Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    Debussy’s Welte roll of La plus que lente

    Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 356-372 17 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Der Kirchengesang in Rußland vom Ende 15. bis zur Anfang des 17. Jahrhunderts

    Zvereva, S., 1993, Grazer Musikwißenschaftliche Arbeiten, B. 10: Altrußische Musik. Graz, Austria: Akademische Druck u. Verlagsanstalt, Vol. 10. p. 71-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    Disability in Performance

    Hopfinger, S., 8 Sept 2023, The Routledge Companion to Contemporary European Theatre and Performance. Remshardt, R. & Mancewicz, A. (eds.). 1 ed. Abingdon: Routledge, p. 453-459 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Accepted/In press

    Domenico Corri (1746–1825: Credulity, credibility and pedagogy in the music industry

    Robertson-Kirkland, B. E., 19 Nov 2021, (Accepted/In press) Lumières internationales. Paris: Honoré Champion, (ETUDES INTERNATIONALES SUR LE 18E SIECLE).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    Ethnomusicology

    Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations

    Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    From Perthshire to Pennsylvania: The Influence of Hamish Henderson on Transatlantic Folklore Studies’

    Bennett, M., 2010, Borne On The Carrying Stream: The Legacy of Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Hamish Henderson and Martyn Bennett: Conversations and Collaborations’

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth

    Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Hosting Hysteria

    Gonzalez, L., 28 Jan 2019, Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Campbell, M. & Vidal, R. (eds.). Palgrave Macmillan, p. 167-184 19 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Howard Glasser and Hamish Henderson: Creative Collaboration and Kinship

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Accepted/In press

    Interludes - Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 2022, (Accepted/In press) Diffracting New Materialism: Emerging Methods in Artistic Research . Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Interludes: Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 13 Jul 2023, Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education. Bayley, A. & Chan, JJ. (eds.). 1 ed. Palgrave Macmillan, p. 55-59, 139-144, 185-189, 265-268, 349-353 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs

    Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  22. Published or Performed

    Jakob Mulmann and sein Dienst am Chor der Don-Kosaken des Serge Jaroff

    Zvereva, S., 2020, Arbeiten und Bibliographien zum Buch- und Bibliothekswessen. Band 17.: Russische Bibliotheken in Deutschland. Berlin: Peter Lang, Vol. 17. p. 81-108

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  23. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  25. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  26. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  27. Published or Performed

    MacMillan’s ‘Mission’ and the Passion settings

    McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  28. Published or Performed

    Making Ghosts Heard

    Gonzalez, L., Jul 2021, Hysterical Methodologies in the Arts: Rising in Revolt. Braun, J. (ed.). Switzerland: Palgrave Macmillan, p. 257-270 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  29. Published or Performed

    Mapping the use of ICT in creative music practice

    Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  30. Published or Performed

    Messiaen and Art Sacré

    Broad, S., 2013, Messiaen Perspectives 1: Sources and Influences. Dingle, C. & Fallon, R. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  31. Published or Performed

    Messiaen and Cocteau

    Broad, S., 2007, Olivier Messiaen: Music, Art and Literature. Dingle, C. & Simeone, N. (eds.). Aldershot: Ashgate, p. 1-12 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  32. Published or Performed

    Messiaen and the French Organ Tradition

    Broad, S., 2013, Olivier Messiaen und die "französische Tradition". Keym, S. & Jost, P. (eds.). Cologne: Verlag Dohr, p. 23-46 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  33. Published or Performed

    Metamorphosis: The Changing Art in Helping the Performing Arts

    Jones, A., Oct 2015, State of the Profession : : Performing Arts Librarianship in the 21st Century. New York, Vol. 31. p. 8-17 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  34. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  35. Published or Performed

    Music Chose Me: Influences in the Development of Musical Talent

    Jaap, A., 2012, Moving Forward: Tradition and Transformation. Morgan, HM. & Morris, R. (eds.). Newcastle: Cambridge Scholars Publishing

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  36. Published or Performed

    Music Transcendent and Mundane

    McGregor, R., 2014, Spirituality in the 21st Century: Engagements with Meaning. Hochheimer, J. L., Weiss, M. & Çelik, D. A. (eds.). Oxford: Inter-Disciplinary Press, p. 163-74

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  37. Published or Performed

    Music, culture and the Church in the German-occupied USSR: the Smolensk area and other provinces

    Zvereva, S., 2020, The Routledge Handbook to Music under German Occupation, 1939-1945.: Propaganda, Myth and Reality.. Fanning, D. & Levi, E. (eds.). Abington: Routledge, p. 170-190

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    My love to war is going: Women and Song in the Napoleonic Era

    McAulay, K. & Robertson-Kirkland, B. E., Nov 2018, Trafalgar Chronicle: New Series 3. p. 202 212 p. (Trafalgar Chronicle).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Published or Performed

    National Theatre Phenomenon in World Culture. National Theatre in a Multinational State. Ideas of a National Theatre in XXI Century Britain - the Scottish Experience

    Jones, A., 2016, National theatre in the context of Multinational Culture. Moscow: Tri Quadrata, p. 238 -248 9 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Opening eyes and changing mind-sets: professional development for programme leaders

    Ellis, S. & Nimmo, A., 2018, Supporting programme leaders and programme leadership . Lawrence, J. & Ellis, S. (eds.). London: Staff and Educational Development Association, p. 35-39 (SEDA Special; no. 39).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  41. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  42. Accepted/In press

    Performance in a Pandemic

    Bissell, L., 2023, (Accepted/In press) Routledge Companion to Contemporary European Theatre and Performance . Remshardt, R. & Mancewicz, A. (eds.). Routledge

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  43. Published or Performed

    Performed Identities

    Broad, S. & Beech, N., Jan 2020, The Oxford Handbook of Identities in Organisations. Brown, A. (ed.). Oxford: Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  44. Published or Performed

    Performing Music, Performing the Figure: Deleuze and Painting

    Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  45. Published or Performed

    Plant Lore in Gaelic Scotland

    Bennett, M., 1991, Flora of the Outer Hebrides. Pankhurst, R. & Mullin, J. (eds.). London, UK: British Museum of Natural History & Pelagic Publishing

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  46. Published or Performed

    Practice-Based Piping Scholarship: An Overview

    Dickson, J., 2019, The William Kennedy Lectures: Lectures from 25 years of the William Kennedy Piping Festival. Armagh: Armagh Pipers Club

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  47. Published or Performed

    Practising Research, Playing With Knowledge

    Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  48. Published or Performed

    Quebec and the Eastern Townships of Canada: Emigration from the Outer Hebrides in the Nineteenth Century’

    Bennett, M., 2010, Island Emigrants: The History of Emigration from the Hebrides Over the Centuries. Randall, J. (ed.). Isle of Lewis: Island Book Trust

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  49. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  50. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  51. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S. & Hunter, M., Dec 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J. & Gaunt, H. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review