Browse Work

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Published or Performed
You Get What You're Given: The agency of Choral Blend according to trained ensemble singers.
Slimings, J., Aug 2019.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Walking and Dancing: Three Years of Dance in London, 1951-53 by Larraine Nicholas
Whiteside, B., 2014, In: Scottish Journal of Performance. 1, 2
Research output: Contributions to journals › Book/Film/Article review
Published or Performed
Vocal Jazz: Blue Monday
Slimings, J. & Broom, C., 28 Nov 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Utilising Real Time Spectrographic Data to Improve Choral Blend
Slimings, J., 2021.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Understanding 'choral blend': A live rehearsal utilizing phenomenological methods to explore singers' ensemble vocal techniques
Slimings, J., 6 Nov 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Two ‘Teams’ in the Highland Dancing Class: Factors Impacting on Motivation to Participate
Whiteside, B., 2015.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
Towards a pedagogical approach in using real time spectrograph data in the choral rehearsal
Slimings, J., 2016
Research output: Performances, compositions and other non-textual forms › Exhibition
Published or Performed
The professionalisation of successful chamber ensembles out of the conservatoire environment.
Slimings, J., Nov 2017.
Research output: Contributions to conferences › Paper
Published or Performed
The Presentation of Self in the Classical Ballet Class: Dancing with Erving Goffman
Whiteside, B. & Kelly, J., 20 Nov 2015, In: Research in Dance Education. 17, 1, p. 14-27 14 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.
Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
The Irish Dancing Body: Cultural Politics and Identities, 1900-2000 by Barbara O’Connor
Whiteside, B., 2015, In: Leisure Studies. 34, 5
Research output: Contributions to journals › Book/Film/Article review
Published or Performed
The Hidden Dancers: A Sociological Analysis of Participatory Dance Activities and Practices in Glasgow
Whiteside, B., 2014.
Research output: Contributions to conferences › Poster
Published or Performed
The Great Artistry versus Difficulty Debate: Code of Points (CoP) in Women’s Artistic Gymnastics (WAG)
Whiteside, B., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
The Events
Slimings, J., Greig, D., Gray, R., Macintosh, N., Dharmalingham, R. & Browne, J., 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation
Whiteside, B., 2017, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
Song Studio
Savaloni, S., Dean, T. & Slimings, J., 21 Nov 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Scottish Ballet’s Dancers’ Education Group: An Evaluation
Whiteside, B., 2016.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation
Whiteside, B., 2016, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
School of Music Open Day Concert
Slimings, J. & Ramelli, M., 9 Jun 2017
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Salsa and the City: A Case Study on a Glaswegian 'Community'.
Whiteside, B., 2014.
Research output: Contributions to conferences › Paper › peer-review

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Browse Work

You Get What You're Given: The agency of Choral Blend according to trained ensemble singers.

Walking and Dancing: Three Years of Dance in London, 1951-53 by Larraine Nicholas

Vocal Jazz: Blue Monday

Utilising Real Time Spectrographic Data to Improve Choral Blend

Understanding 'choral blend': A live rehearsal utilizing phenomenological methods to explore singers' ensemble vocal techniques

Two ‘Teams’ in the Highland Dancing Class: Factors Impacting on Motivation to Participate

Towards a pedagogical approach in using real time spectrograph data in the choral rehearsal

The professionalisation of successful chamber ensembles out of the conservatoire environment.

The Presentation of Self in the Classical Ballet Class: Dancing with Erving Goffman

The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

The Irish Dancing Body: Cultural Politics and Identities, 1900-2000 by Barbara O’Connor

The Hidden Dancers: A Sociological Analysis of Participatory Dance Activities and Practices in Glasgow

The Great Artistry versus Difficulty Debate: Code of Points (CoP) in Women’s Artistic Gymnastics (WAG)

The Events

'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation

Song Studio

Scottish Ballet’s Dancers’ Education Group: An Evaluation

Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation

School of Music Open Day Concert

Salsa and the City: A Case Study on a Glaswegian 'Community'.

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