Browse Work

  1. Chapter › Research › Not peer-reviewed
  2. Published or Performed

    Style in Performance

    Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  3. Published or Performed

    The Development of Industrial Brass Instrument Making in Britain

    Myers, A. & Nex, J., Oct 2019, Music and the Second Industrial Revolution. Sala, M. (ed.). Brepols, p. 177-198 22 p. (Music, Science and Technology; vol. 2).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  4. Published or Performed

    The French Trombone’s Conquest of Britain

    Myers, A., 2019, Musiques. Images. Instruments.: Mélanges en l’honneur de Florence Gétreau. Balmer, Y., Framboisier, A., Guilloux, F. & Massip, C. (eds.). Belgium: Brepols, p. 567-79 13 p. (Music and Visual Culture; vol. 5).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  5. Published or Performed

    The John Webb Collection

    Myers, A., 2016, Instrumental Odyssey: A Tribute to Herbert Heyde. Libin, L. (ed.). Hillsdale, N.Y.: Pendragon Press, p. 279-288 10 p. (Bucina: The Historic Brass Society Series; no. 9).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  6. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  7. Published or Performed

    Tracking the Dys-Dance: Choreographing for the Dys-Utopia

    Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  8. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  9. Chapter › Research › Peer-reviewed
  10. Published or Performed

    ‘From the Quebec-Hebrideans to ‘les Écossais-Québecois’: Tracing the Evolution of a Scottish Cultural Identity in the Eastern Townships’

    Bennett, M., 2005, Transatlantic Scots. Ray, C. (ed.). University of Alabama Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    ‘Reading as Creative Practice’

    Gonzalez, L., 2017, The Adapt-r Creativity Book. Verbeke, J. (ed.). Brussels: KU Leuven, p. 169–177 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    ‘Under the Radar’ or ‘Caught in the Crossfire’? The Music of Gaspar van Weerbeke and its Reception-History

    Fitch, F., 2018, Gaspar van Weerbeke: New Perspectives on his Life and music. Lindmayr-Brandl, A. & Kolb, P. (eds.). Turnhout and Tours: Brepols, p. 105–21

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    “Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute”

    Bissell, L. & Overend, D., Dec 2016, Humanities: Deep Mapping. Roberts, L. (ed.). p. 476 499 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    1690-1990: Balquhidder Revisited

    Bennett, M., 1991, The Good People: New Fairylore Essays. Narvaez., P. (ed.). New York: Garland Publishing & University Press of Kentucky

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    A Response to 'MacLeod's Controversy': Further Evidence of the Pibroch Echo Beat’s Basis in Gaelic Song

    Dickson, J., 30 Dec 2020, Musica Scotica (Title TBC). Grant et al, M. J. (ed.). Edinburgh: Musica Scotica

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).

    Whiteside, B., Patrick, H. & Cassidy, C., 28 Apr 2020, Dance Fields : Staking a Claim for Dance Studies in the Twenty-First Century. Whatley, S., David, A. & Huxley, M. (eds.). Dance Books

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    An Interplay of Passion and Spirit: Holt’s 'The Nightingale’s to Blame’

    McGregor, R., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 40-55

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Because the drummed rhythm was seven …

    McGregor, R. E., 2012, Merely a Madness. Oxford: Inter-Disciplinary Press, p. 205-18

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Being Scottish

    Bennett, M., 2002, Being Scottish: : Personal Reflections on Scottish Identity Today. Devine, T. M. & Logue, P. (eds.). Edinburgh, Scotland: Polygon at Edinburgh University Press; 1st Edition. edition (29 July 2002)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    Blueprint for a ghost

    Gonzalez, L. & Bowen, E., 2020, The maternal in creative work: Intergenerational discussions on motherhood and art. Marchevska, E. & Walkerdine, V. (eds.). Abingdon, Oxon and NY: Routledge, p. 83-96 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  22. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  23. Published or Performed

    Continuing the Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    Crossing the Cyprus Divide Armed with Pen and Paper

    Gonzalez, L. & Christophini, M., 26 May 2018, Peace as a Global Language: Explorations of Peace in Practice. Parrish, M. & Richardson, R. (eds.). Peace as a Global Language, p. 289-359

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  25. Published or Performed

    Cultural Changes in Quebec since the Gaelic Settlers

    Bennett, M., 2008, Island Notes. The Island Book Trust

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  26. Published or Performed

    Customs – Cleachdaidhean

    Bennett, M., 2014, Tobar an Dualchais:Ulaidh Naiseanta /Kist o Riches: A National Treasure. Wright, C. (ed.). Isle of Skye: Tobar an Dualchais / Kist o Riches

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  27. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  28. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  29. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  30. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  31. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  32. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  33. Published or Performed

    Ethnomusicology

    Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  34. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  35. Published or Performed

    From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations

    Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  36. Published or Performed

    From Perthshire to Pennsylvania: The Influence of Hamish Henderson on Transatlantic Folklore Studies’

    Bennett, M., 2010, Borne On The Carrying Stream: The Legacy of Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  37. Published or Performed

    Hamish Henderson and Martyn Bennett: Conversations and Collaborations’

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth

    Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Published or Performed

    Hosting Hysteria

    Gonzalez, L., 28 Jan 2019, Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Campbell, M. & Vidal, R. (eds.). Palgrave Macmillan, p. 167-184 19 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Howard Glasser and Hamish Henderson: Creative Collaboration and Kinship

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Published or Performed

    It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs

    Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  43. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  44. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  45. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  46. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  47. Published or Performed

    MacMillan’s ‘Mission’ and the Passion settings

    McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  48. Published or Performed

    Making Ghosts Heard

    Gonzalez, L., Jul 2021, Hysterical Methodologies in the Arts: Rising in Revolt. Braun, J. (ed.). Switzerland: Palgrave Macmillan, p. 257-270 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  49. Published or Performed

    Mapping the use of ICT in creative music practice

    Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  50. Published or Performed

    Messiaen and Art Sacré

    Broad, S., 2013, Messiaen Perspectives 1: Sources and Influences. Dingle, C. & Fallon, R. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  51. Published or Performed

    Messiaen and Cocteau

    Broad, S., 2007, Olivier Messiaen: Music, Art and Literature. Dingle, C. & Simeone, N. (eds.). Aldershot: Ashgate, p. 1-12 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  52. Published or Performed

    Messiaen and the French Organ Tradition

    Broad, S., 2013, Olivier Messiaen und die "französische Tradition". Keym, S. & Jost, P. (eds.). Cologne: Verlag Dohr, p. 23-46 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

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