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Published or Performed
New Opera Composition Workshops
Leary, J., Feb 2020
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Baroque Schools Project (Dunedin Consort)
Leary, J., Dec 2019
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Pop-Up Opera Roadshow (Scottish Opera)
Leary, J., 2019
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
The sound of forgotten music: Karen McAulay uncovers some of the great female composers who have been lost from history
McAulay, K., 11 Sept 2020, 2 p. Dundee : D C Thomson.
Research output: Other contributions › Other contribution
Published or Performed
Revisiting the Achievements of Song-Collector Alexander Campbell
McAulay, K., 9 Sept 2020, Glasgow : Romantic National Song Network (University of Glasgow).
Research output: Other contributions › Other contribution › peer-review
Published or Performed
Evidence for Enhancement: Enhancing Support for Programme Leadership
Caddell, M. & Ellis, S., 2020, (QAA Scotland Enhancement Themes report)
Research output: Books, editions or reports › Commissioned report
Published or Performed
Les Nouveaux Hélikons
Myers, A., 30 Apr 2020, In: Larigot. 65, p. 24-29 6 p.
Research output: Contributions to journals › Article
Published or Performed
Performed Identities
Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Drama Provision in Scottish Schools
Broad, S. & Duffy, C., 2005, Edinburgh: Scottish Arts Council.
Research output: Books, editions or reports › Commissioned report
Published or Performed
'The problem is that everybody hates it': insights from qualitative research
Gilmore, C. & Duffy, C., 2019, Arts Professional .
Research output: Other contributions › Other contribution
Published or Performed
Knowledge and Know-how: a research toolkit for creative organisations
Gilmore, C. & Duffy, C., 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
QUAL: the art of research insights
Gilmore, C. & Duffy, C., 2019.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
AHRC (AH/L006278/1: The enactment of cultural value and taste-making in contemporary classical music
Gilmore, C. & Duffy, C., 2013
Research output: Other contributions › Other contribution › peer-review
Published or Performed
Qual podcast series: https://www.qual.org.uk/podcasts
Gilmore, C. & Duffy, C., 2020
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
'Take it in, not to heart': Making expectations of collaborative learning explicit
Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
At work and play: an exploration of street and graffiti artists
Gilmore, C., 2018, In: Street Art & Urban Creativity Scientific Journal . 4, 1
Research output: Contributions to journals › Article › peer-review
Published or Performed
Editorial Challenges in the Early Songs of Gabriel Fauré
Howat, R. & Kilpatrick, E., 2011, In: Notes. 68, 2, p. 239–283 45 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Performative Silence in the Library
McAulay, K., 9 Jul 2020, Icepops Annual 2020: International Copyright Literacy Event with Playful Opportunities for Practitioners and Scholars. Chris Morrison and Jane Secker, p. 32-33 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
The [dis]appearance of hysteria
Gonzalez, L., 12 Jun 2020.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Chronic Pain and Ecological Pain
Hopfinger, S., 18 Feb 2019.
Research output: Contributions to conferences › Paper
Published or Performed
Chronic Pain in Performance: Ecologies of Pain
Hopfinger, S., 4 Sept 2019.
Research output: Contributions to conferences › Paper
Published or Performed
The Politics of Wildness, Play and Disability
Hopfinger, S., 15 Feb 2020.
Research output: Contributions to conferences › Paper
Published or Performed
Practice-led Research Methods: Ecologies of Pain
Hopfinger, S., 6 Mar 2020.
Research output: Contributions to conferences › Paper
Published or Performed
Pain and I
Hopfinger, S., 2020
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
PIECES FOR A NEW COUNTRY
MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Ghost Patrol
MacRae, S. & Welsh, L., 30 Aug 2012
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Stoic Piece No.2 for Organ
MacRae, S., 14 Sept 2019
Research output: Performances, compositions and other non-textual forms › Composition
Published or Performed
Conservatoire Singer's Development using the Spectrogram and Spectrograph.
Robertson, S., 13 Aug 2010.
Research output: Contributions to conferences › Paper
Published or Performed
Debussy’s piano music: sources and performance
Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy et le piano
Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Architecture as drama in late Schubert
Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Ravel and the piano
Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy, Bartók és a természeti formák
Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Chopin’s influence on the fin-de-siècle and beyond
Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Keyboard
Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Sonata for Two Pianos and Percussion
Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy and the Orient
Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Gabriel Fauré, the Paris Conservatoire and his collected Vocalises
Howat, R. & Kilpatrick, E., 2013, In: Singing (Journal of the AOTOS). 64, p. 9-13 5 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Gabriel Fauré, Lydia’s Vocalises
Howat, R. & Freeman-Attwood, J., 2014
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Gabriel Fauré, Songs for Bass Voice and Piano
Howat, R. & Schwartz, J., 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”
Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Editing Fauré: A fresh look at La Bonne Chanson
Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales
Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.
Research output: Contributions to journals › Article › peer-review
Published or Performed
The voice of the Translator: An interview with Roy Howat
Howat, R. & Schulte, R., 2015, In: Translation Review. 91, p. 1-15 15 p., 1.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Symmetries overt and hidden in musical form
Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Gabriel Fauré: Complete Shorter Works for Cello
Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.
Research output: Books, editions or reports › Scholarly edition › peer-review

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