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Article › Research
Published or Performed
Making sense of Chopin’s Etude in E, op. 10 no. 3
Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Music for Moths
Gonzalez, L., 2019, Earth Echo – Affective Reflection.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Performing Creativity: Composing in the Entrepreneurial Era
Doolittle, E., 2016, Van Magazine.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Queer Perspectives in New Music
Doolittle, E. & Dharmoo, G., 2021, Circuit: Musiques Contemporaines.
Research output: Contributions to specialist professional publications › Article
Accepted/In press
Radical Object: Programme of the Evenings Musical Performances at Warrawang
Robertson-Kirkland, B. E., 19 Nov 2021, (Accepted/In press) History Workshop.
Research output: Contributions to specialist professional publications › Article
Published or Performed
'The problem is that everybody hates it': insights from qualitative research
Duffy, C. & Gilmore, C., 2019, Arts Professional.
Research output: Contributions to specialist professional publications › Article
Published or Performed
Three centuries of performance: Allan’s Ramsay’s The Gentle Shepherd
Robertson-Kirkland, B. E. & Pittock, M., 9 Apr 2022, History Scotland, p. 23-27 4 p.
Research output: Contributions to specialist professional publications › Article
Other › Research › Peer-reviewed
Published or Performed
Gaming the System: Minimizing Divided Consciousness through Psychophysical, Interactive Play
Silberschatz, M., 2015.
Research output: Contributions to conferences › Other › peer-review
Published or Performed
Play and Tell
van der Walt, J. S., Raskob, E. & Bell, R., 16 Jan 2019.
Research output: Contributions to conferences › Other › peer-review
Published or Performed
Silence in the Library: From Copyright Collections to Cage
McAulay, K., 26 Jun 2019.
Research output: Contributions to conferences › Other › peer-review
Published or Performed
Wozu Image: (what’s the point of images/wherefore images)
Gonzalez, L. & Campbell, M., 11 May 2017.
Research output: Contributions to conferences › Other › peer-review
Abstract › Research › Peer-reviewed
Published or Performed
Bagpipes, Ossian, Gaelic and Tartan: Sir John MacGregor Murray as a Mediator of Highland Culture
McAulay, K., 28 May 2019. 1 p.
Research output: Contributions to conferences › Abstract › peer-review
Published or Performed
Reading between the Lines: Paratext in National Song and Fiddle Tunebooks of the Georgian Era
McAulay, K., 16 Jul 2019.
Research output: Contributions to conferences › Abstract › peer-review
Poster › Research › Peer-reviewed
Published or Performed
‘Concert’, ‘Social’, and ‘Sport’: Types of “Performances” and “Realities” in the Line Dancing Class
Whiteside, B., 2013.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
‘See dancing’s taking over my life. Parkinson’s isn’t the problem. It’s the dancing!’: Evaluating the Dance for Parkinson’s Scotland (DfPS) programme
Whiteside, B., 2017.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
Scottish Ballet’s Dancers’ Education Group: An Evaluation
Whiteside, B., 2016.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
Two ‘Teams’ in the Highland Dancing Class: Factors Impacting on Motivation to Participate
Whiteside, B., 2015.
Research output: Contributions to conferences › Poster › peer-review
Poster › Research › Not peer-reviewed
Published or Performed
The Hidden Dancers: A Sociological Analysis of Participatory Dance Activities and Practices in Glasgow
Whiteside, B., 2014.
Research output: Contributions to conferences › Poster
Paper › Research › Peer-reviewed
Published or Performed
"I was in a shaky place": fragile identities of indie musicians and writers in disruptive performative cultures
Gilmore, C. & Bilton, C., 2018.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
"I was in a shaky place": fragile identities of indie musicians and writers in disruptive performative cultures
Gilmore, C. & Bilton, C., 2018.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
"Scarce Inferior to the Nightingale": Hermit Thrush Song and American Cultural Identity
Doolittle, E., 8 Apr 2021.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
‘Concert’, ‘Social’ and ‘Sport’: Types of Dance/Types of “Realities”.
Whiteside, B., 2013.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
‘Inclusive’ and ‘Professional’; Interrogating the Goffmanian ‘Realities’ of a Creative Dance Class
Whiteside, B., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
“Dance then wherever you may be”: Perceptions of ‘Scottishness’ in Highland Dancing in Glasgow, Scotland.
Whiteside, B., 2013.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
A Historical Approach to Studying Traditional Music: Valuing Older Collections
McAulay, K., 29 Jul 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
A moving image education retrospective: learner identity and inclusive pedagogy
Head, G. & Jaap, A., 2012.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
A music library for St. Andrews? The considerable use of the University’s copyright music collection
McAulay, K., 22 Apr 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Account Planning and integrated marketing communications
Gilmore, C., Crosier, K. & Eadie, D., 2001.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Advertising Agency Planning - Conceptualising Network Relationships (best paper)
Grant, I. & Gilmore, C., 2006.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).
Whiteside, B., 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Ambivalence Revisited: Advertising Copywriters Feelings towards Digital Media
Gilmore, C. & Grant, I., 2010.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Amorphous Bodies: The Technological Uncanny in Performance
Bissell, L., 21 May 2010.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
An interdisciplinary approach to Master study: Critical Artistry at the Royal Conservatoire of Scotland
Broad, S., Mar 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
At work and play: an exploration of street and graffiti artists
Gilmore, C., 2018.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Breaking Barriers to attendance in contemporary classical music
Gilmore, C., 2011.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Choral Blend: The Use of Real Time Spectrograph Data in a Choral Rehearsal
Slimings, J., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Clinical Skills Podcasts: Evaluation
Robb, AJP., Jaap, A. & Early, D., 2012.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Composing the self: creative identity work
Coupland, C., Gilmore, C. & Beech, N., 2014.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Creating a Place to Play: Cultural Entrepreneurship in the Contemporary Arts.
Gilmore, C. & Beech, N., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Dance Exchange, Knowledge Exchange: Innovating with Scottish Ballet
Whiteside, B., 8 Jul 2018.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Data Collection: a love/hate relationship - experiences as a new researcher
Jaap, A., 2009.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Developing Advanced Practitioners: A Focus on Doctoral Study at the Royal Conservatoire of Scotland
Slimings, J. & Whiteside, B., 2018.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Developing as a teacher: supporting Graduate Teaching Assistants in their transition into teaching
Jaap, A., 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Deviant Practices: Technological Re-codings of the City through Radical Play
Bissell, L., 5 Sep 2013.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Digital Doubling: The Uncanny in Performance
Bissell, L., 21 Nov 2009.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Documenting Developing Performance
Broad, S., Apr 2013.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Early 19th-Century Music Scores: a Mixed Reception in Georgian Scottish Libraries
McAulay, K., 29 Nov 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Embodying hysteria as caring for the self
Gonzalez, L., 12 May 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Examining the advertising creative-client relationship
Gilmore, C. & Townley, B., 2008.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Exploring the advertising creative marriage: 'til death do us part?
Gilmore, C., 2005.
Research output: Contributions to conferences › Paper › peer-review

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