Browse Work

  1. Published or Performed

    Gabriel Fauré, Songs for Bass Voice and Piano

    Howat, R. & Schwartz, J., 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  2. Published or Performed

    Gabriel Fauré, Lydia’s Vocalises

    Howat, R. & Freeman-Attwood, J., 2014

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  3. Published or Performed

    Gabriel Fauré, the Paris Conservatoire and his collected Vocalises

    Howat, R. & Kilpatrick, E., 2013, In: Singing (Journal of the AOTOS). 64, p. 9-13 5 p.

    Research output: Contributions to journalsArticlepeer-review

  4. Published or Performed

    Editorial Challenges in the Early Songs of Gabriel Fauré

    Howat, R. & Kilpatrick, E., 2011, In: Notes. 68, 2, p. 239–283 45 p.

    Research output: Contributions to journalsArticlepeer-review

  5. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Published or Performed

    Debussy, Claude: 10: Musical language

    Howat, R., 2000, The New Grove Dictionary of Music and Musicians. Sadie, S. & Tyrrell, J. (eds.). 2nd ed. London: Macmillan Publishers Limited; 2nd Revised edition edition

    Research output: Contributions to books, editions, reports or conference proceedingsEntry for encyclopedia/dictionarypeer-review

  10. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    What do we perform?

    Howat, R., 1995, The Practice of Performance: Studies in Musical Interpretation. Rink, J. (ed.). Cambridge: Cambridge University Press, p. 3–20 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Chopin’s influence on the fin-de-siècle and beyond

    Howat, R., 1992, The Cambridge Companion to Chopin. Samson, J. (ed.). Cambridge: Cambridge University Press, p. 246–79, 325–7 37 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Ravel and the piano

    Howat, R., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 71–96, 271–3 29 p. (Cambridge Companions to Music).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    Architecture as drama in late Schubert

    Howat, R., 1998, Schubert Studies. Newbould, B. (ed.). Aldershot: Ashgate, p. 168–92 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    Lunch hour concert

    Howat, R., Skærved, P. S. & Heyde, N., 21 Mar 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  22. Published or Performed

    Debussy’s Welte roll of La plus que lente

    Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 356-372 17 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  23. Published or Performed

    Between and beyond the perforations in Debussy’s Welte rolls

    Howat, R., 2023, Claude Debussy: die Klavieraufnahmen. Popović, T. & Mutter, P. (eds.). Hofheim: Wolke Verlag, p. 62-91 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  24. Published or Performed

    Claude Debussy, Intermezzo pour violoncelle et piano

    Howat, R., 12 Mar 2018, Paris: Durand. 15 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  25. Published or Performed

    Lunch hour concert

    Howat, R., 12 Sept 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  26. Published or Performed

    Guest Recital: piano music of Debussy

    Howat, R., Nov 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  27. Published or Performed

    Concert IV: The Piano Music of Claude Debussy

    Howat, R., 13 Oct 2018

    Research output: Performances, compositions and other non-textual formsPerformance

  28. Published or Performed

    Claude Debussy, Pièce pour violoncelle et piano, dite Nocturne et Scherzo

    Howat, R., 12 Mar 2018, Paris: Durand. 17 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reportsScholarly edition

  29. Published or Performed

    Hidden Treasure: Rediscovering La Chanson d’Ève

    Howat, R. & Kilpatrick, E., Nov 2022, In: Journal of singing. 79, 2, p. 145-61 17 p.

    Research output: Contributions to journalsArticlepeer-review

  30. Published or Performed

    Pain and I: audio piece

    Hopfinger, S., May 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  31. Accepted/In press

    Interludes - Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 2022, (Accepted/In press) Diffracting New Materialism: Emerging Methods in Artistic Research . Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  32. Published or Performed

    Living (in) Precarity

    Hopfinger, S., Sept 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 224-227 4 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  33. Published or Performed

    Movements at Knepp

    Hopfinger, S., 2021, Making Routes. Bissell, L. & Overend, D. (eds.). 1 ed. Axminster: Triarchy Press, p. 147-149 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  34. Published or Performed

    With Pain

    Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  35. Accepted/In press

    Creative Research: A Creative Conversation

    Hopfinger, S. & Bissell, L., 2022, (Accepted/In press) In: Performance.org.

    Research output: Contributions to journalsArticlepeer-review

  36. Published or Performed

    Chronic pain, choreography and performance: practices of resilience

    Hopfinger, S., 18 Jan 2021, In: Research in Drama Education: The Journal of Applied Theatre and Performance. 26, 1, p. 121-136 15 p.

    Research output: Contributions to journalsArticlepeer-review

  37. Published or Performed

    Interludes: Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 13 Jul 2023, Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education. Bayley, A. & Chan, JJ. (eds.). 1 ed. Palgrave Macmillan, p. 55-59, 139-144, 185-189, 265-268, 349-353 25 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  38. Published or Performed

    Disability in Performance

    Hopfinger, S., 8 Sept 2023, The Routledge Companion to Contemporary European Theatre and Performance. Remshardt, R. & Mancewicz, A. (eds.). 1 ed. Abingdon: Routledge, p. 453-459 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  39. Accepted/In press

    Dancing with Chronic Pain: Insights Into Ecological Pain

    Hopfinger, S., 2024, (Accepted/In press) Cambridge Companion to Theatre and Ecology. Lavery, C. (ed.). Cambridge University Press

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  40. Published or Performed

    Pain and I - audio

    Hopfinger, S., 1 May 2021

    Research output: Performances, compositions and other non-textual formsPerformance

  41. Published or Performed

    Pain and I: Live Performance, Audio piece, Graphic Score

    Hopfinger, S., Aug 2022

    Research output: Performances, compositions and other non-textual formsPerformance

  42. Published or Performed

    Chronic Pain Performance and Knowledge: Towards a Process with Ecological Pain

    Hopfinger, S., 13 Mar 2024, In: Cultural Studies ↔ Critical Methodologies.

    Research output: Contributions to journalsArticlepeer-review

  43. Published or Performed

    Chronic Pain in Performance: Ecologies of Pain

    Hopfinger, S., 4 Sept 2019.

    Research output: Contributions to conferencesPaper

  44. Published or Performed

    Chronic Pain and Ecological Pain

    Hopfinger, S., 18 Feb 2019.

    Research output: Contributions to conferencesPaper

  45. Published or Performed

    The Politics of Wildness, Play and Disability

    Hopfinger, S., 15 Feb 2020.

    Research output: Contributions to conferencesPaper

  46. Published or Performed

    Practice-led Research Methods: Ecologies of Pain

    Hopfinger, S., 6 Mar 2020.

    Research output: Contributions to conferencesPaper

  47. Published or Performed

    Pain and I

    Hopfinger, S., 2020

    Research output: Performances, compositions and other non-textual formsPerformance

  48. Published or Performed

    Doing the Ecological Through Performance

    Hopfinger, S., 2020, In: Studies in Theatre and Performance. 4.

    Research output: Contributions to journalsArticlepeer-review

  49. Published or Performed

    Wildness and Performance Art: University of Glasgow, College of Arts, Industry Engagement

    Hopfinger, S., 27 Jan 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  50. Published or Performed

    Intergenerational performance ecology: a practice-based approach

    Hopfinger, S., 16 Aug 2018, In: Research in Drama Education: The Journal of Applied Theatre and Performance. 23, 4, p. 499-516 17 p., 4.

    Research output: Contributions to journalsArticlepeer-review