Browse Work

  1. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  2. Published or Performed

    ICON: radical professional development in the conservatoire

    Duffy, C., 2016, In: Arts and Humanities in Higher Education: an international journal of theory, research and practice. 15

    Research output: Contributions to journalsArticlepeer-review

  3. Published or Performed

    Negotiating with tradition: Curriculum reform and institutional transition in a conservatoire

    Duffy, C., 2013, In: Arts and Humanities in Higher Education: an international journal of theory, research and practice. 12

    Research output: Contributions to journalsArticlepeer-review

  4. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    Mapping the use of ICT in creative music practice

    Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    'Take it in, not to heart': Making expectations of collaborative learning explicit

    Dickson, J. & Duffy, C., 2013, Collaborative Learning in Higher Music Education. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Account Planning in Scottish Advertising Agencies: A Discipline in Transition

    Crosier, K., Grant, I. & Gilmore, C., 2003, In: Journal of Marketing Communications . 9, 1, p. 1-15

    Research output: Contributions to journalsArticlepeer-review

  8. Published or Performed

    Composing the self: creative identity work

    Coupland, C., Gilmore, C. & Beech, N., 2014.

    Research output: Contributions to conferencesPaperpeer-review

  9. Published or Performed

    Fleshing out the researcher: absent bodies, beyond the pale

    Clarke, C., Gilmore, C. & Sandra, C., 2017.

    Research output: Contributions to conferencesPaperpeer-review

  10. Published or Performed

    On the Fringe/At the Fringe: Fleshing out Research

    Clarke, C., Sandra, C. & Gilmore, C., 24 Apr 2020, In: Dialogues in Critical Management Studies . 4, p. 25-52

    Research output: Contributions to journalsArticlepeer-review

  11. Published or Performed

    On the Fringe/At the Fringe: Fleshing out research.

    Clarke, C., Sandra, C. & Gilmore, C., 2020, In: Dialogues in Critical Management Studies . 4, p. 25-52

    Research output: Contributions to journalsArticlepeer-review

  12. Published or Performed

    Fleshing out the researcher: absent bodies, beyond the pale.

    Clarke, C., Sandra, C. & Gilmore, C., 2017, 35th Standing Conference on Organsational Symbolism .

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  13. Published or Performed

    Olivier Messiaen: Journalism 1935-1939

    Broad, S., 2012, Ashgate.

    Research output: Books, editions or reportsScholarly editionpeer-review

  14. Published or Performed

    Messiaen and Art Sacré

    Broad, S., 2013, Messiaen Perspectives 1: Sources and Influences. Dingle, C. & Fallon, R. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Practising Research, Playing With Knowledge

    Broad, S. & Duffy, C., 2015, Practice as Research in Music: Theory, Criticism, Practice. Dogantan-Dack, M. (ed.). Aldershot: Ashgate, p. 33-51 19 p. (Sempre Studies in the Psychology of Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Messiaen and the French Organ Tradition

    Broad, S., 2013, Olivier Messiaen und die "französische Tradition". Keym, S. & Jost, P. (eds.). Cologne: Verlag Dohr, p. 23-46 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Messiaen Studies Ed. by Robert Scholl

    Broad, S., 2009, In: Music and Letters. 90, 2, p. 313-315 3 p.

    Research output: Contributions to journalsBook/Film/Article review

  19. Published or Performed

    Interpreting Messiaen's Reception of Milhaud

    Broad, S., 2008, Wiener Jahrbuch für Jüdische Geschichte Kultur & Museumswesen. Haas, M. (ed.). Wien: Judisches Museum der Stadt Wien, p. 58-67 10 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  20. Published or Performed

    Messiaen: Poetics, Polemics and Politics

    Broad, S., 2007, In: Scottish Music Review. 1, 1, p. 83-98 16 p.

    Research output: Contributions to journalsArticlepeer-review