Browse Work

  1. 2022
  2. Published or Performed

    Trains, Trossachs, Choirs and the Council: Neilston Parish Church’s First Organist

    McAulay, K., 23 Sep 2022, 3 p. Glasgow : Glasgow Society of Organists.

    Research output: Other contributionsOther contribution

  3. Published or Performed

    Hidden Treasure: Rediscovering La Chanson d’Ève

    Howat, R. & Kilpatrick, E., Nov 2022, In: Journal of singing. 79, 2, p. 145-61 17 p.

    Research output: Contributions to journalsArticlepeer-review

  4. Published or Performed

    Dance Education in the Primary School in Scotland

    Slattery, E. & Rae, A., 2 Nov 2022, 72 p.

    Research output: Other contributionsOther contribution

  5. Published or Performed

    Cherryblossom Elegy: SATB divisi a cappella

    Tay, K., 12 Nov 2022

    Research output: Performances, compositions and other non-textual formsPerformance

  6. Published or Performed

    The State of the Arts in Scottish Education: A Symposium

    Slattery, E., Moscardini, L., Jaap, A. S., Robb, A. & Wallace, J., 25 Nov 2022.

    Research output: Contributions to conferencesPaper

  7. 2023
  8. Published or Performed

    Fryderyk Chopin, Etudes Op. 10: 12 Etudes for piano, Op. 10

    Howat, R. (ed.), 2023, Leipzig, London, New York: Peters Edition. 78 p. (The Complete Chopin: A new critical edition)

    Research output: Books, editions or reportsScholarly editionpeer-review

  9. Published or Performed

    The Maid That Tends The Goats: For bass clarinet and electronics

    Haller-Shannon, E., 2023

    Research output: Performances, compositions and other non-textual formsComposition

  10. Published or Performed
  11. Published or Performed

    George Kennaway: John Gunn: Musician Scholar in Enlightenment Britain: [Book review]

    McAulay, K., 24 Jan 2023, In: Brio. 59, 2, p. 62-63 2 p.

    Research output: Contributions to journalsBook/Film/Article review

  12. Published or Performed

    Fantasia on a Harbour

    Tay, K., 14 Feb 2023

    Research output: Performances, compositions and other non-textual formsPerformance