Browse Work

  1. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  2. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  3. Published or Performed

    Interpreting Compositional Process in Wolfgang Rihm’s Chiffre series

    McGregor, R. E., 2007, In: Frankfurter Zeitschrift für Musikwissenschaft. 10, p. 26-70

    Research output: Contributions to journalsArticle

  4. Published or Performed

    Stepping out – Maxwell Davies’s 'Salome' as a transitional work

    McGregor, R. E., 2006, In: Tempo. 230, p. 2-12

    Research output: Contributions to journalsArticle

  5. Published or Performed

    James MacMillan’s 'O Bone Jesu’

    McGregor, R. E., 2011, In: Scottish Music Review. 2, 1, p. 1-14

    Research output: Contributions to journalsArticlepeer-review

  6. Published or Performed

    James MacMillan: a conversation and commentary

    McGregor, R. E., 2010, In: The Musical Times. 151, 1912, p. 69-100

    Research output: Contributions to journalsArticle

  7. Published or Performed

    Peter Maxwell Davies’s Opus and WoO numbers: a new work list

    McGregor, R. E. & Jones, N., 2010, In: The Musical Times. 151, 1910, p. 53-86

    Research output: Contributions to journalsArticle

  8. Published or Performed

    Reading the Runes – deciphering Maxwell Davies’s secret language

    McGregor, R. E., 2000, In: Perspectives of New Music. 38, 2, p. 5-29

    Research output: Contributions to journalsArticlepeer-review

  9. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    "A Metaphor for the Deeper Wintriness”: Exploring James MacMillan’s Musical Identity

    McGregor, R. E., 2011, In: Tempo. 65, 257, p. 22-39

    Research output: Contributions to journalsArticlepeer-review

  13. Published or Performed

    Relaxing Music for Anxiety Control

    McGregor, R. E., Polman, R. & Elliot, D., 2011, In: Journal of Music Therapy. 48, 3, p. 264-88

    Research output: Contributions to journalsArticle

  14. Published or Performed

    Because the drummed rhythm was seven …

    McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Walking the Line: deconstructing identity, suicide and betrayal in Maxwell Davies’s Mr Emmet Takes a Walk

    McGregor, R., 2012, In: Cambridge Opera Journal. p. 319-51

    Research output: Contributions to journalsArticlepeer-review

  16. Published or Performed

    Towards a Taxonomy of Inspiration

    McGregor, R., 2012, In: Spirituality of a Personality: Methodology, Theory and Practice. p. 85-118

    Research output: Contributions to journalsArticle

  17. Published or Performed

    Spiritus(,) carminis

    McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Music Transcendent and Mundane

    McGregor, R., 2014, Spirituality in the 21st Century: Engagements with Meaning. Hochheimer, J. L., Weiss, M. & Çelik, D. A. (eds.). Oxford: Inter-Disciplinary Press, p. 163-74

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    In Plain Sight: Aspects of Developmental Process in Sally Beamish’s 'Seafarer' Trilogy

    McGregor, R., 2017, In: Scottish Music Review. 5, p. 88-114

    Research output: Contributions to journalsArticlepeer-review

  20. Published or Performed

    An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’

    McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    • Wolfgang Rihm: Aspects of Unity and Diversity in His Compositional Processes

    McGregor, R., 2017, In: Contemporary Music Review. 36, 4, p. 203-6

    Research output: Contributions to journalsArticlepeer-review

  22. Published or Performed

    "The Blast has arrived at the Body" - Rihm's creative explosion in 1981

    McGregor, R., 2017, In: Contemporary Music Review. 36, 4, p. 237-78

    Research output: Contributions to journalsArticlepeer-review

  23. Published or Performed

    MacMillan’s ‘Mission’ and the Passion settings

    McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    The Music of Peter Maxwell Davies

    McGregor, R. & Jones, N., 20 Feb 2020, Woodbridge: The Boydell Press. 384 p.

    Research output: Books, editions or reportsBook

  25. Published or Performed

    Mind Games: Peter Maxwell Davies’s Music Theatre works in Context

    McGregor, R., 2019, In: Musiktheorie. 34, 4, p. 292-320 28 p.

    Research output: Contributions to journalsArticle

  26. Published or Performed

    Beggars Teeth: Painting, performance art project Glasgow

    Anderson, S., Robertson, F. & Skinner, C., 4 May 2017

    Research output: Performances, compositions and other non-textual formsPerformance

  27. Published or Performed

    Glasgow School of Art Choir Fifth Anniversary Concert

    Mackay, S. & Sansbury, J., 27 May 2017

    Research output: Performances, compositions and other non-textual formsPerformance

  28. Published or Performed

    Hawkes & Son, instrument makers

    Myers, A. & Howell, J., 2015, In: Galpin Society Journal. 68, p. 121-149 29 p.

    Research output: Contributions to journalsArticlepeer-review

  29. Published or Performed

    Georgian Prima Donnas

    Robertson-Kirkland, B. E., 25 Nov 2021, BBC History Magazine, p. 36-40 4 p.

    Research output: Contributions to specialist professional publicationsArticle

  30. Published or Performed

    Vive la Différence: Red Note

    Rožeň, J., Rubtsov, A., Morley, R., Nicholson, J., Dall’Olio, G., Roberts, R., Irvine, R. & Keaney, J., 3 Mar 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  31. Published or Performed

    Brassiness and the Understanding of Brass Instruments

    Myers, A., Campbell, M. & Gilbert, J., 1 Jun 2021, Proceedings, 9th Forum Acusticum, 7-11 December 2020. hal.archives-ouvertes.fr, p. 3169-3175 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  32. Published or Performed
  33. Published or Performed

    Creative Skills: Exploring the importance of music in early years

    Drury, R. & Armstrong, S., 2 May 2021

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  34. Published or Performed

    Wee Inspirations: Messy Music / Groovy Gardens / Musical Chats

    Drury, R., Winger, B. & Cleland, K., 1 May 2021

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  35. Published or Performed

    When Piping was Strong: Tradition, Change and the Bagpipe in South Uist

    Dickson, J., 9 Mar 2007, Edinburgh: John Donald Publishers Ltd. 336 p.

    Research output: Books, editions or reportsBookpeer-review

  36. Published or Performed

    The Profanity of the Mill: a germ of resistance

    Gilmore, C., Aug 2022, Art of Management and Organization Conference .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  37. Accepted/In press

    Creative Research: A Creative Conversation

    Hopfinger, S. & Bissell, L., 2022, (Accepted/In press) In: Performance.org.

    Research output: Contributions to journalsArticlepeer-review

  38. Published or Performed

    With Pain

    Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  39. Published or Performed

    Movements at Knepp

    Hopfinger, S., 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 147-149 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  40. Published or Performed

    Living (in) Precarity

    Hopfinger, S., Sept 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 224-227 4 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  41. Accepted/In press

    Interludes - Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 2022, (Accepted/In press) Diffracting New Materialism: Emerging Methods in Artistic Research . Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Published or Performed

    Pain and I: audio piece

    Hopfinger, S., May 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  43. Published or Performed

    In Praise of Shadows

    Diaz, J. & Darrouy, J., Aug 2022

    Research output: Performances, compositions and other non-textual formsPerformance

  44. Published or Performed

    self portrait - 2021: for any instrument

    Diaz, J., 2022

    Research output: Performances, compositions and other non-textual formsComposition

  45. Published or Performed

    an incomplete autobiography

    Diaz, J., 2021

    Research output: Performances, compositions and other non-textual formsComposition

  46. Published or Performed

    Fryderyk Chopin, Etudes Op. 10: 12 Etudes for piano, Op. 10

    Howat, R. (ed.), 2023, Leipzig, London, New York: Peters Edition. 78 p. (The Complete Chopin: A new critical edition)

    Research output: Books, editions or reportsScholarly editionpeer-review

  47. Published or Performed

    Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  48. Published or Performed

    Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  49. Published or Performed

    The moss and the cosmos

    MacDonald, A. & Beveridge, K., 9 Jul 2021

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  50. Published or Performed

    when feathers appear

    MacDonald, A. & McKay, C., 12 Jul 2021

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

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