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Chapter › Research › Not peer-reviewed
Published or Performed
Maxwell Davies’s sources: reflections on origins, meanings and significance
McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Movements at Knepp
Hopfinger, S., 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 147-149 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Music, Dance and Drama
Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Muzyka Petera Maxwella Daviesa
McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Performance in a Pandemic
Bissell, L., 30 Jun 2020, Doing Arts Research in a Pandemic. London: The Culture Capital Exchange, p. 52-53 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
PIECES FOR A NEW COUNTRY
MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Pillow Talk: The Legacy of Adrian Howells in Glasgow
Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Practice-based research at the Royal Scottish Academy of Music and Drama
Broad, S., 2006, Konstnarlig forskning: Artiklar, Prjektrapporter & Reportage. Lind, T. (ed.). Stockholm: Swedish Research Council, p. 17-25 9 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Style in Performance
Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
The Development of Industrial Brass Instrument Making in Britain
Myers, A. & Nex, J., Oct 2019, Music and the Second Industrial Revolution. Sala, M. (ed.). Brepols, p. 177-198 22 p. (Music, Science and Technology; vol. 2).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
The French Trombone’s Conquest of Britain
Myers, A., 2019, Musiques. Images. Instruments.: Mélanges en l’honneur de Florence Gétreau. Balmer, Y., Framboisier, A., Guilloux, F. & Massip, C. (eds.). Belgium: Brepols, p. 567-79 13 p. (Music and Visual Culture; vol. 5).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
The John Webb Collection
Myers, A., 2016, Instrumental Odyssey: A Tribute to Herbert Heyde. Libin, L. (ed.). Hillsdale, N.Y.: Pendragon Press, p. 279-288 10 p. (Bucina: The Historic Brass Society Series; no. 9).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
The Persistence of Parody in the Music of Peter Maxwell Davies
McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Tracking the Dys-Dance: Choreographing for the Dys-Utopia
Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'
McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
With Pain
Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
Сергей Рахманинов: последние годы
Zvereva, S., 2013, Ежегодник Дома русского зарубежья имени Александра Солженицына. Moscow, Russia: Дом русского зарубежья имени Александра Солженицына, p. 437-451
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Chapter › Research › Peer-reviewed
Published or Performed
‘From the Quebec-Hebrideans to ‘les Écossais-Québecois’: Tracing the Evolution of a Scottish Cultural Identity in the Eastern Townships’
Bennett, M., 2005, Transatlantic Scots. Ray, C. (ed.). University of Alabama Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
‘Reading as Creative Practice’
Gonzalez, L., 2017, The Adapt-r Creativity Book. Verbeke, J. (ed.). Brussels: KU Leuven, p. 169–177 9 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
‘Under the Radar’ or ‘Caught in the Crossfire’? The Music of Gaspar van Weerbeke and its Reception-History
Fitch, F., 2018, Gaspar van Weerbeke: New Perspectives on his Life and music. Lindmayr-Brandl, A. & Kolb, P. (eds.). Turnhout and Tours: Brepols, p. 105–21
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
“Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute”
Bissell, L. & Overend, D., Dec 2016, Humanities: Deep Mapping. Roberts, L. (ed.). p. 476 499 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
1690-1990: Balquhidder Revisited
Bennett, M., 1991, The Good People: New Fairylore Essays. Narvaez., P. (ed.). New York: Garland Publishing & University Press of Kentucky
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
A national approach: Foregrounding programme leadership in Scotland
Caddell, M., Ellis, S., Haddow, C. & Wilder-Davis, K., 2022, Supporting Course and Programme Leaders in Higher Education: Practical Wisdom for Leaders, Educational Developers and Programme Leaders. Lawrence, J., Morón-García, S. & Senior, R. (eds.). Abingdon: Routledge, p. 15-26 (Staff and Educational Development Association Series).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song
Dickson, J., 30 Dec 2020, Musica Scotica (Title TBC). Grant et al, M. J. (ed.). Edinburgh: Musica Scotica
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).
Whiteside, B., Patrick, H. & Cassidy, C., 28 Apr 2020, Dance Fields : Staking a Claim for Dance Studies in the Twenty-First Century. Whatley, S., David, A. & Huxley, M. (eds.). Dance Books
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’
McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Architecture as drama in late Schubert
Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Because the drummed rhythm was seven …
McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Being Scottish
Bennett, M., 2002, Being Scottish: : Personal Reflections on Scottish Identity Today. Devine, T. M. & Logue, P. (eds.). Edinburgh, Scotland: Polygon at Edinburgh University Press; 1st Edition. edition (29 July 2002)
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Between and beyond the perforations in Debussy’s Welte rolls
Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 62-91 30 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Blueprint for a ghost
Gonzalez, L. & Bowen, E., 2020, The maternal in creative work: Intergenerational discussions on motherhood and art. Marchevska, E. & Walkerdine, V. (eds.). Abingdon, Oxon and NY: Routledge, p. 83-96 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Chopin’s influence on the fin-de-siècle and beyond
Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Continuing the Living Tradition
Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Crossing the Cyprus Divide Armed with Pen and Paper
Gonzalez, L. & Christophini, M., 26 May 2018, Peace as a Global Language: Explorations of Peace in Practice. Parrish, M. & Richardson, R. (eds.). Peace as a Global Language, p. 289-359
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Cultural Changes in Quebec since the Gaelic Settlers
Bennett, M., 2008, Island Notes. The Island Book Trust
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Customs – Cleachdaidhean
Bennett, M., 2014, Tobar an Dualchais:Ulaidh Naiseanta /Kist o Riches: A National Treasure. Wright, C. (ed.). Isle of Skye: Tobar an Dualchais / Kist o Riches
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
Dancing with Chronic Pain: Insights Into Ecological Pain
Hopfinger, S., 2024, (Accepted/In press) Cambridge Companion to Theatre and Ecology. Lavery, C. (ed.). Cambridge University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy and the Orient
Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy et le piano
Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy, Bartók és a természeti formák
Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy’s En blanc et noir and « le souci des proportions »
Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy’s piano music: sources and performance
Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy’s Welte roll of La plus que lente
Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 356-372 17 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Der Kirchengesang in Rußland vom Ende 15. bis zur Anfang des 17. Jahrhunderts
Zvereva, S., 1993, Grazer Musikwißenschaftliche Arbeiten, B. 10: Altrußische Musik. Graz, Austria: Akademische Druck u. Verlagsanstalt, Vol. 10. p. 71-84
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Developments in Organisation Theory and Organising Music
Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Disability in Performance
Hopfinger, S., 8 Sept 2023, The Routledge Companion to Contemporary European Theatre and Performance. Remshardt, R. & Mancewicz, A. (eds.). 1 ed. Abingdon: Routledge, p. 453-459 7 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
Domenico Corri (1746–1825: Credulity, credibility and pedagogy in the music industry
Robertson-Kirkland, B. E., 19 Nov 2021, (Accepted/In press) Lumières internationales. Paris: Honoré Champion, (ETUDES INTERNATIONALES SUR LE 18E SIECLE).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Ethnomusicology
Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Fauré the practical interpreter
Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations
Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
From Perthshire to Pennsylvania: The Influence of Hamish Henderson on Transatlantic Folklore Studies’
Bennett, M., 2010, Borne On The Carrying Stream: The Legacy of Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Hamish Henderson and Martyn Bennett: Conversations and Collaborations’
Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth
Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Hosting Hysteria
Gonzalez, L., 28 Jan 2019, Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Campbell, M. & Vidal, R. (eds.). Palgrave Macmillan, p. 167-184 19 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Howard Glasser and Hamish Henderson: Creative Collaboration and Kinship
Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Inside rather than under the composer's skin: Another tilt at being Authentic
Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
Interludes - Entanglements and Response-ability in Intergenerational Performance
Hopfinger, S., 2022, (Accepted/In press) Diffracting New Materialism: Emerging Methods in Artistic Research . Palgrave Macmillan
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Interludes: Entanglements and Response-ability in Intergenerational Performance
Hopfinger, S., 13 Jul 2023, Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education. Bayley, A. & Chan, JJ. (eds.). 1 ed. Palgrave Macmillan, p. 55-59, 139-144, 185-189, 265-268, 349-353 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs
Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Jakob Mulmann and sein Dienst am Chor der Don-Kosaken des Serge Jaroff
Zvereva, S., 2020, Arbeiten und Bibliographien zum Buch- und Bibliothekswessen. Band 17.: Russische Bibliotheken in Deutschland. Berlin: Peter Lang, Vol. 17. p. 81-108
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Keyboard
Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Le wagnérisme de Fauré: Pénélope (1913) et les mélodies
Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation
Howat, R., 2013, Regards sur Debussy. Fayard
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
MacMillan’s ‘Mission’ and the Passion settings
McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Making Ghosts Heard
Gonzalez, L., Jul 2021, Hysterical Methodologies in the Arts: Rising in Revolt. Braun, J. (ed.). Switzerland: Palgrave Macmillan, p. 257-270 13 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Mapping the use of ICT in creative music practice
Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Messiaen and Art Sacré
Broad, S., 2013, Messiaen Perspectives 1: Sources and Influences. Dingle, C. & Fallon, R. (eds.). Ashgate
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Messiaen and Cocteau
Broad, S., 2007, Olivier Messiaen: Music, Art and Literature. Dingle, C. & Simeone, N. (eds.). Aldershot: Ashgate, p. 1-12 13 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Messiaen and the French Organ Tradition
Broad, S., 2013, Olivier Messiaen und die "französische Tradition". Keym, S. & Jost, P. (eds.). Cologne: Verlag Dohr, p. 23-46 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Metamorphosis: The Changing Art in Helping the Performing Arts
Jones, A., Oct 2015, State of the Profession : : Performing Arts Librarianship in the 21st Century. New York, Vol. 31. p. 8-17 10 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Music Chose Me: Influences in the Development of Musical Talent
Jaap, A., 2012, Moving Forward: Tradition and Transformation. Morgan, HM. & Morris, R. (eds.). Newcastle: Cambridge Scholars Publishing
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Music Transcendent and Mundane
McGregor, R., 2014, Spirituality in the 21st Century: Engagements with Meaning. Hochheimer, J. L., Weiss, M. & Çelik, D. A. (eds.). Oxford: Inter-Disciplinary Press, p. 163-74
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Music, culture and the Church in the German-occupied USSR: the Smolensk area and other provinces
Zvereva, S., 2020, The Routledge Handbook to Music under German Occupation, 1939-1945.: Propaganda, Myth and Reality.. Fanning, D. & Levi, E. (eds.). Abington: Routledge, p. 170-190
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
My love to war is going: Women and Song in the Napoleonic Era
McAulay, K. & Robertson-Kirkland, B. E., Nov 2018, Trafalgar Chronicle: New Series 3. p. 202 212 p. (Trafalgar Chronicle).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
National Theatre Phenomenon in World Culture. National Theatre in a Multinational State. Ideas of a National Theatre in XXI Century Britain - the Scottish Experience
Jones, A., 2016, National theatre in the context of Multinational Culture. Moscow: Tri Quadrata, p. 238 -248 9 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Opening eyes and changing mind-sets: professional development for programme leaders
Ellis, S. & Nimmo, A., 2018, Supporting programme leaders and programme leadership . Lawrence, J. & Ellis, S. (eds.). London: Staff and Educational Development Association, p. 35-39 (SEDA Special; no. 39).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Accepted/In press
Performance in a Pandemic
Bissell, L., 2023, (Accepted/In press) Routledge Companion to Contemporary European Theatre and Performance . Remshardt, R. & Mancewicz, A. (eds.). Routledge
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Performed Identities
Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Performing Music, Performing the Figure: Deleuze and Painting
Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Plant Lore in Gaelic Scotland
Bennett, M., 1991, Flora of the Outer Hebrides. Pankhurst, R. & Mullin, J. (eds.). London, UK: British Museum of Natural History & Pelagic Publishing
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Practice-Based Piping Scholarship: An Overview
Dickson, J., 2019, The William Kennedy Lectures: Lectures from 25 years of the William Kennedy Piping Festival. Armagh: Armagh Pipers Club
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Practising Research, Playing With Knowledge
Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Quebec and the Eastern Townships of Canada: Emigration from the Outer Hebrides in the Nineteenth Century’
Bennett, M., 2010, Island Emigrants: The History of Emigration from the Hebrides Over the Centuries. Randall, J. (ed.). Isle of Lewis: Island Book Trust
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Ravel and the piano
Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Reflection and the Classical Musician: Practice in Cultural Context
Broad, S. & Hunter, M., Dec 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J. & Gaunt, H. (eds.). Oxford University Press
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Repetition and Performativity: Site-Specific Performance and Film as Living Monument
Birch, A., 2012, Performing Site-Specific Theatre. Tompkins, J. (ed.). Palgrave Macmillan
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Rivalry, Camaraderie and the Prima Donnas: Elizabeth Billington & Gertrude Mara
Robertson-Kirkland, B. E., 19 Nov 2018, Exploring the Lives of Women, 1558–1837 . Duckling, L., Read, S., Roberts, F. & Williams, C. D. (eds.). London: Pen and Sword, p. 109-120 11 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Robert Macleod: Fife Miner-Poet and Broadside-Maker
Bennett, M., 2019, Street Literature and the Circulation of Songs. Atkinson, D. & Roud, S. (eds.). Cumbria, UK: The Ballad Partners
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Russian imprints in Debussy’s piano music
Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Seduction in Works of Art
Gonzalez, L., 29 Jul 2016, Seduction in Popular Culture, Psychology, and Philosophy. Martins, C. & Damásio, M. (eds.). Hershey PA: IGI Global, p. 165 187 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Shorelines: Choreographies of Remembrance and Forgetting;
Bissell, L., 9 Aug 2022, Moving Spaces and Places: Interdisciplinary Essays on Transformative Movements through Space, Place, and Time. Emerald Publishing Limited, p. 113-128 ( Emerald Interdisciplinary Connexions).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Sonata for Two Pianos and Percussion
Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Spiritus(,) carminis
McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Stories of the Supernatural: From Local Memorate to Scottish Legend
Bennett, M., 2009, Fantastical Imaginations: The Supernatural in Scottish History and Culture. Henderson, L. (ed.). Edinburgh, Scotland: John Donald Publishers Ltd.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Strathspeys, Reels, and Instrumental Airs: A National Product
McAulay, K., 3 Jan 2022, Music by subscription: composers and their networks in the British music-publishing trade, 1676-1820,. Fleming, S. & Perkins, M. (eds.). New York: Routledge, p. 177-197 21 p. (Routledge Research in Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Struileag – Guthan troimh na Linntean’ – ‘Voices Across the Generations’
Bennett, M., 2015, Struileag - Shore to Shore: : Cladach gu Cladach. Edinburgh, scotlnd: Polygon An Imprint of Birlinn Limited
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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