Browse Work

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2016
Published or Performed
Choral Blend: The Use of Real Time Spectrograph Data in a Choral Rehearsal
Slimings, J., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Moving Sites: Investigating Site-Specific Dance Performance’ by Vicky Hunter, ed.
Whiteside, B., 2016, In: Scottish Journal of Performance. 3, 1
Research output: Contributions to journals › Book/Film/Article review
Published or Performed
Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation
Whiteside, B., 2016, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
Scottish Ballet’s Dancers’ Education Group: An Evaluation
Whiteside, B., 2016.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
The Great Artistry versus Difficulty Debate: Code of Points (CoP) in Women’s Artistic Gymnastics (WAG)
Whiteside, B., 2016.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Towards a pedagogical approach in using real time spectrograph data in the choral rehearsal
Slimings, J., 2016
Research output: Performances, compositions and other non-textual forms › Exhibition
Published or Performed
Plug 1: Red Note with RCS MusicLab
Walker, G., Rubtsov, A., Cooper, T., MacDonald, A., Tallan, R., Brabbins, M., Samuel, L., Slimings, J. & Mackay, S., 3 May 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
1808 Beethoven Academie Concert: BBC Scottish Symphony Orchestra
Slimings, J., Dean, T. & Søndegard, T., 2 Oct 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Hilary Rosin Coffee Concerts
Shorr, A. J., Rudokas, P., Ro, H-J., Dean, T. & Slimings, J., 20 Nov 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Song Studio
Savaloni, S., Dean, T. & Slimings, J., 21 Nov 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
Vocal Jazz: Blue Monday
Slimings, J. & Broom, C., 28 Nov 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
A Boy Was Born: RCS Voices
Slimings, J., Dean, T. & McPhee, G., 7 Dec 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
RCS Chorale: First Steps
Slimings, J. & Gormley, J., 9 Dec 2016
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
RCS Choir & Orchestra at Christmas: St Mary's Cathedral
Slimings, J. & Dean, T., 13 Dec 2016
Research output: Performances, compositions and other non-textual forms › Performance
2017
Published or Performed
‘See dancing’s taking over my life. Parkinson’s isn’t the problem. It’s the dancing!’: Evaluating the Dance for Parkinson’s Scotland (DfPS) programme
Whiteside, B., 2017.
Research output: Contributions to conferences › Poster › peer-review
Published or Performed
Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).
Whiteside, B., 2017.
Research output: Contributions to conferences › Paper › peer-review
Published or Performed
Dance for Parkinson's Scotland (DfPS) Programme: An Evaluation
Whiteside, B., 2017, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
Messiaen and Martin: Cinq Rechants pour 12 voix mixtes and Mass for Double Choir
Slimings, J. & Dean, T., 2017
Research output: Performances, compositions and other non-textual forms › Performance
Published or Performed
'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation
Whiteside, B., 2017, Royal Conservatoire of Scotland.
Research output: Books, editions or reports › Commissioned report
Published or Performed
The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.
Whiteside, B., 2017, Collaborative Intimacies in Music and Dance: Anthropologies In/Of Sound and Movement.. Karampampas, P. & Chrysagis, E. (eds.). Berghahn Books, (Dance and Performance ).
Research output: Contributions to books, editions, reports or conference proceedings › Chapter › peer-review

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Browse Work

Choral Blend: The Use of Real Time Spectrograph Data in a Choral Rehearsal

Moving Sites: Investigating Site-Specific Dance Performance’ by Vicky Hunter, ed.

Scottish Ballet’s Dancers’ Education Group (DEG): An Evaluation

Scottish Ballet’s Dancers’ Education Group: An Evaluation

The Great Artistry versus Difficulty Debate: Code of Points (CoP) in Women’s Artistic Gymnastics (WAG)

Towards a pedagogical approach in using real time spectrograph data in the choral rehearsal

Plug 1: Red Note with RCS MusicLab

1808 Beethoven Academie Concert: BBC Scottish Symphony Orchestra

Hilary Rosin Coffee Concerts

Song Studio

Vocal Jazz: Blue Monday

A Boy Was Born: RCS Voices

RCS Chorale: First Steps

RCS Choir & Orchestra at Christmas: St Mary's Cathedral

‘See dancing’s taking over my life. Parkinson’s isn’t the problem. It’s the dancing!’: Evaluating the Dance for Parkinson’s Scotland (DfPS) programme

Ambidexterity within the Professional Ballet World: Scottish Ballet’s Dancers’ Education Group (DEG).

Dance for Parkinson's Scotland (DfPS) Programme: An Evaluation

Messiaen and Martin: Cinq Rechants pour 12 voix mixtes and Mass for Double Choir

'The Close', Scottish Ballet's Flagship Project for At-Risk Young People: An Evaluation

The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman.

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