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Performative Silence in the Library
McAulay, K., 9 Jul 2020, Icepops Annual 2020: International Copyright Literacy Event with Playful Opportunities for Practitioners and Scholars. Chris Morrison and Jane Secker, p. 32-33 2 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution › peer-review
Published or Performed
The [dis]appearance of hysteria
Gonzalez, L., 12 Jun 2020.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Performance of 'Three Faces in the Crowd' by Rory Boyle
Pavri, F., Boyle, R., Hasani, A. & Uyterlinde, P., 23 Nov 2018
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
DEDICATION for Piano and Wind Symphony: World Premiere performance
Pavri, F., Mikkelson, R. & Stanojevic, V., 1 Nov 2018
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
The revision of the Hornbostel-Sachs classification in 2011 by the MIMO Consortium
Myers, A. & Birley, M., 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later: Proceedings of the international meeting Venice, 3-4 July 2015. Ghirardini, C. (ed.). Venice: Fondazione Ugo e Olga Levi, p. 167-180 14 p. (Quaderni di Etnomusicologia; vol. 1).
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
The Saxhorn Families
Myers, A. & Mitroulia, E., May 2020, Adolphe Sax’ Blechblasinstrumente im Kontext ihrer Zeit: Proceedings, 3rd International Romantic Brass Symposium, Bern, February 2014. von Steiger, A., Allenbach, D. & Skamletz, M. (eds.). Schliengen: Edition Argus, p. 18-34 17 p.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Published or Performed
Beethoven Explored, Vol. 6: The Chamber Eroica
Shorr, A. J., Skærved, P. S., Heyde, N. & Scheindlin, D., Feb 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Conservatoire Singer's Development using the Spectrogram and Spectrograph.
Robertson, S., 13 Aug 2010.
Research output: Contributions to conferences › Paper
Published or Performed
Using the Second Formant to Achieve Professional Classical Quality in the Male Singing Voice
Robertson, S., 1 Nov 2014, In: Journal of singing. 71, 2, p. 193-200 8 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Debussy’s piano music: sources and performance
Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy et le piano
Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Architecture as drama in late Schubert
Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Ravel and the piano
Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy, Bartók és a természeti formák
Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Chopin’s influence on the fin-de-siècle and beyond
Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
La influencia de Chopin en el París del cambio de siglo
Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Keyboard
Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
What do we perform?
Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Sonata for Two Pianos and Percussion
Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Debussy and the Orient
Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Qual podcast series: https://www.qual.org.uk/podcasts
Gilmore, C. & Duffy, C., 2020
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Editorial Challenges in the Early Songs of Gabriel Fauré
Howat, R. & Kilpatrick, E., 2011, In: Notes. 68, 2, p. 239–283 45 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Gabriel Fauré, the Paris Conservatoire and his collected Vocalises
Howat, R. & Kilpatrick, E., 2013, In: Singing (Journal of the AOTOS). 64, p. 9-13 5 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Gabriel Fauré, Lydia’s Vocalises
Howat, R. & Freeman-Attwood, J., 2014
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Gabriel Fauré, Songs for Bass Voice and Piano
Howat, R. & Schwartz, J., 2015
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Gabriel Fauré, The Complete Verlaine Settings
Howat, R., Boutté, T. & Kilpatrick, E., 2017
Research output: Performances, compositions and other non-textual forms › CD/DVD/other digital output
Published or Performed
Fryderyk Chopin, Etudes Op. 10: 12 Etudes for piano, Op. 10
Howat, R. (ed.), 2023, Leipzig, London, New York: Peters Edition. 78 p. (The Complete Chopin: A new critical edition)
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Fryderyk Chopin: Trois Nouvelles Études: 3 Études pour la Méthode des Méthodes
Howat, R. (ed.), 2021, Leipzig, London, New York: Peters Edition. 19 p. (The Complete Chopin: A new critical edition)
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
'Un tas de petits choses' et de petits mystères pour quatre mains
Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Complete Songs Volume 4: The Last Four Cycles (1906–1921), edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2022, EP 11394b ed. Leipzig, London, New York: Peters Edition. 145 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Fauré’s middle-period songs, editorial quandaries, and the chimera of the “original key”
Howat, R. & Kilpatrick, E., 2014, In: Journal of the Royal Musical Association. 139, 2, p. 303–37 35 p., 3.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Editing Fauré: A fresh look at La Bonne Chanson
Howat, R. & Kilpatrick, E., 2014, In: Journal of singing. 70, 3, p. 285-300 16 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Le Trio de Ravel cent ans après: Musique, sources, questions éditoriales
Howat, R., 2015, In: Cahiers Maurice Ravel. 17, p. 60-80 21 p., 5.
Research output: Contributions to journals › Article › peer-review
Published or Performed
The voice of the Translator: An interview with Roy Howat
Howat, R. & Schulte, R., 2015, In: Translation Review. 91, p. 1-15 15 p., 1.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Symmetries overt and hidden in musical form
Howat, R., 2018, In: Symmetry: Art and Science. 79, 2, p. 265-277 13 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Gabriel Fauré: Complete Shorter Works for Cello
Howat, R. (ed.), 2015, EP 72686 ed. Leipzig, London, New York: Peters Edition. 56 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393a ed. Leipzig, London, New York: Peters Edition. 135 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 3: The Complete Verlaine Settings; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2015, EP 11393b ed. Leipzig, London, New York: Peters Edition. 135 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391b ed. Leipzig, London, New York: Peters Edition. 194 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for high voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392a ed. Leipzig, London, New York: Peters Edition. 223 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Gabriel Fauré, Complete Songs: Volume 2: 1884–1919; edition for medium voice
Howat, R. (ed.) & Kilpatrick, E. (ed.), 2017, EP 11392b ed. Leipzig, London, New York: Peters Edition. 223 p.
Research output: Books, editions or reports › Scholarly edition › peer-review
Published or Performed
Caught Between a Scream and a Hug: Women's Perspectives on Music Listening and Interaction with Teenagers in the Family Unit
Morgan, J., MacDonald, R. & Pitts, S., 29 Jan 2014, In: Psychology of Music. 43, 5, p. 611-626
Research output: Contributions to journals › Article › peer-review
Published or Performed
Debussy, Claude: 10: Musical language
Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition
Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review
Published or Performed
Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960
Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Performance as research and vice versa
Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Modernization: From Chabrier and Fauré to Debussy and Ravel
Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The origins of the Œuvres complètes de Claude Debussy
Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
Chopin. pianist and teacher: As seen by his pupils
Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.
Research output: Books, editions or reports › Book › peer-review
Published or Performed
Debussy in proportion: A musical analysis
Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.
Research output: Books, editions or reports › Book › peer-review

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