Browse Work

  1. Published or Performed

    With Pain

    Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  2. Accepted/In press

    Creative Research: A Creative Conversation

    Hopfinger, S. & Bissell, L., 2022, (Accepted/In press) In: Performance.org.

    Research output: Contributions to journalsArticlepeer-review

  3. Published or Performed

    Interludes: Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 13 Jul 2023, Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education. Bayley, A. & Chan, JJ. (eds.). 1 ed. Palgrave Macmillan, p. 55-59, 139-144, 185-189, 265-268, 349-353 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Disability in Performance

    Hopfinger, S., 8 Sept 2023, The Routledge Companion to Contemporary European Theatre and Performance. Remshardt, R. & Mancewicz, A. (eds.). 1 ed. Abingdon: Routledge, p. 453-459 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Accepted/In press

    Dancing with Chronic Pain: Insights Into Ecological Pain

    Hopfinger, S., 2024, (Accepted/In press) Cambridge Companion to Theatre and Ecology. Lavery, C. (ed.). Cambridge University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Pain and I - audio

    Hopfinger, S., 1 May 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  7. Published or Performed

    Pain and I: Live Performance, Audio piece, Graphic Score

    Hopfinger, S., Aug 2022

    Research output: Performances, compositions and other non-textual formsPerformance

  8. Published or Performed

    An edition, with critical commentary, of 45 vocalises by Gabriel Faure, 44 being published for the first time.

    Howat, R. & Kilpatrick, E., 2013, C. F. Peters. 57 p.

    Research output: Books, editions or reportsScholarly editionpeer-review

  9. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    The Art of French Piano Music: Debussy, Ravel, Faure, Chabrier

    Howat, R., 2009, Yale University Press.

    Research output: Books, editions or reportsBookpeer-review

  11. Published or Performed

    Roy Howat and Chabrier

    Howat, R., 2 Mar 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  12. Published or Performed

    GABRIEL FAURÉ: Complete Songs Volume 1: 1861 - 1882

    Howat, R. & Underwood, C., 11 Mar 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  13. Published or Performed

    Rite of Spring @ 100

    Howat, R., Shorr, A. J., Plowright, J., Choi, H., Arder, L. & McNaught, G., 10 Mar 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  14. Published or Performed

    En Blanc et Noir

    Howat, R. & Shorr, A. J., 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  15. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    The 'Œuvres complètes de Claude Debussy' thirty years on

    Howat, R., 2018, Debussy’s Resonance. de Médicis, F. & Huebner, S. (eds.). Rochester: University of Rochester Press, p. 38–56 19 p. (Eastman Studies in Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  20. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review