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Performance › Research
Published or Performed
Wars of the Roses Part One
Silberschatz, M., Hannan, D., Ludwigsen, A., Handshaw, R. & Pica, D., 2011
Research output: Performances, compositions and other non-textual forms › Performance
Other contribution › Research › Not peer-reviewed
Published or Performed
Acting with Archetypes
Silberschatz, M., 2016
Research output: Other contributions › Other contribution
Published or Performed
Innovation Studio - Mars Exploration: May 22, 1984
Silberschatz, M., Nelson, D. & Jeck, D., 28 Sept 2020
Research output: Other contributions › Other contribution
Published or Performed
Inter-Actor Interaction
Silberschatz, M., 2012
Research output: Other contributions › Other contribution
Other › Research › Peer-reviewed
Published or Performed
Gaming the System: Minimizing Divided Consciousness through Psychophysical, Interactive Play
Silberschatz, M., 2015.
Research output: Contributions to conferences › Other › peer-review
Paper › Research › Peer-reviewed
Published or Performed
Looking for Occurrence and Making it Occur: Attempting to Resolve the Tension of Identification-Oriented Performance Practice
Silberschatz, M., 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Practice(?)-Led(?) Research(?): An Inquiry into Methodological Problems of Practice-Led Research in Theatre Directing
Silberschatz, M., 2012.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing
Silberschatz, M., 2014.
Research output: Contributions to conferences › Paper › peer-review
Paper › Research › Not peer-reviewed
Published or Performed
Exploring Mars and other Impossibilities: Science Fiction, Labour and Performance in Lockdown
Silberschatz, M., 8 Nov 2020.
Research output: Contributions to conferences › Paper
Published or Performed
How Biography Informs Musical Analysis – A Reflective Process
Hollingworth, L., 9 Apr 2015.
Research output: Contributions to conferences › Paper
Published or Performed
Inter-Actor Interaction: Crafting Contributions to Rehearsal and Performance in Response to Flow Theory and Stanislavski
Silberschatz, M., 2013.
Research output: Contributions to conferences › Paper
Published or Performed
Storytelling in Autoethnography - The Poetess
Hollingworth, L., 17 Apr 2018.
Research output: Contributions to conferences › Paper
Published or Performed
Storytelling in Autoethnography – The Poetess
Hollingworth, L., 4 Sept 2017.
Research output: Contributions to conferences › Paper
Book/Film/Article review › Research › Peer-reviewed
Published or Performed
Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay
Hollingworth, L., 17 Sept 2017, In: Scottish Journal of Performance. 4, 1, p. 109-113
Research output: Contributions to journals › Book/Film/Article review › peer-review
Book/Film/Article review › Research › Not peer-reviewed
Published or Performed
Book Review: Andy Hinds’ Acting Shakespeare’s Language
Silberschatz, M., 2015, In: Scottish Journal of Performance. 2, 2, p. 125-128
Research output: Contributions to journals › Book/Film/Article review
Published or Performed
Book Review: : Robin Nelson’s Practice as Research in the Arts
Silberschatz, M., 2013, In: Scottish Journal of Performance. 1, 1, p. 123-126
Research output: Contributions to journals › Book/Film/Article review
Article › Research › Peer-reviewed
Published or Performed
Bridging the Gap: Toward a Reunification of Actor Consciousness
Silberschatz, M., Jan 2015, In: Journal of Dramatic Theory and Criticism. 29, 2, p. 147-169
Research output: Contributions to journals › Article › peer-review
Published or Performed
Creative State/Flow State: Flow Theory in Stanislavsky's Practice
Silberschatz, M., 2013, In: New Theatre Quarterly. 29, 1, p. 13-23
Research output: Contributions to journals › Article › peer-review

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Browse Work

Wars of the Roses Part One

Acting with Archetypes

Innovation Studio - Mars Exploration: May 22, 1984

Inter-Actor Interaction

Gaming the System: Minimizing Divided Consciousness through Psychophysical, Interactive Play

Looking for Occurrence and Making it Occur: Attempting to Resolve the Tension of Identification-Oriented Performance Practice

Practice(?)-Led(?) Research(?): An Inquiry into Methodological Problems of Practice-Led Research in Theatre Directing

Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing

Exploring Mars and other Impossibilities: Science Fiction, Labour and Performance in Lockdown

How Biography Informs Musical Analysis – A Reflective Process

Inter-Actor Interaction: Crafting Contributions to Rehearsal and Performance in Response to Flow Theory and Stanislavski

Storytelling in Autoethnography - The Poetess

Storytelling in Autoethnography – The Poetess

Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay

Book Review: Andy Hinds’ Acting Shakespeare’s Language

Book Review: : Robin Nelson’s Practice as Research in the Arts

Bridging the Gap: Toward a Reunification of Actor Consciousness

Creative State/Flow State: Flow Theory in Stanislavsky's Practice

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