Browse Work

  1. Published or Performed

    Performative Silence in the Library

    McAulay, K., 9 Jul 2020, Icepops Annual 2020: International Copyright Literacy Event with Playful Opportunities for Practitioners and Scholars. Chris Morrison and Jane Secker, p. 32-33 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  2. Published or Performed

    The [dis]appearance of hysteria

    Gonzalez, L., 12 Jun 2020.

    Research output: Contributions to conferencesPaper

  3. Published or Performed

    "Early Days: Reflections on the Performance of a Referendum"

    Bissell, L. & Overend, D., May 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  4. Published or Performed

    Doing the Ecological Through Performance

    Hopfinger, S., 2020, In : Studies in Theatre and Performance. 4.

    Research output: Contributions to journalsArticle

  5. Published or Performed

    Beethoven Explored, Vol. 6: The Chamber Eroica

    Shorr, A. J., Skærved, P. S., Heyde, N. & Scheindlin, D., Feb 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  6. Published or Performed

    Chronic Pain and Ecological Pain

    Hopfinger, S., 18 Feb 2019.

    Research output: Contributions to conferencesPaper

  7. Published or Performed

    Chronic Pain in Performance: Ecologies of Pain

    Hopfinger, S., 4 Sep 2019.

    Research output: Contributions to conferencesPaper

  8. Published or Performed

    The Politics of Wildness, Play and Disability

    Hopfinger, S., 15 Feb 2020.

    Research output: Contributions to conferencesPaper

  9. Published or Performed

    Practice-led Research Methods: Ecologies of Pain

    Hopfinger, S., 6 Mar 2020.

    Research output: Contributions to conferencesPaper

  10. Published or Performed

    Pain and I

    Hopfinger, S., 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  11. Published or Performed

    PIECES FOR A NEW COUNTRY

    MacRae, S., McDermid, V. (ed.) & Sharp, J. (ed.), 2020, Imagine a Country: Ideas for a better future. McDermid, V. & Sharp, J. (eds.). Edinburgh: Breakwater Books, St. John's, Newfoundland and Canongate Publishers, Edinburgh, p. 143-144 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  12. Published or Performed

    Ghost Patrol

    MacRae, S. & Welsh, L., 30 Aug 2012

    Research output: Performances, compositions and other non-textual formsComposition

  13. Published or Performed

    Stoic Piece No.2 for Organ

    MacRae, S., 14 Sep 2019

    Research output: Performances, compositions and other non-textual formsComposition

  14. Published or Performed

    Perang Gagal: a Series of Inconclusive Battles

    van der Walt, J. S. & Mercier, M., 6 Feb 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  15. Published or Performed

    Conservatoire Singer's Development using the Spectrogram and Spectrograph.

    Robertson, S., 13 Aug 2010.

    Research output: Contributions to conferencesPaper

  16. Published or Performed

    Brian Ferneyhough's String Quartets

    Fitch, L., 2014, In : Contemporary Music Review.

    Research output: Contributions to journalsArticle

  17. Published or Performed

    Performing Music, Performing the Figure: Deleuze and Painting

    Fitch, L., 2017, The Dark Precursor: Deleuze and Artistic Research. D'Assis, P. & Guidici, P. (eds.). Leuven: Leuven University Press, p. 76-84

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  18. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  19. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  21. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  22. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  23. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  24. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  25. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  26. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  27. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  28. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  29. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In : Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticle

  30. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In : Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticle

  31. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  32. Published or Performed

    Gabriel Fauré, Songs for Bass Voice and Piano

    Howat, R. & Schwartz, J., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  33. Published or Performed

    Gabriel Fauré, The Complete Verlaine Settings

    Howat, R., Boutté, T. & Kilpatrick, E., 2017

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  34. Published or Performed

    Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”

    Howat, R. & Kilpatrick, E., 2014, In : Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.

    Research output: Contributions to journalsArticle

  35. Published or Performed

    Editing Fauré: A fresh look at La Bonne Chanson

    Howat, R. & Kilpatrick, E., 2014, In : Journal of singing. 70, 3, p. 285-300 16 p.

    Research output: Contributions to journalsArticle

  36. Published or Performed

    Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales

    Howat, R., 2015, In : Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.

    Research output: Contributions to journalsArticle

  37. Published or Performed

    The voice of the Translator: An interview with Roy Howat

    Howat, R. & Schulte, R., 2015, In : Translation Review. 91, p. 1-15 15 p., 1.

    Research output: Contributions to journalsArticle

  38. Published or Performed

    Symmetries overt and hidden in musical form

    Howat, R., 2018, In : Symmetry: Art and Science. 79, 2, p. 265-277 13 p.

    Research output: Contributions to journalsArticle

  39. Published or Performed

    Gabriel Fauré: Complete Shorter Works for Cello

    Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.

    Research output: Books, editions or reportsScholarly edition

  40. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  41. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.

    Research output: Books, editions or reportsScholarly edition

  42. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  43. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

  44. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.

    Research output: Books, editions or reportsScholarly edition

  45. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  46. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  47. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  48. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  49. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  50. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reportsBook

  51. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reportsBook

  52. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  53. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reportsScholarly edition

  54. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  55. Published or Performed

    Œuvres complètes de Claude Debussy: Série 3 vol. 1. Musique de chambre (Pièces pour violoncelle; Trio pour piano, violon et violoncelle)

    Howat, R., 2015, Paris: Durand. 98 p. (Œuvres complètes de Claude Debussy; vol. series 3 vol. 1)

    Research output: Books, editions or reportsScholarly edition

  56. Published or Performed

    Making sense of Chopin’s Etude in E, op. 10 no. 3

    Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  57. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publicationsArticle

  58. Published or Performed

    Two Editions of Ravel's Piano Trio

    Howat, R., Dec 2013, In : Notes. 70, 2, p. 325-332 8 p.

    Research output: Contributions to journalsBook/Film/Article review

  59. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionary

  60. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  61. Published or Performed

    The Œuvres complètes de Claude Debussy thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  62. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  63. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  64. Published or Performed

    Using the Second Formant to Achieve Professional Classical Quality in the Male Singing Voice

    Robertson, S., 1 Nov 2014, In : Journal of singing. 71, 2, p. 193-200 8 p.

    Research output: Contributions to journalsArticle

  65. Published or Performed

    The revision of the Hornbostel-Sachs classification in 2011 by the MIMO Consortium

    Myers, A. & Birley, M., 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later: Proceedings of the international meeting Venice, 3-4 July 2015. Ghirardini, C. (ed.). Venice: Fondazione Ugo e Olga Levi, p. 167-180 14 p. (Quaderni di Etnomusicologia; vol. 1).

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  66. Published or Performed

    The Saxhorn Families

    Myers, A. & Mitroulia, E., May 2020, Adolphe Sax’ Blechblasinstrumente im Kontext ihrer Zeit: Proceedings, 3rd International Romantic Brass Symposium, Bern, February 2014. von Steiger, A., Allenbach, D. & Skamletz, M. (eds.). Schliengen: Edition Argus, p. 18-34 17 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contribution

  67. Published or Performed

    Three Faces in the Crown [Piano Trio]: World Premiere performance

    Pavri, F., Boyle, R., Hasani, A. & Uyterlinde, P., 23 Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  68. Published or Performed

    DEDICATION for Piano and Wind Symphony: World Premiere performance

    Pavri, F., Mikkelson, R. & Stanojevic, V., 1 Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  69. Published or Performed

    Qual podcast series: https://www.qual.org.uk/podcasts

    Gilmore, C. & Duffy, C., 2020

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  70. Published or Performed

    On the Fringe/At the Fringe: Fleshing out Research

    Clarke, C., Sandra, C. & Gilmore, C., 24 Apr 2020, In : Dialogues in Critical Management Studies . 4, p. 25-52

    Research output: Contributions to journalsArticle

  71. Published or Performed

    Potato Wassail (from Three Summer Wassails)

    Doolittle, E. & Cooper, K. L., 21 Apr 2020

    Research output: Other contributionsOther contribution

  72. Published or Performed

    Performance of Child's Play by the Erato Ensemble in Vancouver, Canada

    Doolittle, E., 19 Jan 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  73. Published or Performed

    Child's Play

    Doolittle, E. & Satie, E., 1 Jan 2001

    Research output: Performances, compositions and other non-textual formsComposition

  74. Published or Performed

    A Short, Slow Life

    Elizabeth Bishop & Doolittle, E., 1 Sep 2011

    Research output: Performances, compositions and other non-textual formsComposition

  75. Published or Performed

    Performance of A Short, Slow Life by Symphony 21 in Vancouver, Canada

    Doolittle, E., 4 Apr 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  76. Published or Performed

    Performance of Woodwings by Ventus Machina in Fredericton, NB

    Doolittle, E., 12 Mar 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  77. Published or Performed

    Performance of Woodwings by Ventus Machina

    Doolittle, E., 1 Mar 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  78. Published or Performed

    Performance of Falling Still

    Doolittle, E. & Brennan, C., 8 Mar 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  79. Published or Performed

    Bowheads

    Doolittle, E., 1 Aug 2019

    Research output: Performances, compositions and other non-textual formsComposition

  80. Published or Performed

    Caught Between a Scream and a Hug: Women's Perspectives on Music Listening and Interaction with Teenagers in the Family Unit

    Morgan, J., MacDonald, R. & Pitts, S., 2015, In : Psychology of Music. 43, 5, p. 611-626

    Research output: Contributions to journalsArticle

  81. Published or Performed

    Swim until you can’t see land: lived experiences of creative life histories

    Gilmore, C., Jul 2021.

    Research output: Contributions to conferencesPaper

  82. Published or Performed

    The profanity of the Mill: a germ of resistance

    Gilmore, C., Aug 2021.

    Research output: Contributions to conferencesPaper

  83. Published or Performed

    Stepping out of the Georgian Era into a Pandemic

    McAulay, K., 30 Apr 2020, 2 p. The Cultural Capital Exchange (TCCE).

    Research output: Other contributionsOther contribution

  84. Published or Performed

    Performance of Bowheads at The Barn in Banchory

    Doolittle, E., Spencer, R., Strachan, D. & Kapten, K., 3 Nov 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  85. Published or Performed

    Performance of Woodwings by Ventus Machina in Sussex, NB, Canada

    Doolittle, E., 28 Feb 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  86. Published or Performed

    Performance of Woodwings by Ventus Machina in St John, Canada

    Doolittle, E., 1 Mar 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  87. Published or Performed

    Performance of Bowheads by the Kapten Trio in Dunblane, Scotland

    Doolittle, E., 17 Nov 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  88. Published or Performed

    All Spring

    Doolittle, E., 30 Jun 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  89. Published or Performed

    (Two Openings): for two gamelan musicians

    van der Walt, J. S., Campion, R. & Daryono, A., 16 Mar 2016

    Research output: Performances, compositions and other non-textual formsPerformance

  90. Published or Performed

    Gamelan Untethered

    van der Walt, J. S., van der Walt, J. S., Broom, C., Smith, M., Dunnett, J., MacKinnon, G. & Waumsley, K., 13 Dec 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  91. Published or Performed

    if only I had

    van der Walt, J. S., 23 Aug 2016

    Research output: Performances, compositions and other non-textual formsComposition

  92. Published or Performed

    werk stadig

    van der Walt, J. S. & Vlad, G., 29 Dec 2018

    Research output: Performances, compositions and other non-textual formsComposition

  93. Published or Performed

    Performance of Gliese 581C by Rachel Iwaasa

    Doolittle, E., Jan 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  94. Published or Performed

    MOBOFCROWS

    MacRae, S., 11 Apr 2019

    Research output: Performances, compositions and other non-textual formsComposition

  95. Published or Performed

    Courante

    MacRae, S., 11 Sep 2019

    Research output: Performances, compositions and other non-textual formsComposition

  96. Published or Performed

    Courante (BBC Radio 3 broadcast)

    MacRae, S., 11 Sep 2019

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  97. Published or Performed

    Prometheus Symphony

    MacRae, S., 19 Sep 2019

    Research output: Performances, compositions and other non-textual formsComposition

  98. Published or Performed

    Prometheus Symphony (BBC Radio 3 broadcast)

    MacRae, S., 29 Oct 2019

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  99. Published or Performed

    Anthropocene

    MacRae, S. & Welsh, L., 24 Jan 2019

    Research output: Performances, compositions and other non-textual formsComposition

  100. Published or Performed

    Four Attar Songs

    MacRae, S., Davis, R. & Darbandi, A., 19 Jun 2017

    Research output: Performances, compositions and other non-textual formsComposition

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