Browse Work

  1. Published or Performed

    When Piping was Strong: Tradition, Change and the Bagpipe in South Uist

    Dickson, J., 9 Mar 2007, Edinburgh: John Donald Publishers Ltd. 336 p.

    Research output: Books, editions or reportsBookpeer-review

  2. Published or Performed

    'Who Cares Who is Speaking?’: An Essay in Style-Criticism

    Fitch, F., 2010, In: Acta Musicologica. 82, p. 49–70 22 p.

    Research output: Contributions to journalsArticlepeer-review

  3. Published or Performed

    Whose Research is it Anyway? Challenges in Documenting Practice-Led Research in Theatre Directing

    Silberschatz, M., 2014.

    Research output: Contributions to conferencesPaperpeer-review

  4. Published or Performed

    Why Scotland Why East Kilbride

    van der Walt, J. S., Forman, S. & Ford, S., 4 Jul 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  5. Published or Performed

    Wild Life

    Hopfinger, S., 2014

    Research output: Performances, compositions and other non-textual formsPerformance

  6. Published or Performed

    Wilding Performance

    Hopfinger, S., 2015, In: Performance Ethos. 5, 1-2, p. 137-144 8 p., 2.

    Research output: Contributions to journalsArticlepeer-review

  7. Published or Performed

    Wilding Performance: developing an ecological practice

    Hopfinger, S., 2015.

    Research output: Contributions to conferencesPaper

  8. Published or Performed

    Wildness and Performance Art: University of Glasgow, College of Arts, Industry Engagement

    Hopfinger, S., 27 Jan 2015

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  9. Published or Performed

    William Chappell and Scottish Popular Music

    McAulay, K., 2008, Musica Scotica Proceedings from 2005/2006 Conferences. Glasgow: Musica Scotica, p. 43-49 7 p.

    Research output: Contributions to books, editions, reports or conference proceedingsConference contributionpeer-review

  10. Published or Performed

    William Sweeney: Tree O'Licht

    Irvine, R. & Pavri, F., 2013

    Research output: Performances, compositions and other non-textual formsCD/DVD/other digital output

  11. Published or Performed

    Wind Orchestra: Concerto Concert

    Boddice, N., Logan, J. & Bousfield, I., 12 Mar 2015

    Research output: Performances, compositions and other non-textual formsPerformance

  12. Published or Performed

    With all we know

    MacDonald, A., 6 Jul 2019

    Research output: Performances, compositions and other non-textual formsPerformance

  13. Published or Performed

    With Pain

    Hopfinger, S., 2020, In Other Words. London: Live Art Development Agency (LADA), p. 28-29 2 p.

    Research output: Contributions to books, editions, reports or conference proceedingsChapter

  14. Published or Performed

    Wollstonecraft Live!

    Birch, A., 24 Sept 2005

    Research output: Performances, compositions and other non-textual formsPerformance

  15. Published or Performed
  16. Published or Performed

    Women's History Special Issue: Women's Education in the Long Eighteenth Century

    Robertson-Kirkland, B. E. (ed.) & Ford, E. (ed.), 10 Feb 2018, 10 ed. Women's History Network. 44 p.

    Research output: Books, editions or reportsAnthologypeer-review

  17. Published or Performed

    Woodwind Department – Clarinets

    Hunt, M., 11 Feb 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  18. Published or Performed

    Woodwind Department: Clarinets on Show

    Searle, O. & Boyle, R., 28 Jan 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  19. Published or Performed

    Woodwind Department: Flute Showcase

    Bryan, K., 4 Nov 2013

    Research output: Performances, compositions and other non-textual formsPerformance

  20. Published or Performed

    Woodwind Department: Remembering David Nicholson

    Morley, R., Mitchell, S. & McGhee, L., 3 Dec 2012

    Research output: Performances, compositions and other non-textual formsPerformance