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  1. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  2. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  3. Published or Performed

    Interpreting Compositional Process in Wolfgang Rihm’s Chiffre series

    McGregor, R. E., 2007, In: Frankfurter Zeitschrift für Musikwissenschaft. 10, p. 26-70

    Research output: Contributions to journals › Article

  4. Published or Performed

    Stepping out – Maxwell Davies’s 'Salome' as a transitional work

    McGregor, R. E., 2006, In: Tempo. 230, p. 2-12

    Research output: Contributions to journals › Article

  5. Published or Performed

    James MacMillan’s 'O Bone Jesu’

    McGregor, R. E., 2011, In: Scottish Music Review. 2, 1, p. 1-14

    Research output: Contributions to journals › Article › peer-review

  6. Published or Performed

    James MacMillan: a conversation and commentary

    McGregor, R. E., 2010, In: The Musical Times. 151, 1912, p. 69-100

    Research output: Contributions to journals › Article

  7. Published or Performed

    Peter Maxwell Davies’s Opus and WoO numbers: a new work list

    McGregor, R. E. & Jones, N., 2010, In: The Musical Times. 151, 1910, p. 53-86

    Research output: Contributions to journals › Article

  8. Published or Performed

    Reading the Runes – deciphering Maxwell Davies’s secret language

    McGregor, R. E., 2000, In: Perspectives of New Music. 38, 2, p. 5-29

    Research output: Contributions to journals › Article › peer-review

  9. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  10. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  11. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter

  12. Published or Performed

    "A Metaphor for the Deeper Wintriness”: Exploring James MacMillan’s Musical Identity

    McGregor, R. E., 2011, In: Tempo. 65, 257, p. 22-39

    Research output: Contributions to journals › Article › peer-review

  13. Published or Performed

    Relaxing Music for Anxiety Control

    McGregor, R. E., Polman, R. & Elliot, D., 2011, In: Journal of Music Therapy. 48, 3, p. 264-88

    Research output: Contributions to journals › Article

  14. Published or Performed

    Because the drummed rhythm was seven …

    McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  15. Published or Performed

    Walking the Line: deconstructing identity, suicide and betrayal in Maxwell Davies’s Mr Emmet Takes a Walk

    McGregor, R., 2012, In: Cambridge Opera Journal. p. 319-51

    Research output: Contributions to journals › Article › peer-review

  16. Published or Performed

    Towards a Taxonomy of Inspiration

    McGregor, R., 2012, In: Spirituality of a Personality: Methodology, Theory and Practice. p. 85-118

    Research output: Contributions to journals › Article

  17. Published or Performed

    Spiritus(,) carminis

    McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  18. Published or Performed

    Music Transcendent and Mundane

    McGregor, R., 2014, Spirituality in the 21st Century: Engagements with Meaning. Hochheimer, J. L., Weiss, M. & Çelik, D. A. (eds.). Oxford: Inter-Disciplinary Press, p. 163-74

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  19. Published or Performed

    In Plain Sight: Aspects of Developmental Process in Sally Beamish’s 'Seafarer' Trilogy

    McGregor, R., 2017, In: Scottish Music Review. 5, p. 88-114

    Research output: Contributions to journals › Article › peer-review

  20. Published or Performed

    An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’

    McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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