Browse Work

  1. Published or Performed

    There Is Such a Thing: Feminist Mimesis in Contemporary Performance in the UK

    Bissell, L., 30 Jan 2019, In : Contemporary Theatre Review. 28, 4, p. 522-536

    Research output: Contributions to journalsArticle

  2. Published or Performed

    Teachers' concepts of musical talent and nurturing musical ability: music learning as exclusive or as opportunity for all?

    Jaap, A. & Patrick, F., 21 Aug 2014, In : Music Education Research. 17, 3, p. 262-277 16 p.

    Research output: Contributions to journalsArticle

  3. Published or Performed

    "Hearken to the hermit thrush": a case study in interdisciplinary listening

    Doolittle, E., 9 Dec 2020, In : Frontiers in Psychology.

    Research output: Contributions to journalsArticle

  4. Published or Performed

    "Early Days: Reflections on the Performance of a Referendum"

    Bissell, L. & Overend, D., May 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  5. Published or Performed

    What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

    Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  6. Published or Performed

    Spotlight on a Newly Recovered Song: the Anonymous Virelai Si vous voullez que je vous ame from the Leuven Chansonniet

    Fitch, F., 30 Dec 2020, In : Journal of the Alamire Foundation. 12, 2

    Research output: Contributions to journalsArticle

  7. Published or Performed

    Studies io Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne

    Fitch, F. (ed.) & Kiel, J. (ed.), 2011, Woodbridge, Suffolk: The Boydell Press. 442 p. (Studies in Medieval and Renaissance Music; no. 11)

    Research output: Books, editions or reportsBook

  8. Published or Performed

    Johannes Ockeghem: Masses and Miodels

    Fitch, F., 1997, Paris: Honoré Champion. (Ricercar; no. 2)

    Research output: Books, editions or reportsBook

  9. Published or Performed

    'Who Cares Who is Speaking?’: An Essay in Style-Criticism

    Fitch, F., 2010, In : Acta Musicologica. 82, p. 49–70 22 p.

    Research output: Contributions to journalsArticle

  10. Published or Performed

    ‘Two Fellows from Ghent’: for the Obrecht and Agricola Quincentenaries

    Fitch, F., 1 Dec 2012, In : Journal of the Alamire Foundation. 2, 2, p. 43–55 13 p.

    Research output: Contributions to journalsArticle

  11. Published or Performed

    'Virtual’ Ascriptions in MS. AugS 142a: A Window on Alexander Agricola’s Late Style

    Fitch, F., 1 Jun 2012, In : Journal of the Alamire Foundation. 4, 1, p. 114–138 25 p.

    Research output: Contributions to journalsArticle

  12. Published or Performed

    On Compositional Process and the Missa Prolacionum

    Fitch, F., 1 Dec 2017, In : Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis. 67, 1/2, p. 83–102 20 p.

    Research output: Contributions to journalsArticle

  13. Published or Performed

    Antoine Brumel and the Sense of Scale

    Fitch, F., 1 Dec 2015, In : Journal of the Alamire Foundation. 7, 2, p. 13–21 9 p.

    Research output: Contributions to journalsArticle

  14. Published or Performed

    Loyset Compère and the Motetti Missales Cycle 'Ave Domine Jesu Christe'

    Fitch, F., 1 Dec 2018, In : Journal of the Alamire Foundation. 10, 2, p. 293–303 11 p.

    Research output: Contributions to journalsArticle

  15. Published or Performed

    skydance for Solo Cello

    Robertson, A., 30 Jun 2020

    Research output: Performances, compositions and other non-textual formsComposition

  16. Published or Performed

    A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song

    Dickson, J., 30 Dec 2020, Musica Scotica (Title TBC). Grant et al, M. J. (ed.). Edinburgh: Musica Scotica

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Songs and Lullabies

    Irvine, R., Boyle, R., Butler, T., MacMillan, J., De Simone, J. & Sweeney, W., 30 Sep 2016

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  18. Published or Performed

    Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).

    Whiteside, B., Patrick, H. & Cassidy, C., 28 Apr 2020, Dance Fields: Where is Dance Studies Now? . Whatley, S., David, A. & Huxley, M. (eds.). Dance Books

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Brassiness and the Understanding of Brass Instruments

    Myers, A., Campbell, M. & Gilbert, J., Dec 2020.

    Research output: Contributions to conferencesPaper

  20. Published or Performed

    Peter and the Wolf by Serge Prokofiev

    Smith, T. & Lochhead, L., 26 Jan 2019

    Research output: Performances, compositions and other non-textual formsComposition

  21. Published or Performed

    Peter and the Wolf by Serge Prokofiev

    Smith, T., Lochhead, L. & Burns, T. D., 26 Jan 2019

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  22. Published or Performed

    Jacobite

    Smith, T., 26 Aug 2016

    Research output: Performances, compositions and other non-textual formsComposition

  23. Published or Performed

    Modern Jacobite

    Smith, T., 26 Aug 2016

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  24. Published or Performed

    Spiritus Domini

    Gormley, J., 10 Apr 2019

    Research output: Performances, compositions and other non-textual formsComposition

  25. Published or Performed

    Performance of Spiritus Domini

    Gormley, J., 10 Apr 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  26. Published or Performed

    Sweat of the Sun

    Fennessy, D., Storman, M. & Herzog, W., 28 May 2016

    Research output: Performances, compositions and other non-textual formsComposition

  27. Published or Performed

    The Conquest of the Useless: Gold is the sweat of the sun, silver are the tears of the moon

    Fennessy, D., 28 Feb 2019

    Research output: Performances, compositions and other non-textual formsComposition

  28. Published or Performed

    Triptych: Hashima Refrain

    Fennessy, D., 16 Nov 2018

    Research output: Performances, compositions and other non-textual formsComposition

  29. Published or Performed

    The Conquest of the Useless: Caruso (Gold is the sweat of the sun) [second version]

    Fennessy, D., 7 Nov 2015

    Research output: Performances, compositions and other non-textual formsComposition

  30. Published or Performed

    Conquest of the Useless: Prologue (Silver are the tears of the moon)

    Fennessy, D., 11 May 2013

    Research output: Performances, compositions and other non-textual formsComposition

  31. Published or Performed

    Triptych: Ne Reminscaris (Remember not)

    Fennessy, D., 30 Apr 2017

    Research output: Performances, compositions and other non-textual formsComposition

  32. Published or Performed

    Triptych: Letter to Michael

    Fennessy, D. & Hauck, E., 2 May 2014

    Research output: Performances, compositions and other non-textual formsComposition

  33. Published or Performed

    Bridging the Gap: Toward a Reunification of Actor Consciousness

    Silberschatz, M., Jan 2015, In : Journal of Dramatic Theory and Criticism. 29, 2, p. 147-169

    Research output: Contributions to journalsArticle

  34. Published or Performed

    Brian Ferneyhough's String Quartets

    Fitch, L., Nov 2014, In : Contemporary Music Review. 33, 3, p. 290-317

    Research output: Contributions to journalsArticle

  35. Published or Performed

    “Early Days: Reflections on the Performance of a Referendum”

    Bissell, L. & Overend, D., Apr 2015, In : Contemporary Theatre Review. 25, 2, p. 242 250 p.

    Research output: Contributions to journalsArticle

  36. Published or Performed

    The Presentation of Self in the Classical Ballet Class: Dancing with Erving Goffman

    Whiteside, B. & Kelly, J., 20 Nov 2015, In : Research in Dance Education. 17, 1, p. 14-27 14 p.

    Research output: Contributions to journalsArticle

  37. Published or Performed

    Overtone-based pitch selection in hermit thrush song: Unexpected convergence with scale construction in human music

    Doolittle, E., 18 Nov 2014, In : Proceedings of the National Academy of Sciences of the United States of America. 111, 46, p. 16616-16621

    Research output: Contributions to journalsArticle

  38. Published or Performed

    Ecologies of Practice: Landscaping with Beavers

    Bissell, L., 8 Jun 2020, In : RUUKKU: Studies in Artistic Research. 14, p. n.p. 12.

    Research output: Contributions to journalsArticle

  39. Published or Performed

    Children, Ecology and Performance

    Hopfinger, S., 16 Jun 2018, In : Performance Research: A Journal of the Performing Arts . 23, 1, p. 61-67 7 p., 3.

    Research output: Contributions to journalsArticle

  40. Published or Performed

    The infant audience: The impact and implications of child development research on performing arts practice for the very young

    Drury, R. & Fletcher-Watson, B., 13 Jan 2016, In : Journal of Early Childhood Research. 15, 3, p. 292-304 13 p.

    Research output: Contributions to journalsArticle

  41. Published or Performed

    To nie jest jedna historia

    Thorpe, J., 23 Nov 2018, In : Pamiętniku Teatralnym. 68, 2, p. 47-52 6 p.

    Research output: Contributions to journalsArticle

  42. Published or Performed

    Caught Between a Scream and a Hug: Women's Perspectives on Music Listening and Interaction with Teenagers in the Family Unit

    Morgan, J., MacDonald, R. & Pitts, S., 29 Jan 2014, In : Psychology of Music. 43, 5, p. 611-626

    Research output: Contributions to journalsArticle

  43. Published or Performed

    Practising Research, Playing With Knowledge

    Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  44. Published or Performed

    Pay the Piper

    Robertson, A., O’Neill, S., Gould, H., Appleby, A., Cruttwell-Reade, N. & Livingston, C., 2020

    Research output: Performances, compositions and other non-textual formsComposition

  45. Published or Performed

    Free Radicals

    Shorr, A. J., MacDonald, A., Pett, A., Poll, A-L. & Kanno, M., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  46. Published or Performed

    Beethoven Explored, Vol. 6: The Chamber Eroica

    Shorr, A. J., Skærved, P. S., Heyde, N. & Scheindlin, D., Feb 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  47. Published or Performed

    The Last Post

    MacDonald, A., Poulson, T. & Worsfold, S., 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  48. Published or Performed

    The Imperfection of Memory

    Broom, C. & Lander, H., 2017

    Research output: Performances, compositions and other non-textual formsComposition

  49. Published or Performed

    Make Me Yours: How Art Seduces

    Gonzalez, L., 1 Jul 2016, Cambridge Scholars Publishing. 245 p.

    Research output: Books, editions or reportsBook

  50. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  51. Published or Performed

    The Œuvres complètes de Claude Debussy thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  52. Published or Performed

    Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)

    Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)

    Research output: Books, editions or reportsScholarly edition

  53. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

  54. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  55. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  56. Published or Performed

    The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism

    Dickson, J., 2018, Understanding Scotland Musically : Folk, Tradition and Policy . West, G. & McKerrell, S. (eds.). Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  57. Published or Performed

    Nosferatu score

    Buckley, L., 31 Oct 2016

    Research output: Performances, compositions and other non-textual formsComposition

  58. Published or Performed

    Haza

    Buckley, L., Nov 2016

    Research output: Performances, compositions and other non-textual formsComposition

  59. Published or Performed

    Lunch hour concert

    Howat, R., Skærved, P. S. & Heyde, N., 21 Mar 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  60. Published or Performed

    Songbook Project - Red Note Ensemble

    Morgan, J., Jun 2019, 21 p.

    Research output: Books, editions or reportsCommissioned report

  61. Published or Performed

    Oscillate

    Buckley, L., 5 Aug 2019

    Research output: Performances, compositions and other non-textual formsComposition

  62. Published or Performed

    Solás

    Buckley, L., 19 Feb 2020

    Research output: Performances, compositions and other non-textual formsComposition

  63. Published or Performed

    From Ocean's Floor

    Buckley, L., 25 Sep 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  64. Published or Performed

    Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth

    Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  65. Published or Performed

    Spiritus Domini

    Gormley, J., 20 Sep 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  66. Published or Performed

    Last Lines

    Buckley, L., 18 Aug 2019

    Research output: Performances, compositions and other non-textual formsComposition

  67. Published or Performed

    Henry Glassie: Field Work

    Buckley, L., 1 Sep 2019

    Research output: Performances, compositions and other non-textual formsComposition

  68. Published or Performed

    Fire and Ice

    Buckley, L., 1 Nov 2019

    Research output: Performances, compositions and other non-textual formsComposition

  69. Published or Performed

    Beethoven Reflected

    Buckley, L., 15 Feb 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  70. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  71. Published or Performed

    Rock, Pathos, Shivers: the Music of Supernatural

    Halfyard, S., 1 Sep 2020, In : Monstrum. 3, 1, p. 63-70 8 p.

    Research output: Contributions to journalsArticle

  72. Published or Performed

    Sounds of Fear and Wonder: Music in Cult TV

    Halfyard, J. K., Jul 2016, London: I. B. Tauris. 215 p. (Investigating Cult TV)

    Research output: Books, editions or reportsBook

  73. Published or Performed

    The Devil Inside

    MacRae, S. & Welsh, L., 23 Jan 2016

    Research output: Performances, compositions and other non-textual formsComposition

  74. Published or Performed

    Parable

    MacRae, S., 10 Feb 2014

    Research output: Performances, compositions and other non-textual formsComposition

  75. Published or Performed

    The Illusion of Truth

    Domingues D'Avila, F. & Menzies, M., Aug 2017

    Research output: Performances, compositions and other non-textual formsPerformance

  76. Published or Performed

    J.S.Bach: The Cello Suites, BWV 1007-1012

    Watkin, D., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  77. Published or Performed

    DEDICATION for Piano and Wind Symphony: World Premiere performance

    Pavri, F., Mikkelson, R. & Stanojevic, V., 1 Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  78. Published or Performed

    Three Faces in the Crown [Piano Trio]: World Premiere performance

    Pavri, F., Boyle, R., Hasani, A. & Uyterlinde, P., 23 Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  79. Published or Performed

    Book parts, ed. Dennis Duncan and Adam Smyth: (Oxford University Press, 2919) Book Review

    McAulay, K., Dec 2019, In : Brio. 56, 2, p. 101-103 3 p.

    Research output: Contributions to journalsBook/Film/Article review

  80. Published or Performed

    Derek Miller, Copyright and the value of performance, 1770-1911: (Cambridge Univerity Press, 2018) Book Review

    McAulay, K., Dec 2019, In : Brio. 56, 2, p. 99-101 3 p.

    Research output: Contributions to journalsBook/Film/Article review

  81. Published or Performed

    Discovering copyright music in the University of St Andrews Library

    McAulay, K., Harding, B. & Henderson, E., Dec 2019, In : Brio. 56, 2, p. 38-49 12 p.

    Research output: Contributions to journalsSpecial issue

  82. Published or Performed

    Lee Marshall, Bootlegging: Romanticism and Copyright in the Music Industry: (Sage, 2005) Book Review

    McAulay, K., Dec 2019, In : Brio. 56, 2, p. 106-109 3 p.

    Research output: Contributions to journalsBook/Film/Article review

  83. Published or Performed

    Coorie Doon in NICU

    Drury, R., Roche, E., Pinto, Y., Lightbody, R. & MacLaverty, C., Mar 2019

    Research output: Performances, compositions and other non-textual formsComposition

  84. Published or Performed

    Performer vs Teacher Identities

    Drury, R. & Morgan, J., 18 Jul 2018.

    Research output: Contributions to conferencesPaper

  85. Published or Performed

    'Coorie Doon': the impact of song-writing in paediatric palliative care

    Drury, R. & Morgan, J., Jul 2018.

    Research output: Contributions to conferencesPaper

  86. Published or Performed

    Coorie Doon at Rachel House (CHAS)

    Drury, R., O'Connor, M., Hamill, A. & Swift, E., Mar 2018

    Research output: Performances, compositions and other non-textual formsComposition

  87. Published or Performed

    Conservatoire students living with a mental health condition

    Drury, R., 7 Jun 2017.

    Research output: Contributions to conferencesPaper

  88. Published or Performed

    Exploring potential identity conflicts among performing arts students

    Drury, R. & Morgan, J., 7 Jun 2017.

    Research output: Contributions to conferencesPaper

  89. Published or Performed

    Coorie Doon at Rachel House (CHAS)

    Drury, R., Hamill, A., Swift, E. & O'Connor, M., Mar 2017

    Research output: Performances, compositions and other non-textual formsComposition

  90. Published or Performed

    The wider benefits of instrumental music learning in childhood

    Drury, R., 2015, Scottish Government.

    Research output: Books, editions or reportsCommissioned report

  91. Published or Performed

    SensoryO

    Drury, R., 2011

    Research output: Performances, compositions and other non-textual formsComposition

  92. Published or Performed

    Tidal Spaces: Choreographies of Remembrance and Forgetting

    Bissell, L., 3 Feb 2020.

    Research output: Contributions to conferencesPaper

  93. Published or Performed

    Tidal spaces: choreographies of remembrance and forgetting

    Bissell, L., 11 May 2020, In : Cultural Geographies . p. 1-8

    Research output: Contributions to journalsArticle

  94. Accepted/In press

    The Cor Solo: History and Characteristics

    Myers, A., Scott, A. & Chick, J., 22 Feb 2019, (Accepted/In press) In : Historic Brass Society Journal. 31

    Research output: Contributions to journalsArticle

  95. Published or Performed

    Mars Exploration: May 22,1984

    Silberschatz, M., Nelson, D. & Jeck, D., 25 Sep 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  96. Published or Performed
  97. Published or Performed

    Innovation Studio - Mars Exploration: May 22, 1984

    Silberschatz, M., Nelson, D. & Jeck, D., 28 Sep 2020

    Research output: Other contributionsOther contribution

  98. Published or Performed

    A change would do you good? – Assessment and examinations in Music

    Jaap, A. S., 11 Sep 2020, Exam.Scot.

    Research output: Contributions to specialist professional publicationsArticle

  99. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sep 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  100. Published or Performed

    Every Person Every Voice: An exploration into the making of devised theatre in a prison context and its potential as a radical act of community.

    Thorpe, J., 30 Apr 2014, In : International Schools Theatre Association - SCENE Magazine. p. 4 4 p.

    Research output: Contributions to journalsArticle

  101. Published or Performed

    A little patch of sky: The use of the Arts to connect families affected by incarceration

    Thorpe, J., 9 Dec 2014, 29 p.

    Research output: Books, editions or reportsCommissioned report

  102. Published or Performed

    Working in Scottish Prisons: An Artist’s Guide

    Thorpe, J. & McNeill, P. F., 11 May 2015, Creative Scotland. 43 p.

    Research output: Books, editions or reportsOther report

  103. Published or Performed

    Doing the Ecological Through Performance

    Hopfinger, S., 2020, In : Studies in Theatre and Performance. 4.

    Research output: Contributions to journalsArticle

  104. Published or Performed

    Wild Life

    Hopfinger, S., 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  105. Published or Performed

    Wilding Performance

    Hopfinger, S., 2015, In : Performance Ethos. 5, 1-2, p. 137-144 8 p., 2.

    Research output: Contributions to journalsArticle

  106. Published or Performed

    Intergenerational performance ecology: a practice-based approach

    Hopfinger, S., 16 Aug 2018, In : Research in Drama Education: The Journal of Applied Theatre and Performance. 23, 4, p. 499-516 17 p., 4.

    Research output: Contributions to journalsArticle

  107. Published or Performed

    Instrument Making of the Salvation Army

    Myers, A., 24 Mar 2020, In : Galpin Society Journal. 73, p. 30-59 30 p.

    Research output: Contributions to journalsArticle

  108. Published or Performed

    'I've taken confidence away from this': The experiences and impact of Moving Image Education with Young People who require More Choices, More Chances.

    Head, G. & Jaap, A., 25 Jan 2016, In : Journal for Citizenship, Social and Economics Education. 14, 3, p. 159-171 13 p.

    Research output: Contributions to journalsArticle

  109. Published or Performed

    Scottish Airs in London Dress: Vocal Airs and Dance Tunes in Two EighteenthCentury London Collections

    McAulay, K., 13 Dec 2019, In : Scottish Music Review. 5 (2019), p. 75-87 13 p.

    Research output: Contributions to journalsArticle

  110. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  111. Published or Performed

    National Airs in Georgian Libraries

    McAulay, K., 2018, Old Songs, New Discoveries: selected papers from the 2018 Folk Song Conference. London: The Ballad Partners, p. 104 114 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  112. Published or Performed

    Library support to students on blended-learning courses: some thoughts on best practice

    McAulay, K., 26 Feb 2020, In : Sconul Focus. 71, p. 45-49 5 p.

    Research output: Contributions to journalsArticle

  113. Published or Performed

    Brio Vol.56 no.2 Special Issue: 'Claimed from Stationers' Hall' : papers from an AHRC-funded network project

    McAulay, K. (Guest ed.), Robertson-Kirkland, B. E., Holmes, M. (ed.), Bohme, A., Maclean, R., Harding, B., Henderson, E., McAulay, K., Pirie, J., Stanley, R., O'Shea, S., Jones, M., Chesser, R., Ridgewell, R., Jones, M., Bridge, D. & Lawrence, E. Q., 4 Jan 2020, In : Brio. 56, 2, 113 p.

    Research output: Contributions to journalsSpecial issue

  114. Published or Performed

    Music-making: a fundamental or a vain accomplishment?

    Robertson-Kirkland, B. E., 2 Apr 2018, In : Women's History. 2, 10, 2.

    Research output: Contributions to journalsArticle

  115. Published or Performed

    My love to war is going: Women and Song in the Napoleonic Era

    McAulay, K. & Robertson-Kirkland, B. E., Nov 2018, Trafalgar Chronicle: New Series 3. p. 202 212 p. (Trafalgar Chronicle).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  116. Published or Performed

    Challenging Creativity: Inclusive Composition

    Searle, O., 8 Mar 2019, In : IMPAR Online Journal for Artistic Research in Music. 2, 1, p. 19-33 15 p., 2.

    Research output: Contributions to journalsArticle

  117. Published or Performed

    Piano Sonata No.2

    MacRae, S., 25 Feb 2017

    Research output: Performances, compositions and other non-textual formsComposition

  118. Published or Performed

    SPOTLIGHT

    Thorpe, J. & Gore, T., 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  119. Published or Performed

    Albert Drive

    Thorpe, J., O'Neill, R. & Gore, T., 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  120. Published or Performed

    The Happiness Project

    Thorpe, J. & Gore, T., 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  121. Published or Performed

    OLD BOY

    Thorpe, J., Gore, T. & O'Neill, R., 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  122. Published or Performed

    MOTION

    Thorpe, J., O'Neill, R. & Gore, T., 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  123. Published or Performed

    One All

    Thorpe, J., O'Neill, R. & Gore, T., 2009

    Research output: Performances, compositions and other non-textual formsPerformance

  124. Published or Performed

    Hand me down

    Thorpe, J., O'Neill, R. & Gore, T., 2010

    Research output: Performances, compositions and other non-textual formsPerformance

  125. Published or Performed

    Le Donne e La chitarra: music for guitar by 19th century women composers

    Akers, J., 1 Oct 2018

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  126. Published or Performed

    Gardenscape (Glasgow 2020)

    Doolittle, E. & Vitkauskaite, R., 17 Aug 2020

    Research output: Performances, compositions and other non-textual formsComposition

  127. Published or Performed

    The Wren King

    Doolittle, E. & Cooper, K., 1 Oct 2020

    Research output: Performances, compositions and other non-textual formsComposition

  128. Published or Performed

    On lockdown, wood pigeons, and grounding ourselves in the natural rhythms of creativity

    Doolittle, E., 14 Aug 2020

    Research output: Other contributionsOther contribution

  129. Published or Performed

    (Two Openings): for two gamelan musicians

    van der Walt, J. S., Campion, R. & Daryono, A., 16 Mar 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  130. Published or Performed

    Claude Debussy, Intermezzo pour violoncelle et piano

    Howat, R., 12 Mar 2018, Paris: Durand. 15 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  131. Published or Performed

    Claude Debussy, Pièce pour violoncelle et piano, dite Nocturne et Scherzo

    Howat, R., 12 Mar 2018, Paris: Durand. 17 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  132. Published or Performed

    Lunch hour concert

    Howat, R., 12 Sep 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  133. Published or Performed

    Concert IV: The Piano Music of Claude Debussy

    Howat, R., 13 Oct 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  134. Published or Performed

    Guest Recital: piano music of Debussy

    Howat, R., Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  135. Published or Performed

    Perkin Warbeck: A Masque of Anamnesis

    Silberschatz, M. & King, C., May 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  136. Published or Performed

    Harponium electrosessions

    MacDonald, A. & McKay, C., 8 Sep 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  137. Published or Performed

    Five Gaelic Songs

    MacDonald, A., Sutcliffe, N. & McCluskey, J., 14 Mar 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  138. Published or Performed
  139. Published or Performed

    Every Person Every Voice: An exploration into the making of devised theatre in prison.

    Thorpe, J., 4 Mar 2014, In : Scottish Justice Matters. 2

    Research output: Contributions to journalsArticle

  140. Published or Performed

    A different kind of worth

    Thorpe, J., 17 Sep 2014.

    Research output: Contributions to conferencesPaper

  141. Published or Performed

    Making? Devising theatre with young people in custody

    Thorpe, J., 29 Mar 2019.

    Research output: Contributions to conferencesPaper

  142. Published or Performed

    Twenty-seven thoughts on one breath

    Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  143. Published or Performed

    Reaching Out In Opera: An Exploration of the technical, artistic and professional implications for professional singers working in outreach

    Leary, J., 30 May 2020, SPHERES OF SINGING 2020.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  144. Published or Performed

    New Opera Composition Workshops

    Leary, J., Feb 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  145. Published or Performed

    Baroque Schools Project (Dunedin Consort)

    Leary, J., Dec 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  146. Published or Performed

    Pop-Up Opera Roadshow (Scottish Opera)

    Leary, J., 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  147. Published or Performed

    Renaissance Polyphony

    Fitch, F., Aug 2020, Cambridge University Press.

    Research output: Books, editions or reportsBook

  148. Published or Performed

    The sound of forgotten music: Karen McAulay uncovers some of the great female composers who have been lost from history

    McAulay, K., 11 Sep 2020, 2 p. Dundee : D C Thomson.

    Research output: Other contributionsOther contribution

  149. Published or Performed

    Revisiting the Achievements of Song-Collector Alexander Campbell

    McAulay, K., 9 Sep 2020, Glasgow : Romantic National Song Network (University of Glasgow).

    Research output: Other contributionsOther contribution

  150. Published or Performed

    Evidence for Enhancement: Enhancing Support for Programme Leadership

    Caddell, M. & Ellis, S., 2020, (QAA Scotland Enhancement Themes report)

    Research output: Books, editions or reportsCommissioned report

  151. Published or Performed

    Les Nouveaux Hélikons

    Myers, A., 30 Apr 2020, In : Larigot. 65, p. 24-29 6 p.

    Research output: Contributions to journalsArticle

  152. Published or Performed

    Performed Identities

    Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  153. Published or Performed

    What's Going On? A National Audit of Youth Music in Scotland

    Broad, S., Price, D. & Duffy, C., 2003, Edinburgh: Scottish Arts Council.

    Research output: Books, editions or reportsCommissioned report

  154. Published or Performed

    Drama Provision in Scottish Schools

    Broad, S. & Duffy, C., 2005, Edinburgh: Scottish Arts Council.

    Research output: Books, editions or reportsCommissioned report

  155. Published or Performed

    A Sound Investment: Workforce Development in Music Education

    Broad, S., Gardiner, R. & Duffy, C., 2007, Edinburgh: Scottish Arts Council.

    Research output: Books, editions or reportsCommissioned report

  156. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  157. Published or Performed

    'The problem is that everybody hates it': insights from qualitative research

    Gilmore, C. & Duffy, C., 2019, Arts Professional .

    Research output: Other contributionsOther contribution

  158. Published or Performed

    Knowledge and Know-how: a research toolkit for creative organisations

    Gilmore, C. & Duffy, C., 2017.

    Research output: Contributions to conferencesPaper

  159. Published or Performed

    QUAL: the art of research insights

    Gilmore, C. & Duffy, C., 2019.

    Research output: Contributions to conferencesPaper

  160. Published or Performed
  161. Published or Performed

    Qual podcast series: https://www.qual.org.uk/podcasts

    Gilmore, C. & Duffy, C., 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  162. Published or Performed

    'Take it in, not to heart': Making expectations of collaborative learning explicit

    Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  163. Published or Performed

    At work and play: an exploration of street and graffiti artists

    Gilmore, C., 2018, In : Street Art & Urban Creativity Scientific Journal . 4, 1

    Research output: Contributions to journalsArticle

  164. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In : Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticle

  165. Published or Performed

    Performative Silence in the Library

    McAulay, K., 9 Jul 2020, Icepops Annual 2020: International Copyright Literacy Event with Playful Opportunities for Practitioners and Scholars. Chris Morrison and Jane Secker, p. 32-33 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  166. Published or Performed

    The [dis]appearance of hysteria

    Gonzalez, L., 12 Jun 2020.

    Research output: Contributions to conferencesPaper

  167. Published or Performed

    Chronic Pain and Ecological Pain

    Hopfinger, S., 18 Feb 2019.

    Research output: Contributions to conferencesPaper

  168. Published or Performed

    Chronic Pain in Performance: Ecologies of Pain

    Hopfinger, S., 4 Sep 2019.

    Research output: Contributions to conferencesPaper

  169. Published or Performed

    The Politics of Wildness, Play and Disability

    Hopfinger, S., 15 Feb 2020.

    Research output: Contributions to conferencesPaper

  170. Published or Performed

    Practice-led Research Methods: Ecologies of Pain

    Hopfinger, S., 6 Mar 2020.

    Research output: Contributions to conferencesPaper

  171. Published or Performed

    Pain and I

    Hopfinger, S., 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  172. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  173. Published or Performed

    Ghost Patrol

    MacRae, S. & Welsh, L., 30 Aug 2012

    Research output: Performances, compositions and other non-textual formsComposition

  174. Published or Performed

    Stoic Piece No.2 for Organ

    MacRae, S., 14 Sep 2019

    Research output: Performances, compositions and other non-textual formsComposition

  175. Published or Performed

    Perang Gagal: a Series of Inconclusive Battles

    van der Walt, J. S. & Mercier, M., 6 Feb 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  176. Published or Performed

    Conservatoire Singer's Development using the Spectrogram and Spectrograph.

    Robertson, S., 13 Aug 2010.

    Research output: Contributions to conferencesPaper

  177. Published or Performed

    Performing Music, Performing the Figure: Deleuze and Painting

    Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  178. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  179. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  180. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  181. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  182. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  183. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  184. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  185. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  186. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  187. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  188. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  189. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In : Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticle

  190. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  191. Published or Performed

    Gabriel Fauré, Songs for Bass Voice and Piano

    Howat, R. & Schwartz, J., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  192. Published or Performed

    Gabriel Fauré, The Complete Verlaine Settings

    Howat, R., Boutté, T. & Kilpatrick, E., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  193. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In : Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticle

  194. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In : Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticle

  195. Published or Performed

    Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales

    Howat, R., 2015, In : Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.

    Research output: Contributions to journalsArticle

  196. Published or Performed

    The voice of the Translator: An interview with Roy Howat

    Howat, R. & Schulte, R., 2015, In : Translation Review. 91, p. 1-15 15 p., 1.

    Research output: Contributions to journalsArticle

  197. Published or Performed

    Symmetries overt and hidden in musical form

    Howat, R., 2018, In : Symmetry: Art and Science. 79, 2, p. 265-277 13 p.

    Research output: Contributions to journalsArticle

  198. Published or Performed

    Gabriel Fauré: Complete Shorter Works for Cello

    Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.

    Research output: Books, editions or reportsScholarly edition

  199. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  200. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

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