Browse Work

  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Customs – Cleachdaidhean

    Bennett, M., 2014, Tobar an Dualchais:Ulaidh Naiseanta /Kist o Riches: A National Treasure. Wright, C. (ed.). Isle of Skye: Tobar an Dualchais / Kist o Riches

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  3. Published or Performed

    Debussy and the Orient

    Howat, R., 1994, Recovering the Orient: Artists, Scholars, Appropriations. Gerstle, A. & Milner, A. (eds.). Chur: Harwood Academic Publishers, p. 45–81 37 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  4. Published or Performed

    Debussy et le piano

    Howat, R., 1999, Claude Debussy: textes. Kaufmann, M., Herlin, D. & Nectoux, J-M. (eds.). Paris: Radio France / Van Dieren, p. 35–47, 100 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  5. Published or Performed

    Debussy, Bartók és a természeti formák

    Howat, R., 1988, Spirál a Tudományban és Müvészetben. Bérczi, S. & Tusa, E. (eds.). Budapest: Intart, p. 84–107 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  6. Published or Performed

    Debussy’s En blanc et noir and « le souci des proportions »

    Howat, R., 2019, Créer, jouer, transmettre la musique, de la Troisième République à nos jours: Pour Myriam Chimènes. Études réunies. Piéjus, A., Laederich, A. & Debouverie, S. (eds.). Paris: Centre de documentation Claude Debussy, p. 223-243 21 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  7. Published or Performed

    Debussy’s piano music: sources and performance

    Howat, R., 1996, Debussy Studies. R. L. S. (ed.). Cambridge: Cambridge University Press, p. 78–107 30 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  8. Published or Performed

    Developments in Organisation Theory and Organising Music

    Broad, S., Beech, N., Cunliffe, A., Gilmore, C. & Duffy, C., 2015, Organising Music: Theory, Practice, Performance. Beech, N. & Gilmore, C. (eds.). Cambridge: Cambridge University Press, p. 1-24 23 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  9. Published or Performed

    Ethnomusicology

    Broad, S. & Beech, N., 2018, The SAGE Handbook of Qualitative Business and Management Research Methods . Cunliffe, A., Cassell, C. & Grandy, G. (eds.).

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  10. Published or Performed

    Fauré the practical interpreter

    Howat, R., 2021, Fauré Studies. Rumph, S. & Caballero, C. (eds.). Cambridge: Cambridge University Press, p. 170–91 22 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  11. Published or Performed

    From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations

    Bennett, M., 1999, Crosbhealach an Cheoil - the Crossroads Conference, 1996: Tradition and Change in Irish Traditional Music. Vallely, F. (ed.). i m u s i c; 1st edition (22 Aug. 1999)

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  12. Published or Performed

    From Perthshire to Pennsylvania: The Influence of Hamish Henderson on Transatlantic Folklore Studies’

    Bennett, M., 2010, Borne On The Carrying Stream: The Legacy of Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  13. Published or Performed

    Hamish Henderson and Martyn Bennett: Conversations and Collaborations’

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  14. Published or Performed

    Hero's Journey, Heroine's return? Buffy, Euridice and the Orpheus myth

    Halfyard, S., 2014, Reading Joss Whedon. Wilcox, R. V., Cochrane, T. R., Masson, C. & Lavery, D. (eds.). Syracuse, NY: Syracuse University Press, p. 40-52 13 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  15. Published or Performed

    Hosting Hysteria

    Gonzalez, L., 28 Jan 2019, Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Campbell, M. & Vidal, R. (eds.). Palgrave Macmillan, p. 167-184 19 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  16. Published or Performed

    Howard Glasser and Hamish Henderson: Creative Collaboration and Kinship

    Bennett, M., 2015, Anent Hamish Henderson. Bort, E. (ed.). Ochtertyre: Grace Note Publications

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  17. Published or Performed

    Inside rather than under the composer's skin: Another tilt at being Authentic

    Howat, R., 2014, Perspectives on the Performance of French Piano Music. McCarrey, S. & Wright, L. (eds.). Farnham: Ashgate, p. 11-28 18 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  18. Published or Performed

    It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs

    Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  19. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  20. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review

  21. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapterpeer-review