What You Don’t Know Won’t Hurt You? Constructive Omissions in the Title Music
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Examining the song written for the TV show, Dollhouse, as a paratext, both in its full form as epitext and in the truncated form used in the show as peritext, and the way this allows us to read the complex relationship between the Active, Echo, and the original occupant of her body, the absent Caroline.
A previous version of this paper was presented at the 2012 Slayage conference at the University of British Columbia, Vancouver.
|Title of host publication||Reentering the Dollhouse|
|Editors||Heather M. Porter, Michael Starr|
|Publication status||Accepted/In press - 2020|
|Name||Worlds of Whedon|