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  1. Published or Performed

    Potato Wassail (from Three Summer Wassails)

    Doolittle, E. & Cooper, K. L., 21 Apr 2020

    Research output: Other contributions › Other contribution

  2. Published or Performed

    On the Fringe/At the Fringe: Fleshing out Research

    Clarke, C., Sandra, C. & Gilmore, C., 24 Apr 2020, In: Dialogues in Critical Management Studies . 4, p. 25-52

    Research output: Contributions to journals › Article › peer-review

  3. Published or Performed

    The Saxhorn Families

    Myers, A. & Mitroulia, E., May 2020, Adolphe Sax’ Blechblasinstrumente im Kontext ihrer Zeit: Proceedings, 3rd International Romantic Brass Symposium, Bern, February 2014. von Steiger, A., Allenbach, D. & Skamletz, M. (eds.). Schliengen: Edition Argus, p. 18-34 17 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution

  4. Published or Performed

    The revision of the Hornbostel-Sachs classification in 2011 by the MIMO Consortium

    Myers, A. & Birley, M., 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later: Proceedings of the international meeting Venice, 3-4 July 2015. Ghirardini, C. (ed.). Venice: Fondazione Ugo e Olga Levi, p. 167-180 14 p. (Quaderni di Etnomusicologia; vol. 1).

    Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution

  5. Published or Performed

    Using the Second Formant to Achieve Professional Classical Quality in the Male Singing Voice

    Robertson, S., 1 Nov 2014, In: Journal of singing. 71, 2, p. 193-200 8 p.

    Research output: Contributions to journals › Article › peer-review

  6. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  7. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  8. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  9. Published or Performed

    Jean-Jacques Eigeldinger

    Howat, R., 2018, The Cambridge Encyclopedia of Historical Performance Practice in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 208–9 2 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Entry for encyclopedia/dictionary › peer-review

  10. Published or Performed

    Two Editions of Ravel's Piano Trio

    Howat, R., Dec 2013, In: Notes. 70, 2, p. 325-332 8 p.

    Research output: Contributions to journals › Book/Film/Article review › peer-review

  11. Published or Performed

    Chopin’s Etudes and the new Peters Complete Chopin

    Howat, R., Dec 2018, Piano Journal, 118, p. 7-9 3 p.

    Research output: Contributions to specialist professional publications › Article

  12. Published or Performed

    Making sense of Chopin’s Etude in E, op. 10 no. 3

    Howat, R., Apr 2018, Piano Journal, 114, p. 31-33 3 p.

    Research output: Contributions to specialist professional publications › Article

  13. Published or Performed

    Claude Debussy, Trio pour piano, violon & violoncelle

    Howat, R., 2016, Paris: Durand. 88 p. (Œuvres complètes de Claude Debussy)

    Research output: Books, editions or reports › Scholarly edition › peer-review

  14. Published or Performed

    Gabriel Fauré, Complete Songs: Volume 1: 1861–1882; edition for high voice

    Howat, R. (ed.) & Kilpatrick, E. (ed.), 2014, EP 11391a ed. Leipzig, London, New York: Peters Edition. 194 p.

    Research output: Books, editions or reports › Scholarly edition › peer-review

  15. Published or Performed

    Russian imprints in Debussy’s piano music

    Howat, R., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). New York: Oxford University Press, p. 31-51 21 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  16. Published or Performed

    Debussy in proportion: A musical analysis

    Howat, R., 1983, Cambridge: Cambridge University Press. 250 p.

    Research output: Books, editions or reports › Book › peer-review

  17. Published or Performed

    Chopin. pianist and teacher: As seen by his pupils

    Eigeldinger, J-J., Howat, R. (ed.), Shohet, N. (Translator), Osostowicz, K. (Translator) & Howat, R. (Translator), 1986, Cambridge: Cambridge University Press.

    Research output: Books, editions or reports › Book › peer-review

  18. Published or Performed

    The origins of the Œuvres complètes de Claude Debussy

    Howat, R., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 181–92 12 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  19. Published or Performed

    Modernization: From Chabrier and Fauré to Debussy and Ravel

    Howat, R., 2006, French music since Berlioz. Potter, C. & Langham Smith, R. (eds.). Aldershot: Ashgate, p. 197–221 25 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  20. Published or Performed

    Performance as research and vice versa

    Howat, R., 2004, Music research: new directions for a new century. Ewans, M., Halton, R. & Phillips, J. A. (eds.). Amersham: Cambridge Scholars Press, p. 1-14 14 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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