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  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Reading between the lines of tempo and rhythm in the B-flat Sonata, D. 960

    Howat, R., 2003, Schubert the Progressive. Newbould, B. (ed.). Aldershot: Ashgate, p. 117–137 21 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  3. Published or Performed

    Reflection and the Classical Musician: Practice in Cultural Context

    Broad, S. & Hunter, M., Dec 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J. & Gaunt, H. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  4. Published or Performed

    Repetition and Performativity: Site-Specific Performance and Film as Living Monument

    Birch, A., 2012, Performing Site-Specific Theatre. Tompkins, J. (ed.). Palgrave Macmillan

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  5. Published or Performed

    Rivalry, Camaraderie and the Prima Donnas: Elizabeth Billington & Gertrude Mara

    Robertson-Kirkland, B. E., 19 Nov 2018, Exploring the Lives of Women, 1558–1837 . Duckling, L., Read, S., Roberts, F. & Williams, C. D. (eds.). London: Pen and Sword, p. 109-120 11 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  6. Published or Performed

    Robert Macleod: Fife Miner-Poet and Broadside-Maker

    Bennett, M., 2019, Street Literature and the Circulation of Songs. Atkinson, D. & Roud, S. (eds.). Cumbria, UK: The Ballad Partners

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  7. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  8. Published or Performed

    Seduction in Works of Art

    Gonzalez, L., 29 Jul 2016, Seduction in Popular Culture, Psychology, and Philosophy. Martins, C. & Damásio, M. (eds.). Hershey PA: IGI Global, p. 165 187 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  9. Published or Performed

    Shorelines: Choreographies of Remembrance and Forgetting;

    Bissell, L., 9 Aug 2022, Moving Spaces and Places: Interdisciplinary Essays on Transformative Movements through Space, Place, and Time. Emerald Publishing Limited, p. 113-128 ( Emerald Interdisciplinary Connexions).

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  10. Published or Performed

    Sonata for Two Pianos and Percussion

    Howat, R., 1993, The Bartók Companion. Gillies, M. (ed.). London: Faber & Faber, p. 315–30

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  11. Published or Performed

    Spiritus(,) carminis

    McGregor, R., 2013, Spirituality in the 21st Century: Journeys Beyond Entrenched Boundaries. Çelik, D. A., Hochheimer, J. L. & van Moer, W. (eds.). Oxford: Inter-Disciplinary Press, p. 13-22

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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