Browse Work

  1. Published or Performed

    The Poetess

    Hollingworth, L., 5 May 2016

    Research output: Performances, compositions and other non-textual formsComposition

  2. Published or Performed

    The Poetess

    Hollingworth, L. & Silberschatz, M., 5 May 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  3. Published or Performed

    Storytelling in Autoethnography – The Poetess

    Hollingworth, L., 4 Sep 2017.

    Research output: Contributions to conferencesPaper

  4. Published or Performed

    How Biography Informs Musical Analysis – A Reflective Process

    Hollingworth, L., 9 Apr 2015.

    Research output: Contributions to conferencesPaper

  5. Published or Performed

    Book review: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay

    Hollingworth, L., 17 Sep 2017, In: Scottish Journal of Performance. 4, 1, p. 109-113

    Research output: Contributions to journalsBook/Film/Article reviewpeer-review

  6. Published or Performed

    Out of the Snowstorm, an Owl

    Hollingworth, L., 8 May 2018

    Research output: Performances, compositions and other non-textual formsComposition

  7. Published or Performed

    Plug 5 with The Brodick Quartet

    Hollingworth, L. & Robertson, L., 8 May 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  8. Published or Performed

    Storytelling in Autoethnography - The Poetess

    Hollingworth, L., 17 Apr 2018.

    Research output: Contributions to conferencesPaper

  9. Published or Performed

    Chronic Pain - a work-in-progress

    Hopfinger, S., 15 Mar 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  10. Published or Performed

    Posthumanism and Intergenerational Performance Practice

    Hopfinger, S., 15 May 2018.

    Research output: Contributions to conferencesPaper

  11. Published or Performed

    Doing the ecological through performance

    Hopfinger, S., 24 May 2018.

    Research output: Contributions to conferencesPaper

  12. Published or Performed

    Performing with the More-than-human

    Hopfinger, S., 2018.

    Research output: Contributions to conferencesPaper

  13. Published or Performed

    Practice-led Research in Performance Studies

    Hopfinger, S., 2017.

    Research output: Contributions to conferencesPaper

  14. Published or Performed

    Performance, Directing and Ecology

    Hopfinger, S., 2017.

    Research output: Contributions to conferencesPaper

  15. Published or Performed

    Wilding Performance: developing an ecological practice

    Hopfinger, S., 2015.

    Research output: Contributions to conferencesPaper

  16. Published or Performed

    Ecological Performance Practice

    Hopfinger, S., 2015.

    Research output: Contributions to conferencesPaper

  17. Published or Performed

    Intergenerational Ecological Performance

    Hopfinger, S., 2013.

    Research output: Contributions to conferencesPaper

  18. Published or Performed

    Intergenerational performance ecology: a practice-based approach

    Hopfinger, S., 16 Aug 2018, In: Research in Drama Education: The Journal of Applied Theatre and Performance. 23, 4, p. 499-516 17 p., 4.

    Research output: Contributions to journalsArticlepeer-review

  19. Published or Performed

    Children, Ecology and Performance

    Hopfinger, S., 16 Jun 2018, In: Performance Research: A Journal of the Performing Arts . 23, 1, p. 61-67 7 p., 3.

    Research output: Contributions to journalsArticlepeer-review

  20. Published or Performed

    Wilding Performance

    Hopfinger, S., 2015, In: Performance Ethos. 5, 1-2, p. 137-144 8 p., 2.

    Research output: Contributions to journalsArticlepeer-review

  21. Published or Performed

    ASSITEJ (International Association of Theatre for Children and Young People) Next Generation programme

    Hopfinger, S., 2014, In: Research in Drama Education: The Journal of Applied Theatre and Performance. 19, 2, p. 222-225 4 p., 1.

    Research output: Contributions to journalsBook/Film/Article reviewpeer-review

  22. Published or Performed

    Wild Life

    Hopfinger, S., 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  23. Published or Performed

    Chronic Pain in Performance: Ecologies of Pain

    Hopfinger, S., 4 Sep 2019.

    Research output: Contributions to conferencesPaper

  24. Published or Performed

    Chronic Pain and Ecological Pain

    Hopfinger, S., 18 Feb 2019.

    Research output: Contributions to conferencesPaper

  25. Published or Performed

    The Politics of Wildness, Play and Disability

    Hopfinger, S., 15 Feb 2020.

    Research output: Contributions to conferencesPaper

  26. Published or Performed

    Practice-led Research Methods: Ecologies of Pain

    Hopfinger, S., 6 Mar 2020.

    Research output: Contributions to conferencesPaper

  27. Published or Performed

    Pain and I

    Hopfinger, S., 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  28. Published or Performed

    Doing the Ecological Through Performance

    Hopfinger, S., 2020, In: Studies in Theatre and Performance. 4.

    Research output: Contributions to journalsArticlepeer-review

  29. Published or Performed

    Wildness and Performance Art: University of Glasgow, College of Arts, Industry Engagement

    Hopfinger, S., 27 Jan 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  30. Published or Performed

    Chronic pain, choreography and performance: practices of resilience

    Hopfinger, S., 18 Jan 2021, In: Research in Drama Education: The Journal of Applied Theatre and Performance. 26, 1, p. 121-136 15 p.

    Research output: Contributions to journalsArticlepeer-review

  31. Published or Performed

    Lunch hour concert

    Howat, R., Skærved, P. S. & Heyde, N., 21 Mar 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  32. Published or Performed

    Claude Debussy, Intermezzo pour violoncelle et piano

    Howat, R., 12 Mar 2018, Paris: Durand. 15 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  33. Published or Performed

    Lunch hour concert

    Howat, R., 12 Sep 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  34. Published or Performed

    Guest Recital: piano music of Debussy

    Howat, R., Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  35. Published or Performed

    Concert IV: The Piano Music of Claude Debussy

    Howat, R., 13 Oct 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  36. Published or Performed

    Claude Debussy, Pièce pour violoncelle et piano, dite Nocturne et Scherzo

    Howat, R., 12 Mar 2018, Paris: Durand. 17 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  37. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  42. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  43. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  44. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  45. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  46. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  47. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  48. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  49. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  50. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review