Browse Work

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Published or Performed
Sound Lab Presents Edit-Point
Cooper, T., MacDonald, A., Salazar, D., Stephenson, J., Bell, L., Cameo Clarinet Quartet & Virgo, N., 15 Jun 2012
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Plug 2
Smith, S., Lizée, N., Lee, S. & Cooper, T., 3 May 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
A Concert of Electroacoustic Music: presented by Alistair MacDonald and Timothy Cooper
MacDonald, A. & Cooper, T., 11 Feb 2013
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Red Note / MusicLab
Walker, G., Grant, D., Beeston, J., Elliot, C., Standley, R., Morley, R., Green, A., Broderick, P., Hunter, T., Smith, S., Brady, G., MacDonald, A., Milroy, F., Cooper, T., Broom, C. & Bacchetti, A., 8 May 2015
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Plug 1: Red Note with RCS MusicLab
Walker, G., Rubtsov, A., Cooper, T., MacDonald, A., Tallan, R., Brabbins, M., Samuel, L., Slimings, J. & Mackay, S., 3 May 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Translating Seascapes
Bissell, L., 2017, Artdotearth.org.
Research output: Contributions to books, editions, reports or conference proceedings › Conference contribution
Accepted/In press
Swim Pretty: Aquatic Spectacles and the Performance of Race, Gender and Culture
Bissell, L., Mar 2019, (Accepted/In press) In: Theatre Journal. p. 124-125
Research output: Contributions to journals › Book/Film/Article review › peer-review
Published or Performed
Tide Times: Responding to Cramond
Bissell, L. & Cooper, T., 12 Mar 2019, In: Body, Space, Technology (e-journal). 18, 1, p. 235–266
Research output: Contributions to journals › Article › peer-review
Published or Performed
The Posthuman Body in Performance
Bissell, L., Oct 2006.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Digital Doubling: The Uncanny in Performance
Bissell, L., 21 Nov 2009.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Amorphous Bodies: The Technological Uncanny in Performance
Bissell, L., 21 May 2010.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
The Female Cyborg as Grotesque in Performance
Bissell, L., 8 Mar 2012.
Research output: Contributions to conferences › Paper
Published or Performed
Deviant Practices: Technological Re-codings of the City through Radical Play
Bissell, L., 5 Sept 2013.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Deviant Practices: Technological Re-codings of the City through Radical Play
Bissell, L., 26 Nov 2012.
Research output: Contributions to conferences › Paper
Published or Performed
Rhythmic Routes: Developing a Nomadic Performance Practice for the Daily Commute” Theatre and the Nomadic Subject – A Mobile Train Conference
Bissell, L. & Overend, D., 9 Apr 2014.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
They Made Me Do It: Technological Interventions into Spectator/Performer Roles
Bissell, L., 16 Apr 2012.
Research output: Contributions to conferences › Paper
Published or Performed
People, Polemic and Play: The Performance of Politics in the Independence Referendum
Bissell, L., 23 Sept 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Rhythmic Routes: Developing a nomadic performance practice for the daily commute
Bissell, L. & Overend, D., 3 Sept 2014.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Rhythmic Routes: Strategies for Performing the Daily Commute
Bissell, L. & Overend, D., 23 Apr 2015.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Rhythmic Routes: Strategies for Performing the Daily Commute
Bissell, L. & Overend, D., 8 Dec 2014.
Research output: Contributions to conferences › Paper
Published or Performed
People, Polemic and Play: The Performance of Politics in the Independence Referendum
Bissell, L., Oct 2015.
Research output: Contributions to conferences › Paper
Published or Performed
Performing Seas
Bissell, L., 7 Jul 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Translating Seascapes
Bissell, L., 29 Jun 2016.
Research output: Contributions to conferences › Paper
Published or Performed
Amorphous Bodies: The Uncanny in Performance
Bissell, L., Sept 2010, In: Body, Space, Technology (e-journal).
Research output: Contributions to journals › Article › peer-review
Published or Performed
Contribution to Theatre, Dance and Performance Training Journal Lexicon of Training Terms
Bissell, L., Mar 2011, Theatre, Dance and Performance Training Journal.
Research output: Other contributions › Other contribution › peer-review
Published or Performed
Performing Seas
Bissell, L., Oct 2016.
Research output: Contributions to conferences › Paper
Published or Performed
Review of CREW’s U_Raging_Standstill
Bissell, L., Jul 2007, In: Body, Space, Technology (e-journal). 7, 1
Research output: Contributions to journals › Book/Film/Article review › peer-review
Published or Performed
"Creativity Is Not The Special Realm Of Artists"
Bissell, L., Sept 2014, National Collective.
Research output: Other contributions › Other contribution
Published or Performed
The Salon Project
Bissell, L., Mar 2012, In: Contemporary Theatre Review. 22, 1
Research output: Contributions to journals › Article › peer-review
Published or Performed
"Reflections on a mobile train conference from Helsinki to Rovaniemi"
Bissell, L. & Overend, D., Feb 2015, In: Cultural Geographies . 22, 4, p. 731 735 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
Pillow Talk: The Legacy of Adrian Howells in Glasgow
Bissell, L. (ed.) & Thorpe, J. (ed.), Jun 2016, It's All Allowed: The Performance of Adrian Howells. Heddon, D. & Johnson, D. (eds.). Bristol, p. 288 299 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter
Published or Performed
“Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute”
Bissell, L. & Overend, D., Dec 2016, Humanities: Deep Mapping. Roberts, L. (ed.). p. 476 499 p.
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review
Published or Performed
"Screen-casting as a Technology-enhanced Feedback Mode"
Bissell, L., Jan 2017, In: Journal of Perspectives in Applied Academic Practice. 5, 1, p. 4-12
Research output: Contributions to journals › Article › peer-review
Published or Performed
Diffusing Data Morgana
Cooper, T., 29 Apr 2016.
Research output: Contributions to conferences › Paper
Published or Performed
Water matters: TUG onboard and TUG footpath
Bissell, L., 7 Apr 2016, In: Studies in Theatre and Performance. 36, 2, p. 177-190 13 p.
Research output: Contributions to journals › Article › peer-review
Published or Performed
The Female Cyborg as Grotesque in Performance
Bissell, L., 2013, In: International Journal of Performance Arts & Digital Media. 9, 2, p. 261 - 274
Research output: Contributions to journals › Article › peer-review
Published or Performed
Deviant Practices: Technological Re-codings of the City through Radical Play
Bissell, L., 2013, In: Body, Space, Technology (e-journal).
Research output: Contributions to journals › Article › peer-review

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Browse Work

Sound Lab Presents Edit-Point

Plug 2

A Concert of Electroacoustic Music: presented by Alistair MacDonald and Timothy Cooper

Red Note / MusicLab

Plug 1: Red Note with RCS MusicLab

Translating Seascapes

Swim Pretty: Aquatic Spectacles and the Performance of Race, Gender and Culture

Tide Times: Responding to Cramond

The Posthuman Body in Performance

Digital Doubling: The Uncanny in Performance

Amorphous Bodies: The Technological Uncanny in Performance

The Female Cyborg as Grotesque in Performance

Deviant Practices: Technological Re-codings of the City through Radical Play

Deviant Practices: Technological Re-codings of the City through Radical Play

Rhythmic Routes: Developing a Nomadic Performance Practice for the Daily Commute” Theatre and the Nomadic Subject – A Mobile Train Conference

They Made Me Do It: Technological Interventions into Spectator/Performer Roles

People, Polemic and Play: The Performance of Politics in the Independence Referendum

Rhythmic Routes: Developing a nomadic performance practice for the daily commute

Rhythmic Routes: Strategies for Performing the Daily Commute

Rhythmic Routes: Strategies for Performing the Daily Commute

People, Polemic and Play: The Performance of Politics in the Independence Referendum

Performing Seas

Translating Seascapes

Amorphous Bodies: The Uncanny in Performance

Contribution to Theatre, Dance and Performance Training Journal Lexicon of Training Terms

Performing Seas

Review of CREW’s U_Raging_Standstill

"Creativity Is Not The Special Realm Of Artists"

The Salon Project

"Reflections on a mobile train conference from Helsinki to Rovaniemi"

Pillow Talk: The Legacy of Adrian Howells in Glasgow

“Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute”

"Screen-casting as a Technology-enhanced Feedback Mode"

Diffusing Data Morgana

Water matters: TUG onboard and TUG footpath

The Female Cyborg as Grotesque in Performance

Deviant Practices: Technological Re-codings of the City through Radical Play

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