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  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  3. E-pub ahead of print

    The place and value of composition in the Music curriculum in Scotland

    Jaap, A. S., 2023, (E-pub ahead of print) Routledge Handbook of Teaching Music Composition: International Perspectives. Fautley, M. (ed.).

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  4. Published or Performed

    The Power of Song as the Voice of the People

    Bennett, M., 2013, The Phenomenon of Singing International Symposium IX. Adams, K. & Rose, A. (eds.). St John's Newfoundland: Memorial University, Newfoundland, Canada

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  5. Published or Performed

    The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

    Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  6. Published or Performed

    The Roots of Living Tradition

    Bennett, M., 2013, The Edinburgh Companion to Scottish Traditional Literatures. Gilbert, S. & Dunnigan, S. (eds.). Edinburgh, Scotland: Edinburgh University Press

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  7. Published or Performed

    The Singer behind the Song and the Man behind the Microphone

    Bennett, M., 2011, 'Tis Sixty Years Since: The First People's Festival Ceilidh and the Scottish Folk Revival. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  8. Published or Performed

    Towards convergence: academic studies and the student performer

    Duffy, C. & Harrop, J., 2017, Musicians in the Making: Pathways to Creative Performance. Rink, J., Gaunt, H. & Williamon, A. (eds.). Oxford University Press

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  9. Published or Performed

    Twenty-seven thoughts on one breath

    Gonzalez, L., 2020, On Care. Kivland, S. & Jagoe, R. (eds.). Hastings: Ma Bibliothèque, p. 69-75 7 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  10. Published or Performed

    'Un tas de petits choses' et de petits mystères pour quatre mains

    Howat, R., 2020, André Caplet: compositeur et chef d’orchestre. Herlin, D. & Quesney, C. (eds.). Paris: Société française de musicologie, p. 375-384 10 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  11. Published or Performed

    Wha’s like us? A new Scottish conservatoire tradition

    Duffy, C. & Duesenberry, P., 2013, Advanced Musical Performance: Investigations in Higher Education Learnin. Papageorgi, I. & Welch, G. (eds.). Ashgate

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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