Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    The Power of Song as the Voice of the People

    Bennett, M., 2013, The Phenomenon of Singing International Symposium IX. Adams, K. & Rose, A. (eds.). St John's Newfoundland: Memorial University, Newfoundland, Canada

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

    Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    The Roots of Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    The Singer behind the Song and the Man behind the Microphone

    Bennett, M., 2011, 'Tis Sixty Years Since: The First People's Festival Ceilidh and the Scottish Folk Revival. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    Twenty-seven thoughts on one breath

    Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    What We May Be: The Integration of Lecoq Movement and George Voice Work at the RSAMD

    Steen, R., 30 Jun 2009, The Moving Voice: The Integration of Voice and Movement Studies presented by the Voice and Speech Review. University Readers

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Accepted/In press

    What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music

    Halfyard, S., 2020, (Accepted/In press) Reentering the Dollhouse . Porter, H. M. & Starr, M. (eds.). McFarland, (Worlds of Whedon).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Work of Art as Analyst as Work of Art

    Gonzalez, L., 2018, Transpositions: Aesthetico-Epistemic Operators in Artistic Research. Schwab, M. (ed.). Leuven: Leuven University Press, p. 75-96 21 p. (Orpheus Institute).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Wynds, vennels and dual carriageways: the changing nature of Scottish music

    McAulay, K., 22 Feb 2018, Understanding Scotland musically: folk, tradition and policy. Abingdon, Oxon: Routledge, p. 230-239 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Chapter › Research › Not peer-reviewed
  17. Published or Performed

    Compositional Processes in some works of the 1980s

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 93-114

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    Hunting and Forms: An Interview with Wolfgang Rihm

    McGregor, R. E., 2010, Contemporary Music: Theoretical and Philosophical Perspectives,. Paddison, M. & Deliège, I. (eds.). Aldershot: Ashgate, p. 349-59

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Liquidscapes: The Sea and Self

    Bissell, L., 30 Sep 2019, Liquidscapes. Povall, R. (ed.). art.earth, p. 165-172

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Max the Symphonist

    McGregor, R. E., 2000, Perspectives on Peter Maxwell Davies. McGregor, R. (ed.). Aldershot: Ashgate, p. 115-137

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Maxwell Davies’s sources: reflections on origins, meanings and significance

    McGregor, R. E., 2009, Peter Maxwell Davies Studies. Jones, N. & Gloag, K. (eds.). Cambridge: Cambridge University Press, p. 150-69, 242-54

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  23. Published or Performed

    Music, Dance and Drama

    Duffy, C. & Kleiman, P., 2020, A Handbook for Teaching & Learning in Higher Education. Marshall, S. (ed.). 5th ed. London: Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  24. Published or Performed

    Muzyka Petera Maxwella Daviesa

    McGregor, R. E., 2011, Nowa muzyka brytyjska. Kwiecińska, A. (ed.). Kraków: sacrum+profanum/korporacja ha!art, p. 14-57

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Performance in a Pandemic

    Bissell, L., 30 Jun 2020, Doing Arts Research in a Pandemic. London: The Culture Capital Exchange, p. 52-53 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  26. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  27. Published or Performed

    Pillow Talk: The Legacy of Adrian Howells in Glasgow

    Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  28. Published or Performed

    Practice-based research at the Royal Scottish Academy of Music and Drama

    Broad, S., 2006, Konstnarlig forskning: Artiklar, Prjektrapporter & Reportage. Lind, T. (ed.). Stockholm: Swedish Research Council, p. 17-25 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  29. Published or Performed

    Style in Performance

    Broad, S., 2010, Research-Teaching Linkages: Enhancing Graduate Attributes: Creative and Cultural Practice. Neil, K. (ed.). Glasgow: Quality Assurance Agency Scotland

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  30. Published or Performed

    The Development of Industrial Brass Instrument Making in Britain

    Myers, A. & Nex, J., Oct 2019, Music and the Second Industrial Revolution. Sala, M. (ed.). Brepols, p. 177-198 22 p. (Music, Science and Technology; vol. 2).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  31. Published or Performed

    The French Trombone’s Conquest of Britain

    Myers, A., 2019, Musiques. Images. Instruments.: Mélanges en l’honneur de Florence Gétreau. Balmer, Y., Framboisier, A., Guilloux, F. & Massip, C. (eds.). Belgium: Brepols, p. 567-79 13 p. (Music and Visual Culture; vol. 5).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  32. Published or Performed

    The John Webb Collection

    Myers, A., 2016, Instrumental Odyssey: A Tribute to Herbert Heyde. Libin, L. (ed.). Hillsdale, N.Y.: Pendragon Press, p. 279-288 10 p. (Bucina: The Historic Brass Society Series; no. 9).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  33. Published or Performed

    The Persistence of Parody in the Music of Peter Maxwell Davies

    McGregor, R. E., 2008, Musica Scotica Conference Proceedings 2005, 2006. Hair, G., Kelsall, H. & Elliott, K. (eds.). Glasgow: Musica Scotica, p. 73-83

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  34. Published or Performed

    Tracking the Dys-Dance: Choreographing for the Dys-Utopia

    Watson, A., 2019, AWKWOODS: Daniel Oliver's Dyspraxic Adventures in Participatory Performance. Oliver, D. (ed.). London: Live Art Development Agency (LADA), p. 43-47

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  35. Published or Performed

    Transubstantiated into the musical: a critical exegesis on James MacMillan’s 'Veni Veni Emmanuel'

    McGregor, R. E., 2007, A Companion to Recent Scottish Music: 1950 to the present . Hair, G., Hair, G-M., Tavener, A. & Davismoon, S. (eds.). Musica Scotica, p. 21-42

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  36. Other contribution › Research › Peer-reviewed
  37. Published or Performed

    AHRC (AH/L006278/1: The enactment of cultural value and taste-making in contemporary classical music

    Gilmore, C. & Duffy, C., 2013

    Research output: Other contributionsOther contributionpeer-review

  38. Published or Performed

    ASW 2015: The Bigger, the Better – A Big Data History of Music | IAML (UK & Irl)

    McAulay, K., 2015

    Research output: Other contributionsOther contributionpeer-review

  39. Published or Performed
  40. Published or Performed

    Contribution to Theatre, Dance and Performance Training Journal Lexicon of Training Terms

    Bissell, L., Mar 2011, Theatre, Dance and Performance Training Journal.

    Research output: Other contributionsOther contributionpeer-review

  41. Published or Performed

    ESRC Post-doctorate: Exploring the changing role of advertising creatives

    Gilmore, C. & Townley, B., 2004

    Research output: Other contributionsOther contributionpeer-review

  42. Published or Performed

    Hegarty on Advertising: Turning Intelligence into Magic - book review

    Gilmore, C., 2013, International Journal of Advertising .

    Research output: Other contributionsOther contributionpeer-review

  43. Published or Performed
  44. Published or Performed

    Legal Deposit (Copyright Behind the Scenes) – and Scores of Musical Scores

    McAulay, K., 20 Feb 2018, 5 p. UK Copyright Literacy.

    Research output: Other contributionsOther contributionpeer-review

  45. Published or Performed

    Linda McLean: Sex and God

    Steen, R., 2012

    Research output: Other contributionsOther contributionpeer-review

  46. Published or Performed

    Perang Gagal: a Series of Inconclusive Battles

    van der Walt, J. S. & Mercier, M., 6 Feb 2020, University of Limerick : Royal Conservatoire of Scotland.

    Research output: Other contributionsOther contributionpeer-review

  47. Published or Performed

    Reassessing the role of the account planner: an investigation into the drivers for change and their impact on the account planning function.

    Gilmore, C., Eadie, D. & Grant, I., 2001, University of Strathclyde - working paper series .

    Research output: Other contributionsOther contributionpeer-review

  48. Published or Performed

    Recontextualising Messiaen's Early Career

    Broad, S., 2005

    Research output: Other contributionsOther contributionpeer-review

  49. Published or Performed

    Revisiting the Achievements of Song-Collector Alexander Campbell

    McAulay, K., 9 Sep 2020, Glasgow : Romantic National Song Network (University of Glasgow).

    Research output: Other contributionsOther contributionpeer-review

  50. Published or Performed

    The firm as a collaborative community: reconstructing trust in the knowledge economy - book review

    Gilmore, C., 2008, International Journal of Advertising .

    Research output: Other contributionsOther contributionpeer-review

  51. Other contribution › Research › Not peer-reviewed
  52. Published or Performed

    "Creativity Is Not The Special Realm Of Artists"

    Bissell, L., Sep 2014, National Collective.

    Research output: Other contributionsOther contribution

  53. Published or Performed

    A Little Class Music: a guide for non-specialist Primary teachers

    Jaap, A., 2009, Glasgow : Scottish Network for Able Pupils.

    Research output: Other contributionsOther contribution

  54. Published or Performed

    Acting with Archetypes

    Silberschatz, M., 2016

    Research output: Other contributionsOther contribution