Browse Work

  1. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  2. Published or Performed

    Reading the Runes – deciphering Maxwell Davies’s secret language

    McGregor, R. E., 2000, In: Perspectives of New Music. 38, 2, p. 5-29

    Research output: Contributions to journalsArticlepeer-review

  3. Published or Performed

    James MacMillan: a conversation and commentary

    McGregor, R. E., 2010, In: The Musical Times. 151, 1912, p. 69-100

    Research output: Contributions to journalsArticle

  4. Published or Performed

    Peter Maxwell Davies’s Opus and WoO numbers: a new work list

    McGregor, R. E. & Jones, N., 2010, In: The Musical Times. 151, 1910, p. 53-86

    Research output: Contributions to journalsArticle

  5. Published or Performed

    James MacMillan’s 'O Bone Jesu’

    McGregor, R. E., 2011, In: Scottish Music Review. 2, 1, p. 1-14

    Research output: Contributions to journalsArticlepeer-review

  6. Published or Performed

    Stepping out – Maxwell Davies’s 'Salome' as a transitional work

    McGregor, R. E., 2006, In: Tempo. 230, p. 2-12

    Research output: Contributions to journalsArticle

  7. Published or Performed

    Interpreting Compositional Process in Wolfgang Rihm’s Chiffre series

    McGregor, R. E., 2007, In: Frankfurter Zeitschrift für Musikwissenschaft. 10, p. 26-70

    Research output: Contributions to journalsArticle

  8. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    'Laus Deo’ – composers’ views of their spirituality

    McGregor, R. E., 2006, In: Spirituality and Health International . 6, 4, p. 238-45

    Research output: Contributions to journalsArticlepeer-review

  11. Published or Performed

    The Maxwell Davies sketch material in the British Library

    McGregor, R. E., 1996, In: Tempo. 196, p. 9-19

    Research output: Contributions to journalsArticle

  12. Published or Performed

    The Maxwell Davies sketch material in the British Library - an appendix

    McGregor, R. E., 1996, In: Tempo. 197, p. 20-2

    Research output: Contributions to journalsArticle

  13. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. Published or Performed

    Maxwell Davies: Mr Emmet Takes a Walk

    McGregor, R. E., 2007, In: Tempo. 241, p. 83-4

    Research output: Contributions to journalsBook/Film/Article review

  16. Accepted/In press

    Accessibility, interdisciplinarity and practice: The benefits and challenges of hosting an online, interdisciplinary conference on singing

    Robertson-Kirkland, B. E., Boyd, S., Tip, L. & Marshall, E. J., 17 Aug 2021, (Accepted/In press) In: Journal of Music, Health, and Wellbeing.

    Research output: Contributions to journalsArticlepeer-review

  17. Published or Performed

    Italian musicians Domenico Corri and his wife, La Miniatrice, arrived in Edinburgh: on this day in 1771

    Robertson-Kirkland, B. E., 25 Aug 2021, History Scotland.

    Research output: Contributions to specialist professional publicationsArticle

  18. Published or Performed

    Singing Stars and Singing Students: The Bath Assembly Room Concerts

    Robertson-Kirkland, B. E., 29 Sep 2021.

    Research output: Contributions to conferencesPaper

  19. Published or Performed

    Bampton Classical Opera perform Gluck’s ‘THE CROWN’ (‘La corona’)

    Robertson-Kirkland, B. E., 29 Jun 2021, In: BSECS Criticks.

    Research output: Contributions to journalsBook/Film/Article review

  20. Published or Performed

    Alternative Values and Stigmatised Agents: Communicating Legitimacy in the Creative Industries

    Lorenzo, F. A. & Gilmore, C., 1 Mar 2021, In: Journal of Arts Management, Law and Society . 51, 2, p. 113-126

    Research output: Contributions to journalsArticlepeer-review

  21. Published or Performed

    Making Routes: Journeys in Performance 2010-2020

    Bissell, L. & Overend, D., 23 Sep 2021, Triarchy Press. 273 p.

    Research output: Books, editions or reportsBook

  22. Published or Performed

    Hope Street Walk

    Bissell, L., Overend, D. & Whiteside, M., 23 Sep 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  23. Published or Performed

    Making Routes: Journeys in Performance

    Bissell, L. & Overend, D., 23 Sep 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  24. Published or Performed

    Performance in a Pandemic

    Bissell, L., 30 Jun 2020, Doing Arts Research in a Pandemic. London: The Culture Capital Exchange, p. 52-53 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Training Artists in Times of Crisis

    Bissell, L., Hopfinger, S., Gardiner, G. & O'Neill, R., 31 Aug 2021, In: Performance Research: A Journal of the Performing Arts . 25, 8, p. 42-50 8 p.

    Research output: Contributions to journalsArticlepeer-review

  26. Accepted/In press

    Performance in a Pandemic

    Bissell, L. & Weir, L., 30 Nov 2021, (Accepted/In press) London: Routledge. 168 p. (Routledge Focus)

    Research output: Books, editions or reportsBook

  27. Accepted/In press

    Performance Research and Pedagogy: Inviting in the Unknown

    Bissell, L. & Hopfinger, S., 2021, (Accepted/In press) In: Media Practice and Education.

    Research output: Contributions to journalsArticlepeer-review

  28. Published or Performed
  29. Published or Performed

    Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education

    Gaunt, H., Duffy, C., Coric, A., González Delgado, I. R., Messas, L., Pryimenko, O. & Sveidahl, H., 2021, In: Frontiers in Psychology. 12

    Research output: Contributions to journalsArticlepeer-review

  30. Published or Performed

    Music, Dance and Drama

    Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  31. Published or Performed

    Lessons learned from the establishment and evaluation of the Norwegian Centres for Excellence in Education (SFU) initiative NOKUT

    Ashwin, P., Alveber, C., Duffy, C., Oftedal, T., Marshall, S. & Reece, R., 2019

    Research output: Books, editions or reportsBook

  32. Published or Performed

    QUAL: the art of research insights

    Duffy, C. & Gilmore, C., 2019.

    Research output: Contributions to conferencesPaperpeer-review

  33. Published or Performed

    'The problem is that everybody hates it': insights from qualitative research

    Duffy, C. & Gilmore, C., 2019, Arts Professional.

    Research output: Contributions to specialist professional publicationsArticle

  34. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  35. Published or Performed

    ICON: radical professional development in the conservatoire

    Duffy, C., 2016, In: Arts and Humanities in Higher Education: an international journal of theory, research and practice. 15

    Research output: Contributions to journalsArticlepeer-review

  36. Published or Performed

    Negotiating with tradition: Curriculum reform and institutional transition in a conservatoire

    Duffy, C., 2013, In: Arts and Humanities in Higher Education: an international journal of theory, research and practice. 12

    Research output: Contributions to journalsArticlepeer-review

  37. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    Knowledge exchange with Sistema Scotland

    Allan, J., Broad, S., Duffy, C. & Loening, G., 2010, In: Journal of Education Policy. 25, 3

    Research output: Contributions to journalsArticlepeer-review

  39. Published or Performed

    Mapping the use of ICT in creative music practice

    Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Swim until you can't see land: lived experiences of creative life histories

    Gilmore, C., 2020, In: The Journal of Genius & Eminence . 5, 2, p. 26-36

    Research output: Contributions to journalsArticlepeer-review

  41. Published or Performed

    The profanity of the Mill: a germ of resistance

    Gilmore, C., Aug 2022, Art of Management and Organization Conference .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  42. Published or Performed

    On the Fringe/At the Fringe: Fleshing out research.

    Clarke, C., Sandra, C. & Gilmore, C., 2020, In: Dialogues in Critical Management Studies . 4, p. 25-52

    Research output: Contributions to journalsArticlepeer-review

  43. Published or Performed

    At work and play: an exploration of street and graffiti artists.

    Gilmore, C., 2018, In: Street Art & Urban Creativity Scientific Journal .

    Research output: Contributions to journalsArticlepeer-review

  44. Published or Performed

    'Identity-in-the-work and musicians struggles: the production of self-questioning work'

    Beech, N., Gilmore, C., Hibbert, P. & Ybema, S., 2016, In: Work, Employment and Society .

    Research output: Contributions to journalsArticlepeer-review

  45. Published or Performed

    Organising Music: Theory, Practice and Performance.

    Beech, N. & Gilmore, C., 2015, Cambridge University Press.

    Research output: Books, editions or reportsBook

  46. Published or Performed

    'Arresting moments: Excess certainty in musical, organising and research practices'

    Greig, G., Gilmore, C., Patrick, H. & Beech, N., 2012, In: Management Learning .

    Research output: Contributions to journalsArticlepeer-review

  47. Published or Performed

    At work and play: an exploration of street artists

    Gilmore, C., 2018, Lisbon Street Art and Urban Creativity Conference .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  48. Published or Performed

    Fleshing out the researcher: absent bodies, beyond the pale.

    Clarke, C., Sandra, C. & Gilmore, C., 2017, 35th Standing Conference on Organsational Symbolism .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  49. Published or Performed

    Creating a Place to Play: Cultural Entrepreneurship in the Contemporary Arts.

    Gilmore, C. & Beech, N., 2016, Working in Music: The Musicians’ Union: Music Labour and Employment..

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  50. Published or Performed

    Co-Creation and the Digital Choir. Marketing and Music in an Age of Digital Reproduction Conference.

    Beech, N., Duffy, C. & Gilmore, C., 2016, Griffith University Impact Conference. Brisbane and The Art of Good Health and Well Being, 8th International Arts and Health Conference. Art Gallery of New South Wales, Sydney. .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review