Browse Work

  1. Published or Performed

    Die Fledermaus

    Dean, T., Blakeley, L., Slimings, J. & Roe, S., 13 May 2017

    Research output: Performances, compositions and other non-textual formsPerformance

  2. Published or Performed

    Deviant Practices: Technological Re-codings of the City through Radical Play

    Bissell, L., 5 Sept 2013.

    Research output: Contributions to conferencesPaperpeer-review

  3. Published or Performed

    Deviant Practices: Technological Re-codings of the City through Radical Play

    Bissell, L., 26 Nov 2012.

    Research output: Contributions to conferencesPaper

  4. Published or Performed

    Deviant Practices: Technological Re-codings of the City through Radical Play

    Bissell, L., 2013, In: Body, Space, Technology (e-journal).

    Research output: Contributions to journalsArticlepeer-review

  5. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Developing as a teacher: supporting Graduate Teaching Assistants in their transition into teaching

    Jaap, A., 2015.

    Research output: Contributions to conferencesPaperpeer-review

  7. Published or Performed
  8. Published or Performed

    Derek Miller, Copyright and the value of performance, 1770-1911: (Cambridge Univerity Press, 2018) Book Review

    McAulay, K., Dec 2019, In: Brio. 56, 2, p. 99-101 3 p.

    Research output: Contributions to journalsBook/Film/Article reviewpeer-review

  9. Published or Performed

    Der Kirchengesang in Rußland vom Ende 15. bis zur Anfang des 17. Jahrhunderts

    Zvereva, S., 1993, Grazer Musikwißenschaftliche Arbeiten, B. 10: Altrußische Musik. Graz, Austria: Akademische Druck u. Verlagsanstalt, Vol. 10. p. 71-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    Deep Time and Future Pasts in Gully Cave

    Bissell, L., Overend, D., Lorimer, J., Schreve, D., Smith, P. & Billinghurst, H., 24 Jan 2022

    Research output: Performances, compositions and other non-textual formsPerformance

  11. Published or Performed

    DEDICATION for Piano and Wind Symphony: World Premiere performance

    Pavri, F., Mikkelson, R. & Stanojevic, V., 1 Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  12. Published or Performed

    Debussy’s Welte roll of La plus que lente

    Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 356-372 17 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  16. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBookpeer-review

  18. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Deathletics

    Searle, O., 7 Mar 2019

    Research output: Performances, compositions and other non-textual formsPerformance