Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Customs – Cleachdaidhean

    Bennett, M., 2014, Tobar an Dualchais:Ulaidh Naiseanta /Kist o Riches: A National Treasure. Wright, C. (ed.). Isle of Skye: Tobar an Dualchais / Kist o Riches

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  3. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  4. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  5. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  6. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  7. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  8. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Published or Performed

    Ethnomusicology

    Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  10. Published or Performed

    From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations

    Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    From Perthshire to Pennsylvania: The Influence of Hamish Henderson on Transatlantic Folklore Studies’

    Bennett, M., 2010, Borne On The Carrying Stream: The Legacy of Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Hamish Henderson and Martyn Bennett: Conversations and Collaborations’

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. Published or Performed

    Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth

    Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    Hosting Hysteria

    Gonzalez, L., 28 Jan 2019, Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Campbell, M. & Vidal, R. (eds.). Palgrave Macmillan, p. 167-184 19 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. Published or Performed

    Howard Glasser and Hamish Henderson: Creative Collaboration and Kinship

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  16. Published or Performed

    Identity-in-the-work and musicians' struggles: the production of self-questioning work

    Beech, N., Gilmore, C., Hibbert, P. & Ybema, S., 2016, Work, Employment and Society .

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs

    Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  23. Published or Performed

    Messiaen and Art Sacré

    Broad, S., 2013, Messiaen Perspectives 1: Sources and Influences. Dingle, C. & Fallon, R. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  24. Published or Performed

    Messiaen and Cocteau

    Broad, S., 2007, Olivier Messiaen: Music, Art and Literature. Dingle, C. & Simeone, N. (eds.). Aldershot: Ashgate, p. 1-12 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Messiaen and the French Organ Tradition

    Broad, S., 2013, Olivier Messiaen und die "französische Tradition". Keym, S. & Jost, P. (eds.). Cologne: Verlag Dohr, p. 23-46 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  26. Published or Performed

    Metamorphosis: The Changing Art in Helping the Performing Arts

    Jones, A., Oct 2015, State of the Profession : : Performing Arts Librarianship in the 21st Century. New York, Vol. 31. p. 8-17 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  27. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  28. Published or Performed

    Music Chose Me: Influences in the Development of Musical Talent

    Jaap, A., 2012, Moving Forward: Tradition and Transformation. Morgan, HM. & Morris, R. (eds.). Newcastle: Cambridge Scholars Publishing

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  29. Published or Performed

    My love to war is going: Women and Song in the Napoleonic Era

    McAulay, K. & Robertson-Kirkland, B. E., Nov 2018, Trafalgar Chronicle: New Series 3. p. 202 212 p. (Trafalgar Chronicle).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  30. Published or Performed

    National Theatre Phenomenon in World Culture. National Theatre in a Multinational State. Ideas of a National Theatre in XXI Century Britain - the Scottish Experience

    Jones, A., 2016, National theatre in the context of Multinational Culture. Moscow: Tri Quadrata, p. 238 -248 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  31. Published or Performed

    Opening eyes and changing mind-sets: professional development for programme leaders

    Ellis, S. & Nimmo, A., 2018, Supporting programme leaders and programme leadership . Lawrence, J. & Ellis, S. (eds.). London: Staff and Educational Development Association, p. 35-39 (SEDA Special; no. 39).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  32. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  33. Published or Performed

    Performed Identities

    Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  34. Published or Performed

    Performing Music, Performing the Figure: Deleuze and Painting

    Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  35. Published or Performed

    Plant Lore in Gaelic Scotland

    Bennett, M., 1991, Flora of the Outer Hebrides. Pankhurst, R. & Mullin, J. (eds.). London, UK: British Museum of Natural History & Pelagic Publishing

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  36. Published or Performed

    Practising Research, Playing With Knowledge

    Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  37. Published or Performed

    Quebec and the Eastern Townships of Canada: Emigration from the Outer Hebrides in the Nineteenth Century’

    Bennett, M., 2010, Island Emigrants: The History of Emigration from the Hebrides Over the Centuries. Randall, J. (ed.). Isle of Lewis: Island Book Trust

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  38. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  39. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  40. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S., Hunter, M., Rink, J. (ed.), Gaunt, H. (ed.) & Williamon, A. (ed.), Dec 2017, Musicians in the Making: Pathways to Creative Performance. Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  41. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S. & Hunter, M., 2017, Musicians in the Making. Rink, J. & Gaunt, H. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  42. Published or Performed

    Repetition and Performativity: Site-Specific Performance and Film as Living Monument

    Birch, A., 2012, Performing Site-Specific Theatre. Tompkins, J. (ed.). Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  43. Published or Performed

    Rivalry, Camaraderie and the Prima Donnas: Elizabeth Billington & Gertrude Mara

    Robertson-Kirkland, B. E., 19 Nov 2018, Exploring the Lives of Women, 1558–1837 . Duckling, L., Read, S., Roberts, F. & Williams, C. D. (eds.). London: Pen and Sword, p. 109-120 11 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  44. Published or Performed

    Robert Macleod: Fife Miner-Poet and Broadside-Maker

    Bennett, M., 2019, Street Literature and the Circulation of Songs. Atkinson, D. & Roud, S. (eds.). Cumbria, UK: The Ballad Partners

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  45. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  46. Published or Performed

    Seduction in Works of Art

    Gonzalez, L., 29 Jul 2016, Seduction in Popular Culture, Psychology, and Philosophy. Martins, C. & Damásio, M. (eds.). Hershey PA: IGI Global, p. 165 187 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  47. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  48. Published or Performed

    Stories of the Supernatural: From Local Memorate to Scottish Legend

    Bennett, M., 2009, Fantastical Imaginations: The Supernatural in Scottish History and Culture. Henderson, L. (ed.). Edinburgh, Scotland: John Donald Publishers Ltd.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  49. Published or Performed

    Struileag – Guthan troimh na Linntean’ – ‘Voices Across the Generations’

    Bennett, M., 2015, Struileag - Shore to Shore: : Cladach gu Cladach. Edinburgh, scotlnd: Polygon An Imprint of Birlinn Limited

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  50. Published or Performed

    'Take it in, not to heart': Making expectations of collaborative learning explicit

    Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  51. Published or Performed

    The changing nature of conceptualisation and authenticity among Scottish traditional musicians: Traditional music, conservatoire education and the case for post-revivalism

    Dickson, J., 2018, Understanding Scotland Musically : Folk, Tradition and Policy . West, G. & McKerrell, S. (eds.). Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

Previous 1...7 8 9 10 11 12 13 14 ...27 Next