Browse Work

  1. Other contribution › Research › Peer-reviewed
  2. Published or Performed

    Legal Deposit (Copyright Behind the Scenes) – and Scores of Musical Scores

    McAulay, K., 20 Feb 2018, 5 p. UK Copyright Literacy.

    Research output: Other contributionsOther contributionpeer-review

  3. Published or Performed

    Linda McLean: Sex and God

    Steen, R., 2012

    Research output: Other contributionsOther contributionpeer-review

  4. Published or Performed

    Perang Gagal: a Series of Inconclusive Battles

    van der Walt, J. S. & Mercier, M., 6 Feb 2020, University of Limerick : Royal Conservatoire of Scotland.

    Research output: Other contributionsOther contributionpeer-review

  5. Published or Performed

    Reassessing the role of the account planner: an investigation into the drivers for change and their impact on the account planning function.

    Gilmore, C., Eadie, D. & Grant, I., 2001, University of Strathclyde - working paper series .

    Research output: Other contributionsOther contributionpeer-review

  6. Published or Performed

    Recontextualising Messiaen's Early Career

    Broad, S., 2005

    Research output: Other contributionsOther contributionpeer-review

  7. Published or Performed

    Revisiting the Achievements of Song-Collector Alexander Campbell

    McAulay, K., 9 Sep 2020, Glasgow : Romantic National Song Network (University of Glasgow).

    Research output: Other contributionsOther contributionpeer-review

  8. Published or Performed

    The firm as a collaborative community: reconstructing trust in the knowledge economy - book review

    Gilmore, C., 2008, International Journal of Advertising .

    Research output: Other contributionsOther contributionpeer-review

  9. Chapter › Research › Not peer-reviewed
  10. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  11. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  13. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sep 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  15. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  16. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  17. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    Pillow Talk: The Legacy of Adrian Howells in Glasgow

    Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Practice-based research at the Royal Scottish Academy of Music and Drama

    Broad, S., 2006, Konstnarlig forskning: Artiklar, Prjektrapporter & Reportage. Lind, T. (ed.). Stockholm: Swedish Research Council, p. 17-25 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Style in Performance

    Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    The Development of Industrial Brass Instrument Making in Britain

    Myers, A. & Nex, J., Oct 2019, Music and the Second Industrial Revolution. Sala, M. (ed.). Brepols, p. 177-198 22 p. (Music, Science and Technology; vol. 2).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    The French Trombone’s Conquest of Britain

    Myers, A., 2019, Musiques. Images. Instruments.: Mélanges en l’honneur de Florence Gétreau. Balmer, Y., Framboisier, A., Guilloux, F. & Massip, C. (eds.). Belgium: Brepols, p. 567-79 13 p. (Music and Visual Culture; vol. 5).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  23. Published or Performed

    The John Webb Collection

    Myers, A., 2016, Instrumental Odyssey: A Tribute to Herbert Heyde. Libin, L. (ed.). Hillsdale, N.Y.: Pendragon Press, p. 279-288 10 p. (Bucina: The Historic Brass Society Series; no. 9).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  24. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Tracking the Dys-Dance: Choreographing for the Dys-Utopia

    Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  26. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  27. Chapter › Research › Peer-reviewed
  28. Published or Performed

    ‘From the Quebec-Hebrideans to ‘les Écossais-Québecois’: Tracing the Evolution of a Scottish Cultural Identity in the Eastern Townships’

    Bennett, M., 2005, Transatlantic Scots. Ray, C. (ed.). University of Alabama Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  29. Published or Performed

    ‘Reading as Creative Practice’

    Gonzalez, L., 2017, The Adapt-r Creativity Book. Verbeke, J. (ed.). Brussels: KU Leuven, p. 169–177 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  30. Published or Performed

    ‘Under the Radar’ or ‘Caught in the Crossfire’? The Music of Gaspar van Weerbeke and its Reception-History

    Fitch, F., 2018, Gaspar van Weerbeke: New Perspectives on his Life and music. Lindmayr-Brandl, A. & Kolb, P. (eds.). Turnhout and Tours: Brepols, p. 105–21

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  31. Published or Performed

    “Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute”

    Bissell, L. & Overend, D., Dec 2016, Humanities: Deep Mapping. Roberts, L. (ed.). p. 476 499 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  32. Published or Performed

    1690-1990: Balquhidder Revisited

    Bennett, M., 1991, The Good People: New Fairylore Essays. Narvaez., P. (ed.). New York: Garland Publishing & University Press of Kentucky

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  33. Published or Performed

    A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song

    Dickson, J., 30 Dec 2020, Musica Scotica (Title TBC). Grant et al, M. J. (ed.). Edinburgh: Musica Scotica

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  34. Published or Performed

    Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).

    Whiteside, B., Patrick, H. & Cassidy, C., 28 Apr 2020, Dance Fields : Staking a Claim for Dance Studies in the Twenty-First Century. Whatley, S., David, A. & Huxley, M. (eds.). Dance Books

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  35. Published or Performed

    An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’

    McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  36. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  37. Published or Performed

    Because the drummed rhythm was seven …

    McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    Being Scottish

    Bennett, M., 2002, Being Scottish: : Personal Reflections on Scottish Identity Today. Devine, T. M. & Logue, P. (eds.). Edinburgh, Scotland: Polygon at Edinburgh University Press; 1st Edition. edition (29 July 2002)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Published or Performed

    Blueprint for a ghost

    Gonzalez, L. & Bowen, E., 2020, The maternal in creative work: Intergenerational discussions on motherhood and art. Marchevska, E. & Walkerdine, V. (eds.). Abingdon, Oxon and NY: Routledge, p. 83-96 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Continuing the Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Published or Performed

    Crossing the Cyprus Divide Armed with Pen and Paper

    Gonzalez, L. & Christophini, M., 26 May 2018, Peace as a Global Language: Explorations of Peace in Practice. Parrish, M. & Richardson, R. (eds.). Peace as a Global Language, p. 289-359

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  43. Published or Performed

    Cultural Changes in Quebec since the Gaelic Settlers

    Bennett, M., 2008, Island Notes. The Island Book Trust

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  44. Published or Performed

    Customs – Cleachdaidhean

    Bennett, M., 2014, Tobar an Dualchais:Ulaidh Naiseanta /Kist o Riches: A National Treasure. Wright, C. (ed.). Isle of Skye: Tobar an Dualchais / Kist o Riches

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  45. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  46. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  47. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  48. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  49. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  50. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  51. Published or Performed

    Ethnomusicology

    Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  52. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  53. Published or Performed

    From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations

    Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

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