output: Performances, compositions and other non-textual forms › Composition

  3. Published or Performed

    Wars of the Roses Part One

    Silberschatz, M., Hannan, D., Ludwigsen, A., Handshaw, R. & Pica, D., 2011

    Research output: Performances, compositions and other non-textual forms › Performance

  4. Published or Performed

    Twelfth Night

    Silberschatz, M., Tuttle, K., Brundage, R. & Scott, T., 2005

    Research output: Performances, compositions and other non-textual forms › Performance

  5. Published or Performed

    Titus Andronicus

    Silberschatz, M., Robertson, E., Goldie, L., Des Jarlais, K. & Fthenakis, A., 2010

    Research output: Performances, compositions and other non-textual forms › Performance

  6. Published or Performed

    The Witch of Edmonton

    Silberschatz, M., King, C., Cunningham, D. & Lappin, F., Mar 2019

    Research output: Performances, compositions and other non-textual forms › Performance

  7. Published or Performed

    The Winter's Tale

    Silberschatz, M., Barr, G. & Fthenakis, A., 2010

    Research output: Performances, compositions and other non-textual forms › Performance

  8. Published or Performed

    The Two Noble Kinsmen (staged reading)

    Silberschatz, M., 2006

    Research output: Performances, compositions and other non-textual forms › Performance

  9. Published or Performed

    The Turn of the Screw

    Silberschatz, M., Scott, T. & Maxmen, M., 2006

    Research output: Performances, compositions and other non-textual forms › Performance

  10. Published or Performed

    The Turn of the Screw

    Silberschatz, M., Scott, T., Maxmen, M. & Alexander, P., 2007

    Research output: Performances, compositions and other non-textual forms › Performance

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