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  1. Chapter › Research › Peer-reviewed
  2. Published or Performed

    Interludes: Entanglements and Response-ability in Intergenerational Performance

    Hopfinger, S., 13 Jul 2023, Diffracting New Materialisms: Emerging Methods in Artistic Research and Higher Education. Bayley, A. & Chan, JJ. (eds.). 1 ed. Palgrave Macmillan, p. 55-59, 139-144, 185-189, 265-268, 349-353 25 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  3. Published or Performed

    It’s Mony’s the Race that I have Run: Interpreting Macaronic Songs

    Bennett, M., 2007, Emily Lyle: : The Persistent Scholar. Fischer, F. J. (ed.). Manz: Wissenschaftlichter Verlag Trier

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  4. Published or Performed

    Jakob Mulmann and sein Dienst am Chor der Don-Kosaken des Serge Jaroff

    Zvereva, S., 2020, Arbeiten und Bibliographien zum Buch- und Bibliothekswessen. Band 17.: Russische Bibliotheken in Deutschland. Berlin: Peter Lang, Vol. 17. p. 81-108

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  5. Published or Performed

    Keyboard

    Howat, R., 2002, A Performer's Guide to Music of the Romantic Period. Burton, A. (ed.). London: ABRSM, p. 29–42 24 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  6. Published or Performed

    La influencia de Chopin en el París del cambio de siglo

    Howat, R., 1999, Falla–Chopin. La música más pura: Estudios de Jim Samson, Roy Howat, Paolo Pinamonti & Víctor Estapé. Gago, L. (ed.). Granada: Archivo Manuel de Falla, p. 31–66 36 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  7. Published or Performed

    Le wagnérisme de Fauré: Pénélope (1913) et les mélodies

    Howat, R. & Kilpatrick, E., 2016, Le wagnérisme dans tous ses états: 1913–2013. Leblanc, C. & Pistone, D. (eds.). Paris: Presses Sorbonne Nouvelle, p. 25–38 14 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  8. Published or Performed

    Les enregistrements historiques des mélodies de Debussy: des sources pour l'interpretation

    Howat, R., 2013, Regards sur Debussy. Fayard

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  9. Published or Performed

    MacMillan’s ‘Mission’ and the Passion settings

    McGregor, R., 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 129-48

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  10. Published or Performed

    Making Ghosts Heard

    Gonzalez, L., Jul 2021, Hysterical Methodologies in the Arts: Rising in Revolt. Braun, J. (ed.). Switzerland: Palgrave Macmillan, p. 257-270 13 p.

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

  11. Published or Performed

    Mapping the use of ICT in creative music practice

    Duffy, C., 2009, Modern Methods for Musicology: Prospects, Proposals and Realities. Ashgate

    Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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